Awards Season 2023: The 95th Academy Awards

So the curtain has come down on awards season 2023 with tonight's 95th Academy Awards. No slaps, no f-bombs, no awards accidentally given to other films, and no massively major shocks. Overall, a joyous evening. 

Returning to host for a third time, Jimmy Kimmel did pretty well in his opening monologue, starting by being parachuted in by Tom Cruise's Maverick. Yes, there were mentions of the slap a few time but didn't overdo it, and also a sly dig at the traditional (over)length of the telecast [although the broadcast took about 3hrs 30m which is average], and one of two little barbs slung at Matt Damon (Kimmel's nemesis, or so he would have us believe). Kimmel was an affable presence, even if him asking Nobel laureate Malala Yousafzai if she thought Harry Styles did spit on Chris Pine was one of the more WTF moments of the night. 

Musical numbers were a mixed bag - whilst the production of "Naatu Naatu" from RRR was an absolute riot, and the stripped-back version of "Hold My Hand" was sublime, I can only describe the performance of "This Is A Life" from Everything Everywhere All At Once as a sixth-form drama student's fever-dream (complete with David Byrne wearing hot-dog fingers). 

The set design for this year's even was beautifully done, very art deco (well, we are technically back in the Roaring Twenties). There was also an interesting use of technology with QR codes shown onscreen which would give more information about nominees in an upcoming category. 

Onto the awards themselves.

Five out of six ain't bad, although I expected the category I would struggle to get right was Best Actress. The audience reaction to Ke Huy Quan's win was just wonderful; he had a lot of goodwill in that room, and he was clearly very moved by it all. Jamie Lee Curtis' lovely acceptance speech highlighted the people around her, by saying "we won an Oscar". Ruth Carter very touchingly dedicated her award for Costume Design for her work on Black Panther: Wakanda Forever to her 101-year old mother who sadly passed away this week. Another particularly lovely bit was the cast and crew of An Irish Goodbye using part of their acceptance speech time to get the assembled audience to sing "happy birthday" to cast member James Martin.  

 

The biggest winner of the evening was Everything Everywhere All At Once, taking home seven awards. All Quiet On The Western Front won four Oscars, whilst the only other film to win multiple awards was The Whale (winning two of its three nominations)

Despite multiple nominations, The Banshees of Inisherin, Elvis, The Fabelmans, Tár, Babylon, The Batman, and Triangle Of Sadness all went away empty-handed. 

Below is the full list of winners at the 95th Academy Awards:

Best Motion Picture of the Year: Everything Everywhere All At Once

Best Actor: Brendan Fraser (The Whale)

Best Actress: Michelle Yeoh (Everything Everywhere All At Once)

Best Supporting Actor: Ke Huy Quan (Everything Everywhere All At Once)

Best Supporting Actress: Jamie Lee Curtis (Everything Everywhere All At Once)

Best Director: Daniel Kwan and Daniel Scheinert (Everything Everywhere All At Once)

Best Original Screenplay: Daniel Kwan and Daniel Scheinert (Everything Everywhere All At Once)

Best Adapted Screenplay: Sarah Polley (Women Talking)

Best Animated Feature Film of the Year: Guillermo del Toro's Pinocchio

Best International Feature Film of the Year: All Quiet On The Western Front

Best Cinematography: All Quiet On The Western Front

Best Film Editing: Everything Everywhere All At Once

Best Production Design: All Quiet On The Western Front

Best Costume Design: Black Panther: Wakanda Forever

Best Makeup and Hairstyling: The Whale

Best Original Score: All Quiet On The Western Front

Best Original Song: "Naatu Naatu" (RRR)

Best Sound: Top Gun: Maverick

Best Visual Effects: Avatar: The Way Of Water

Best Documentary (Feature): Navalny

Best Documentary (Short Subject): The Elephant Whisperers

Best Animated Short Film: The Boy, The Mole, The Fox, And The Horse

Best Live Action Short Film: An Irish Goodbye

Congratulations to all winners!

And now, if you'll excuse me, I'm off to bed. It's very nearly 5:30am here. Time to pack this nonsense away until the end of the year. 

Awards Season 2023: Film Independent Spirit Awards Nominations

Today (Tuesday 22nd November) saw the announcement of the nominees for the 38th Film Independent Spirit Awards, announced by Taylour Paige (Ma Rainey's Black Bottom, Zola) and Raúl Castillo (The Inspection, Army Of The Dead).  

As you're probably aware by now, these awards recognise films made wholly or partly outside the traditional studio system. From this year, the budget for eligible films has been increased to $30 million. 

Also, from this year, the Film Independent Spirit Awards are making their acting categories (for both film and television) gender neutral; for the film awards, the categories will be Best Lead Performance and Best Supporting Performance (with up to ten nominees in each category). 

Below is a selection of nominations:

Best Feature

Bones And All

Everything Everywhere All At Once

Our Father, The Devil

Tár

Women Talking

Best Director

Todd Field (Tár)

Kogonada (After Yang)

Daniel Kwan & Daniel Scheinert (Everything Everywhere All At Once)

Sarah Polley (Women Talking)

Halina Reijn (Bodies Bodies Bodies)

Best Lead Performance

Cate Blanchett (Tár)

Dale Dickey (A Love Song)

Mia Goth (Pearl)

Regina Hall (Honk For Jesus, Save Your Soul)

Paul Mescal (Aftersun)

Aubrey Plaza (Emily The Criminal)

Jeremy Pope (The Inspection)

Andrea Riseborough (To Leslie)

Taylor Russell (Bones And All)

Michelle Yeoh (Everything Everywhere All At Once)

Best Supporting Performance

Jamie Lee Curtis (Everything Everywhere All At Once)

Brian Tyree Henry (Causeway)

Nina Hoss (Tár)

Brian d'Arcy James (The Cathedral)

Ke Huy Quan (Everything Everywhere All At Once)

Trevante Rhodes (Bruiser)

Theo Rossi (Emily The Criminal)

Mark Rylance (Bones And All)

Jonathan Tucker (Palm Trees And Power Lines)

Gabrielle Union (The Inspection)

A full list of nominees can be found here.

Everything Everywhere All At Once leads the field with eight nominations; Tár has seven, whilst Aftersun has five. 

The Film Independent Spirit Awards will be given out in a ceremony on the Santa Monica beachfront on Saturday 4th March 2023.  

Congratulations to all nominees!

So, we are off again on the awards trail. Next stop is in a couple of weeks with the Golden Globe nominations. 

Review: Knives Out (UK Cert 12A)

Renowned mystery writer Harlan Thrombey is found dead in his attic study. It looks like he's died by his own hand? But is that really what happened? Gentleman sleuth Benoit Blanc is hired by an unknown benefactor to investigate Harlan's death and finds that foul play has indeed been done. But who in the household would have murdered the old man? In traditional Agatha Christie style, more than one person had reason to want him dead. Blanc must utilise his skills to work out what really happened... 

Rian Johnson (Looper, Star Wars: Episode VIII - The Last Jedi) directs an all-star cast star- including Chris Evans, Daniel Craig, Christopher Plummer, and Jamie Lee Curtis-  in a fitfully funny, cleverly plotted mystery that will have audiences talking long after the credits finish. 

When Johnson was editing the film, he tweeted out a series of movie posters which he was using as inspiration for Knives Out. These included the all-star Christie adaptations of the 1970s and 1980s (including Murder On The Orient Express, The Mirror Crack'd, and Death On The Nile) as well as comedy murder mysteries (Clue and Murder By Death) and period thrillers (Gosford Park). You can feel those influences throughout - the all-star cast, the trail of clues, cross-examinations in large rooms, the old overstuffed house- but Johnson puts his own spin on these, and on the tried-and-tested tropes of the genre. 

Performances are solid throughout. Daniel Craig affects a mellifluous Southern accent as gentleman detective Blanc, initially a taciturn presence with a mind as sharp as one of Harlan's many knives. He lays on the charm as he works through the case, ably assisted by two policemen: Lieutenant Elliott (LaKeith Stanfield) and Trooper Wagner (Noah Segan). Elliott is a traditional by-the-numbers cop, trying to get answers against Blanc's occasional flights of fancy. Wagner provides comedy relief as a star-struck nerd who fanboys over Harlan's works. The three performances work together very well.

Jamie Lee Curtis is tough and forthright as eldest child Linda, married to a shifty sod named Richard (a delightfully unctuous performance by Don Johnson), whilst there are laughs to be had by Toni Collette as a slightly airheaded lifestyle-guru-cum-influencer (imagine Gwyneth Paltrow and her Goop enterprise and you're not far off). Michael Shannon gives a wounded air of melancholy as Harlan's son Walt, publisher of his father's works. Katherine Langford and Jaeden Martell play members of the younger generation of Thrombeys but their characters aren't particularly fleshed out, being more "types" than people (more on that in a moment). Seen almost exclusively in flashback, Plummer makes for a warm yet strict character (in the sense that, once his mind is made up, it isn't being changed) and it's interesting to see his interactions with various family members. 

Rounding off the cast nicely are Chris Evans as Harlan's playboy grandson Ransom (the polar opposite of Captain America), and Ana de Armas who plays Harlan's nurse Marta. Marta is recruited by Blanc to help with the investigation, as Marta has a rather unusual trait which Blanc describes as "a regurgitative reaction to mistruths". She is physically incapable of lying, because she vomits if she does. This comes into play a few times during the film, only once graphically, but it provides a darkly amusing counter to the cerebral workout that Blanc goes through to work out who the killer is. 

As a murder mystery, it's well plotted - the dripfeed of information, misinformation, red herrings, half-truths and downright lies comes at a good pace, and there's a couple of times where the rug is pulled out from under you as what you've seen (or, more accurately, what you THINK you've seen) proves to not be the case. It's not convoluted, it doesn't disappear up its own fundament, doesn't rely on cheap tricks or obfuscation, and doesn't rely on a massive leap of logic to solve it. I was impressed by that. I also didn't work out the solution, but the solution presented didn't feel wrong. There are some clever moments that, on a repeated viewing (thus knowing the solution), will have greater significance. 

One thing, however, that lets the film down for me slightly is the politics. Some sly bits of subtle commentary are interesting and work well (for instance, the Thrombeys claim Marta is "part of the family" but they don't seem to know which country her family's originally from: Cuba, Ecuador, and Paraguay are all mentioned) but some bits get a bit too on-the-nose. Langford's character Meg is described as attending a liberal arts college, so automatically gets called a "snowflake" at one point, whilst Martell's character Jacob is permanently attached for his phone and is described as an alt-right sympathiser and troll. All very pertinent in these polarised and divisive times. But on both of these cases, we're just told this rather than shown it. There's also a conversation between Richard and some of the others, re: Trump, which again feels a little unnecessary- Richard has already been shown to be an absolute raging douchebag so to drive that point home by having him espouse the usual Republican line about immigrants (and humiliating Marta into the bargain) felt a bit pointless to me. 

That's a minor niggle, and not enough to ruin the film for me. It's a well-cast, beautiful-looking film (kudos to the production designer, the art designer, the set decoration and the costume designer) and the central mystery is engaging and expertly-constructed. A fine whodunit, and a late addition to my Nice List for 2019. 

Rating: 4 out of 5

Tez