The Watchers

The Watchers
Showing posts with label rooney mara. Show all posts
Showing posts with label rooney mara. Show all posts

Monday, 30 January 2017

Review: Lion (UK Cert PG)


Biopics are pretty much catnip to the awards organisations, so it's not been any surprise that Lion has been up for loads of awards. 

It's the very moving true story of Saroo Brierley, a young man who- as a boy- got separated from his family in rural India, found himself alone in Calcutta and put in an orphanage, before eventually being adopted by an Australian couple. As he grew up, Saroo always wondered about his birth family and eventuall started using Google Earth to try and track his biological family down. 

I will happily admit to a few tears along the way, such is the power of the story. I never felt blatantly emotionally manipulated by the film, which is a credit to Luke Davies' script (adapted from Saroo's memoir) and to the amazing performances by the talented ensemble cast.

I am always a bit wary about films which have child actors as a main part of the story, in case the child comes across as annoying, too cutesy, too saccharine or an old soul in a young body (which can be irritating). However, Lion has a real star in the making in Sunny Pawar, the young actor who plays Saroo as a child. Your heart absolutely breaks for him as he's left alone in a huge, noisy city with people who speak a language he can't understand. The film also adeptly shows the dangers that street children can face (from being abducted or chased by the police); there isn't any kind of sugar-coating to make Saroo's estrangement palatable. The other main child actor Abhishek Bharate, who plays Saroo's biological older brother Guddu, is also very strong and the two young actors have a real believable rapport.

I am a huge fan of Nicole Kidman and have been for over 20 years (I kind of fell in love with her a bit when I first saw Batman Forever) but her performance here as Sue Brierley, Saroo's adoptive mother, is one of her strongest performances to date. There's one particular scene- a conversation between Sue and the adult Saroo, where they talk about adopting children rather than having their own- which was the first time I cried during the film. It's a warm, loving performance which helps to form the emotional backbone of the film and she's equally matched by David Wenham as her husband John. 

As the adult Saroo, struggling with the weight of his past and determined to find the truth, Dev Patel is also strong. Conflicted between what he sees as a privileged upbringing, miles away from his own home, Patel's performance is honest and authentic. As Saroo's girlfriend Lucy, Rooney Mara adds yet another accomplished performance to her filmography. Supportive of Saroo's quest, even at the cost of their relationship, Lucy is there as the parts of the story start to come together. 

This is director Garth Davis' feature film debut (having directed television, documentary and short films before). It's a quietly assured debut which saw a surprise nomination by the Directors' Guild of America earlier this month. Whilst I can't describe the film as 'feel-good' (there's a real current of bittersweetness that runs through the film, even at the end), it's uplifting and it's emotional. Go see it, but make sure you bring a tissue or two.

Rating: 4 out of 5

Tez

Wednesday, 13 January 2016

Awards Season 2016: Razzies Nominations


And so we come to the awards which provide a nice counterpoint to the pompous, self-indulgent frippery of awards season. Dishonouring the very worst of cinema in the last 12 months, here, for your entertainment and education, are the full list of nominees for the 36th Annual Golden Raspberry Awards:

WORST PICTURE
Fantastic Four
Fifty Shades Of Grey
Jupiter Ascending
Paul Blart Mall Cop 2
Pixels

WORST ACTOR
Johnny Depp (Mortdecai)
Jamie Dornan (Fifty Shades Of Grey)
Kevin James (Paul Blart Mall Cop 2)
Adam Sandler (The Cobbler/Pixels)
Channing Tatum (Jupiter Ascending)

WORST ACTRESS
Katherine Heigl (Home Sweet Hell)
Dakota Johnson (Fifty Shades Of Grey)
Mila Kunis (Jupiter Ascending)
Jennifer Lopez (The Boy Next Door)
Gwyneth Paltrow (Mortdecai)

WORST SUPPORTING ACTOR
Chevy Chase (Hot Tub Time Machine 2/Vacation)
Josh Gad (Pixels/The Wedding Ringer)
Kevin James (Pixels)
Jason Lee (Alvin & The Chipmunks: Road Chip)
Eddie Redmayne (Jupiter Ascending)

WORST SUPPORTING ACTRESS
Kaley Cuoco-Sweeting (Alvin & The Chipmunks: Road Chip/The Wedding Ringer)
Rooney Mara (Pan)
Michelle Monaghan (Pixels)
Julianne Moore (Seventh Son)
Amanda Seyfried (Love The Coopers/Pan)

WORST REMAKE/RIP-OFF/SEQUEL
Alvin & The Chipmunks: Road Chip
Fantastic Four
Hot Tub Time Machine 2
Human Centipede 3 (Final Sequence)
Paul Blart Mall Cop 2

WORST SCREEN COMBO
All Four Fantastics (Fantastic Four)
Johnny Depp & His Glued-On Moustache (Mortdecai)
Jamie Dornan & Dakota Johnson (Fifty Shades Of Grey)
Kevin James & EITHER His Segue OR His Glued-On Moustache (Paul Blart Mall Cop 2)
Adam Sandler & Any Pair Of Shoes (The Cobbler)

WORST DIRECTOR
Andy Fickman (Hot Tub Time Machine 2)
Tom Six (Human Centipede 3 (Final Sequence))
Sam Taylor-Johnson (Fifty Shades Of Grey)
Josh Trank (Fantastic Four)
The Wachowskis (Jupiter Ascending)

WORST SCREENPLAY
Fantastic Four
Fifty Shades Of Grey
Jupiter Ascending
Paul Blart Mall Cop 2
Pixels

Fifty Shades Of Grey, Jupiter Ascending and Pixels all have six nominations whilst Fantastic Four and Paul Blart Mall Cop 2 have five. I didn't even realise they were making a sequel to Paul Blart Mall Cop but the fact that it appears here doesn't exactly strike me as a surprise.

The Razzies really wouldn't be the Razzies without the usual ridiculing of Adam Sandler, so it's no surprise to see his name mentioned here several times. Mind you, Pixels was an irredeemable mess (apart from QBert; QBert was cool). Kevin James is in danger of becoming the next Adam Sandler with three 'nominations'. 

Considering the bad press and critical drubbing it got, Terminator Genisys should consider itself lucky to have dodged the Razzie bullet. Similarly, the cast of Fantastic Four are nomination-free (which is a miracle) as is Peter Dinklage, the only main cast member of Pixels to escap scorn (and he should also consider himself lucky). 

This year's Razzie Redeemer nominations- for former Razzie winners or nominees who have redeemed themselves cinematically in the last 12 months- are Elizabeth Banks, M. Night Shyamalan, Will Smith and Sylvester Stallone. You can vote for the winner of this award here.

As usual, the Razzies will be handed out the day before the Oscars, so you get to find out who wins on Saturday 27th February.

That only leaves the big one tomorrow: the Oscar nominations. I will post my nomination predictions shortly.

Tez

Thursday, 3 December 2015

Review: Carol (UK Cert 15)


In 1950s New York, aspiring photographer Therese Belivet works in a department store. Into her life comes Carol Aird, an older woman who is looking for a Christmas present for her daughter. After Therese returns a pair of gloves that Carol left on her desk, their relationship deepens and Therese finds herself falling for Carol.

Patricia Highsmith (The Two Faces Of January, The Talented Mr. Ripley) originally published the novel The Price Of Salt under a pseudonym in 1952. The novel was republished under her own name, and retitled Carol, in 1990. Now, director Todd Haynes (I'm Not There.,Velvet Goldmine) with Rooney Mara and Cate Blanchett as the leads.  

Cate Blanchett is just superb as Carol, glamorous and positively oozing classic Hollywood elegance. She evokes memories of Lauren Bacall and Rita Hayworth throughout. Carol is divorcing from her husband Harge (Kyle Chandler) due to a previous affair she had with another female friend which has ramifications over custody of her daughter. There are several powerful scenes where Blanchett absolutely shines, none less than an emotional meeting towards the end with her lawyers. You really feel for her throughout. It's one of Blanchett's finest performances and any awards hype she gets is truly deserved.

If Blanchett evokes Bacall, the one thought going through my head was how much Rooney Mara reminds me of Audrey Hepburn. Mara's performance as Therese is similarly excellent, really selling the emotional confusion as Therese comes to terms with her feelings for Carol- there's a particularly nice scene where she obliquely discusses it with her boyfriend Richard (Jake Lacy) who dismisses it as a 'crush'. What's also lovely is you can see Therese really blossom as a character, starting out as quite naive before becoming more grounded as the film goes on. Therese is in no way a supporting character, she's every bit a lead. 

The supporting cast are all good. Lacy and Chandler could easily have come off as brutish macho stereotypes but both put in strong performances as they come to terms with Therese and Carol's relationship, although actions which Harge takes throughout the course of the film undeniably put your sympathy at Carol's feet. There's also a stellar turn by Sarah Paulson (who really should be a better known actress than she is) as Abby, Carol's friend and former lover. 

Under a different director and in the hands of a lesser actress, Carol could have come across as a predatory lesbian who grooms the unworldly Therese. Thankfully, whilst Carol is the driving force behind their relationship, there's never any sense of coercion or manipulation. Their relationship is tender, tentative, initially restrained before breaking out into passion. It's real. It's rare to see a relationship between two women that is presented as honestly as it is here (especially when you consider the period setting). That's thanks in no small part to the wonderful script by Phyllis Nagy. 

The entire period detail of the film is immaculate, so massive props to the production designer, set decorators, costume, hair and make-up whose combined talents make this a sublime film to look at. 

This would work as a great companion piece to Haynes' 2002 film Far From Heaven (starring Julianne Moore, Dennis Haysbert and Dennis Quaid) which similarly took a look at relationships that would have been considered taboo. Both films have the period setting and Douglas Sirk aesthetic, yet quietly subvert them. Both features stand-out performances by their lead actresses and their supporting casts. Both films are a joy for cinephiles.

Rating: 5 out of 5

Tez