When an MI6 spy is murdered in Berlin and a list of active double agents stolen, fellow operative Lorraine Broughton must retrieve it. Her contact in Berlin, David Percival, has gone native, enthralled to the sleazy, scuzzy side of the city. With days to go before the Berlin Wall comes down, it's a race against time to find the list and prevent it from falling into the hands of the Soviets. But there's a double agent- codenamed Satchel- who could throw a spanner in the works.
Atomic Blonde is based on the graphic novel series The Coldest City by Antony Johnson and Sam Hart. Now, I went into the film knowing very little about it: I knew it had Charlize Theron in it, I knew it had a 1980s setting and... that was about it.
It is true that, plot-wise, it's not the most original story- spy must retrieve (insert McGuffin here) but there's a double agent in the midst and so on. However, setting it in Berlin in the final days before the Wall came down is an inspired choice and there's an authentic feel to the fashion and the music to evoke the era. The film's style also marks it out; it's cool without trying to be cool and there's a gritty feel to the Berlin underground which I liked.
Director David Leitch used to be a stuntman, so the fight scenes have been choreographed and shot really well. Whilst they are stylised, they're also absolutely brutal and, what's even better, is they show the combatants struggling to breathe and struggling to stand (as you would if you've had seven bells kicked out of you). They're not invincible super-soldiers; they're real flesh and blood people. There are several scenes of Lorraine sitting in an ice bath to help repair her battered body.
Charfize Theron gives a truly kickass performance as Lorraine. Reminiscent in places of Angelina Jolie in Wanted, she owns every scene she's in. James McAvoy is great as Percival, a slippery and morally flexible guy who lives for the double-dealing and duplicity of the city. In some ways, Lorraine and Percival function as a rather dysfunctional buddy comedy- she the inexperienced newbie, he the grizzled old veteran- but that's just one side to a complex and complicated relationship.
There's able support from Toby Jones as Lorraine's MI6 superior who interviews her about Berlin; John Goodman shines as a CIA agent who has an interest in the case. Eddie Marsan is great as a former Stasi officer who wants to defect (and has memorised the list), plus there's nice turns by Bill Skarsgard as Lorraine's assistant Merkel, and Sofia Boutella as a seductive French agent.
This has been a year of strong movie soundtracks and Atomic Blonde has one of the best I've heard this year: 'Blue Monday' by New Order, 'Cat People' by David Bowie, 'Father Figure' by George Michael, 'London Calling' by The Clash, 'Under Pressure' by Queen & David Bowie and '99 Luftballons' by Nena all play their part in creating the world of the film.
I thoroughly enjoyed Atomic Blonde, and more so for the vast majority of the film being a surprise. Definitely worth watching.
Rating: 4.5 out of 5
Tez
After tackling the 1960s in First Class and the 1970s in Days Of Future Past, the new X-Men franchise reaches the 1980s with Apocalypse.
It's 1983 and an ancient mutant, En Sabah Nur/Apocalypse (Oscar Isaac), is awoken in Cairo. Recruiting mutants- including a grieving Magneto (Michael Fassbender)- to serve as his Four Horsemen, Apocalypse seeks to raze the world and rebuild it. Professor Charles Xavier (James McAvoy) and his mutant charges must help to stop Apocalypse from completing his plan.
There are some particularly strong action setpieces- one shows off the speedster skills of Quicksilver (Evan Peters) to the tune of 'Sweet Dreams (Are Made Of This)' by the Eurythmics, whilst another shows exactly how Jean Grey (Sophie Turner), Cyclops (Tye Sheridan) and Nightcrawler (Kodi Smit-McPhee) get out of the Weapon X facility; a moment sadly spoiled by the latest trailer to be released. If that particular reveal had been left secret, it would have made a really brilliant moment even more so.
Performances are generally strong across the board, especially amongst the younger generation of mutants with Sophie Turner a real standout as the young Jean Grey. The returning cast- Fassbender, McAvoy, Hoult and Lawrence- fit back into their roles with no issues, with Fassbender really giving an air of gravitas and woundedness to his role. The only bum note is Oscar Isaac's curiously uncharismatic Apocalypse (but that's more to do with the writing than his performance, I think).
My main gripe about X-Men: Apocalypse is that it never seems to kick into top gear. Both First Class and especially Days Of Future Past crank up the adrenaline towards the final act, but Apocalypse never seems to quite get there. The final smackdown between Apocalypse and his Horsemen and the X-Men is good- especially its resolution- but it never feels epic. It also doesn't help that several characters really get shortchanged, with Angel/Archangel (Ben Hardy) and Psylocke (Olivia Munn) virtually relegated to the sidelines.
The film is a lot of fun and is enjoyable, and is a perfectly good ending to this trilogy. And hey any film that's content to throw a bit of shade at X-Men: The Last Stand is good with me.
Rating: 4 out of 5
Tez
Comic-book movies sometimes get a raw deal. They're perceived as low-brow popcorn-fodder, a sit-back-and-watch-things-go-boom experience. Basically, they're lumped in with Michael Bay films. However, that is far from the truth. Comic-book movies deal with huge themes- love, trust, truth, faith, death- and are much more than just a vivid spectacle. Captain America: The Winter Soldier plays out like a paranoid 1970s thriller with added superhero, The Amazing Spider-Man 2 deals with loss and betrayal, and now X-Men: Days Of Future Past asks questions about the nature of history, fate and destiny.
In a future ravaged by war, mutants and their sympathisers are hunted down and ruthlessly exterminated by massive killer robots known as the Sentinels. A small group of mutants- led by Professor X (Patrick Stewart) and Magneto (Ian McKellen)- have a plan to end the war. Using Kitty Pryde's (Ellen Page) powers, Wolverine (Hugh Jackman) is sent back to 1973. He must reunite a separated Charles (James McAvoy) and Erik (Michael Fassbender) and, together, they must stop Mystique (Jennifer Lawrence) from assassinating Sentinel creator Bolivar Trask (Peter Dinklage) at the Paris Peace Accord which ends the Vietnam War. Trask's death and Mystique's subsequent capture are the tipping point which brings about the war. But can they change the past?
It's a truly epic piece of film-making. Singer's direction is slick, the big action set-pieces look amazing (the opening scene featuring a Sentinel attack on a mutant camp in Moscow is just absolutely breath-taking) but the smaller, quieter character moments also work- there's a fantastic scene between McAvoy and Stewart as the younger generation meets the older which is just sublime. The period detail of the 1970s is nicely realised- there's a great opening sight-gag involving lava lamps and waterbeds which raised a giggle- and the soundtrack is also worthy of mention (taking in Eartha Kitt, Roberta Flack and Jim Croce).
Performance-wise, there's absolutely no complaints. Given that the lion's share of the action goes to Jackman, Fassbender, McAvoy and Lawrence, it's no surprise that they're all at their A-game here. This is the seventh time Jackman's played Wolverine and he completely inhabits the character every time. McAvoy's performance is stunning, as he goes from a wreck of a man to the man we know he can be. Fassbender is smooth and suave and there are echoes of McKellen in his tone. Lawrence is just superb as Mystique- she is the tipping point, the fulcrum. There's a lot of weight on her shoulders but she handles it with aplomb.
Other performances worthy of note are Peter Dinklage as Trask- what could have easily been a cardboard cut-out stereotypical villain is given nuance and heart by Dinklage, making Trask almost likeable- and Nicholas Hoult as Hank McCoy, acting as nurse and companion to Charles. There's also a sterling performance by Evan Peters as Quicksilver, a superfast mutant who helps reunite Charles and Erik in what is one of the most inventive and funniest scenes in the film. There are also a few lovely and unexpected cameos towards the end that I won't spoil and a post-credits scene that gives a tantalising glimpse at the next film (due in 2016).
Be warned, though: this is not a film for people new to the X-Men franchise. You need to have seen the previous films (and, sadly, I do include X-Men: The Last Stand in that) to really have a handle on the what and why. For example, a lot of the pathos that comes from Professor X and Magneto's relationship- despite being immaculately played by Stewart and McKellen- is based on knowing what they've previously been through (as it's only given the most cursory of mentions). Similarly, some of Wolverine's angst might seem a bit confusing if you don't know what's happened to him. Also, given the large cast, despite an extensive run-time of 131 minutes, some characters feel a little underused- Halle Berry's Storm, for instance- whilst the vast majority of Anna Paquin's scenes as Rogue hit the cutting-room floor.
So, with the caveat in place that you need to have seen previous X-Men films before seeing this one, I would heartily recommend X-Men: Days Of Future Past. Engaging, epic and excellent.
Rating: 5 out of 5
Tez
The Watchers Film Show: Ep 30 from
The Watchers Film Show on
Vimeo.
Programme 30 is here to view!
In it, we discuss our favourite films of the 1970s- from seminal sci-fi to cult cross-dressing- as well as reviews of Danny Boyle's latest Trance and Olympus Has Fallen.
We also take a look at Marvel's latest- the superhero romp Iron Man 3. But is it worthy of a gold medal- or should it be left to rust in peace?
Enjoy!
