While the trailers for Zack Snyder’s Batman v Superman felt like one massive spoiler (“So, Doomsday
shows up then?”), the marketing team for Dan Trachtenberg’s 10 Cloverfield Lane have done the opposite,
showing virtually nothing of the film and teasing us with comments like, it’s a
“blood relative” to JJ Abrams’s 2008 handheld horror hit, Cloverfield. There’s a reason for this: The less you know, the more
you’ll get out of it.
The film opens with Michelle (Mary Elizabeth Winstead – Scott Pilgrim vs. The World) packing her
bags and making a run for it. Whilst driving, arguing on the phone with her now
ex-boyfriend, she crashes the car and knocks herself out. Waking, Michelle
finds herself in an underground bunker, home of Howard (John Goodman – Monsters Inc., The Big Lebowski – all-round acting legend), a conspiracy theorist
who is convinced there has been a chemical, even nuclear attack on America, and
is keeping her safe. Michelle realises that Howard is not all he seems, questioning
what his real motives might be.
10
Cloverfield Lane gets a lot of things right. First off, the
acting. Unlike most female leads in a horror or suspense thriller, Michelle has
brains, doing everything you or I would do in this situation. She asks all the
right questions, looking for new and inventive ways to escape. You care about
Michelle rather than feeling like you’re forced to, because she takes up ninety
percent of the screen time.
The real star of the show here is John Goodman, who
flexes his acting chops in a complex, but subtle performance. When Goodman’s
Howard arrives, you don’t trust him. He waits before he speaks, mulling over
what he is about to say. He stares at you rather than looks at you, like he is
constantly trying to work you out. Also, he has a violent, volatile temper.
Virtually all of the film’s tension comes courtesy of Goodman; you struggle to
predict what he will do next.
John Gallagher Jr. does a decent enough job as Michelle’s
fellow prisoner Emmett, but you get the feeling he’s around to provide the
comedy; he drops a well-timed one liner here-and-there, but that’s about it.
There are moments of real, shuffle round in your seat
tension in Josh Campbell, Matthew Stuecken, and Damien Chazelle’s script; two
highlights being a dinner scene, where Winstead tries to steal Howard’s keys
off him, and a harmless guessing game that becomes increasingly uncomfortable. The
trouble is, while I didn’t know what to expect from 10 Cloverfield Lane, at the very least, I was expecting something
claustrophobic, nail-biting throughout, and while the film has some
well-crafted set pieces, there aren’t many. There were times when I was wishing
Goodman would come back onscreen, so things would start getting interesting
again.
Just as Speed
went downhill once Keanu Reeves and Sandra Bullock got off the bus, or Tom
Cruise and Jamie Foxx got out the taxi in Collateral,
the minute Winstead escapes the bunker (that’s not a gigantic, Batman v Superman spoiler, folks),
things take a drastic turn for the worse. 10
Cloverfield Lane will keep you guessing just what the hell is going on,
you’ll be coming up with all sorts of crackpot, inventive theories. When you
finally find out, it’s hard not to feel the tiniest bit disappointed.
You have to praise 10
Cloverfield Lane for being ninety-odd minutes set in virtually one location
and coming up with some smart, squirm-inducing scares. The characters aren’t
your usual horror clichés either, both Goodman and Winstead having plenty to
do.
With sequels and reboots being Hollywood’s modus operandi
at the moment, it’s great to see a sequel that tries to do something different,
to bend and sometimes break the rules set up by the first film (admittedly, the
script started off as a stand-alone horror before JJ Abrams got wind of it).
While 10 Cloverfield Lane doesn’t
entirely succeed, it’s enjoyable enough, and John Goodman turns the film up several
notches whenever he shows up. It’s just a crying shame that Trachtenberg’s
debut wasn’t the minute-after-minute, pulse pounding thrill ride I hoped for.
3 out of 5
Matt
I quite enjoyed Cloverfield, and the whole mystery surrounding the film preceding the launch. This one kind of came out of nowhere, and I'm tempted to give it a shot. It's a shame that it doesn't quite hit the right notes, but it sounds like an interesting watch.
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