The Watchers

The Watchers
Showing posts with label laurence fishburne. Show all posts
Showing posts with label laurence fishburne. Show all posts

Friday, 17 August 2018

Review: Ant-Man And The Wasp (UK Cert 12A)


SPOILER WARNING! This review discusses and/or mentions a few important plot points. If you would prefer not to have these spoiled, please stop reading now and come back once you've seen the film.

Following on from his part in the battle between the Avengers on the Leipzig airfield in Captain America: Civil War, Scott Lang has been sentenced to two years' house arrest in lieu of going to prison. With just days to go until freedom, he gets drawn back in to helping Hank Pym and Hope Van Dyne who believe they can rescue Hank's wife Janet from the Quantum Realm where she has been trapped for thirty years. However with a bunch of black marketeers and a quantum-phasing 'Ghost' on their tail, not to mention the US Government, Scott is in for an eventful couple of days...

It's a high-energy, fun romp, playing on the heist elements of the first film but adding a literal whole new world as the Quantum Realm is explored in more detail. 

Performances are good. Paul Rudd is as likeable as usual as Scott, balancing trying to stay out of trouble versus helping people out. Matching him in likeability and strength is Evangeline Lilly as Hope Van Dyne/Wasp, an equal within the film in every way. Michael Douglas gets some great irascible one-liners as Hank, whilst Michael Pena, T.I., and David Dastmalchian provide a lot of the laughs as Scott's old crew (especially when they're under the influence of something which is most definitely not a truth serum). There's also a lovely turn by Abby Ryder Fortson as Scott's young daughter Cassie. Juvenile performances can often be a minefield, either going to too winsome or precocious, but Fortson balances it well, giving a laugh or two as well as providing the heart. 

Of the new cast, Hannah John-Kamen is strong as the villain Ghost (here, Ava Starr). They've gender-swapped the character from the original comic books, but it fits. There's an interesting theme about the relationships between fathers and daughters: Scott and Cassie, Hank and Hope, and Ava and her real faither (a scientist who worked for Hank) and her relationship with her surrogate father. Another positive is, yet again, we have a villain with a sympathetic motive: the quantum energy which gives Ava her phase powers is slowly killing her, and she's seeking a cure.

Randall Park is great as FBI Agent Jimmy Woo, who is Scott's parole officer and monitoring his house arrest. There are several really quite amusing sequences where the characters attempt to pull the wool over Woo's eyes. Walton Goggins brings an oleaginous charm to Sonny Burch, a restaurateur and black market dealer who Hope has to meet with, but- if I'm honest- there's so much going on in the film that he feels a little superfluous. The MacGuffin which he introduces could have been done by another character, to be fair. Laurence Fishburne adds an air of gravitas to his role as Bill Foster, a former associate of Hank's who has a link with Ava. Finally, it's an absolute joy to see the positively radiant Michelle Pfeiffer as Janet Van Dyne. She's just superb. 

 As you can imagine, this is a visually stylish film. There are sequences- especially when characters enter the Quantum Realm- that are just sublime. There's also a lot of humour given with perspective changes- with cars, people, and even buildings shrinking and growing throughout. I also love the idea of a full laboratory which can shrink down to the size of a small suitcase. 

With a mid-credits scene that links the action of the film directly to Avengers: Infinity War, this is another triumph for the MCU.

Rating: 4.5 out of 5

Tez

Thursday, 13 April 2017

Countdown: 10 Actors Who Have Played Multiple Comic Book Characters On Screen


It was announced yesterday that Josh Brolin has been cast as Cable in the upcoming Deadpool 2 movie. Comic book movie fans will know that Brolin also plays Thanos in the Marvel Cinematic Universe.

Before he played Captain America, Chris Evans also appeared as Johnny Storm/The Human Torch in two Fantastic Four movies. Brolin's Deadpool co-star Ryan Reynolds was also Hal Jordan in the Green Lantern movie, while Halle Berry has played both hero and villain as Storm and Catwoman respectively.

So here are ten more actors who have played different comic book characters on screen.

1. Ben Affleck


Before he was the Dark Knight, Affleck was Daredevil in the 2003 big screen version.


2. Angela Bassett


Appearing in Green Lantern as Amanda Waller, Bassett is taking the role of Queen Mother Ramonda in the upcoming Black Panther film.


3. Willem Dafoe


Dafoe played Norman Osborn/Green Goblin in the Sam Raimi Spider-Man films; he will be playing Atlantean advisor Nuidis Vulko in Justice League and Aquaman


4. Laurence Fishburne


Known for playing Perry White in the DC Extended Universe films, Fishburne provides the voice of the titular character in  Fantastic Four: Rise Of The SIlver Surfer.


5. Tommy Lee Jones


From villain to hero: Jones played Harvey Dent/Two-Face in Joel Schumacher's camptastic Batman Forever, before taking the role of Colonel Chester Phillips in Captain America: The First Avenger


6. Michael B. Jordan


Jordan is one of the few bearable things in Josh Trank's disastrous Fantastic Four reboot; he will appear in Black Panther as the wonderfully named Erik Killmonger.


7. Michael Keaton


From hero to villain: Keaton played the lead role in Tim Burton's two Batman movies, and will play Adrian Toomes/The Vulture in the upcoming Spider-Man: Homecoming


8. Nicole Kidman


Kidman appeared with Tommy Lee Jones in Batman Forever as Dr. Chase Meridian; she will also play Queen Atlanna in the upcoming Aquaman film.


9. J.K. Simmons


Oscar-winner Simmons will be swapping The Daily Bugle for the Gotham City Police Department, going from playing J. Jonah Jameson in the Sam Raimi Spider-Man films to Commissioner Gordon in Justice League.


10. Terence Stamp


Stamp played General Zod in Superman and Superman II (and also went on to be the voice of Jor-El in Smallville). He also played Elektra's mentor Stick in the 2005 Daredevil spin-off.


Bonus: Sylvester Stallone


Stallone played Judge Dredd in the 1995 film version of the 2000AD comic; he has a small role in Guardians Of The Galaxy Vol. 2 (but the character has not yet been revealed)

Tuesday, 29 March 2016

Review: Batman V Superman: Dawn Of Justice (UK Cert 12A)


SPOILER WARNING! This review discusses and/or mentions a few important plot points. If you would prefer not to have these spoiled, please stop reading now and come back once you've seen the film.

Let me preface this review with a remark. This movie is essentially critic-proof. It doesn't really matter that it currently has a critic score of 28% on Rotten Tomatoes at the time of writing; the audience score is currently 72%. It's already made over $424 million worldwide so it's not going to make the slightest bit of difference whether I say 'this is the greatest film ever made in the history of cinema' or 'watching the entire Twilight saga in one sitting is preferable to this inane pile of garbage'. What I will say is this: there was a lot I liked in the film, and a lot I didn't. 

The film has, since its very inception, been a polarizing one. When this project was announced at Comic-Con in July 2013, it broke the Internet. Reactions ranged from 'best thing ever' to '#ruined' and the furore only intensified when Ben Affleck was cast in the role of Bruce Wayne/Batman. Over 30 petitions sprung up online, ranging from removing him from the role to trying to make it illegal for Affleck to play either Batman or any other superhero on film. Unsurprisingly, when the casting of Jesse Eisenberg and Gal Gadot were announced as Lex Luthor and Diana Prince/Wonder Woman, there was more vitriol online. Eisenberg was neither old enough nor imposing enough; Gadot was bizarrely too small to play an Amazonian princess. Rumours abounded a month or so ago that the studios were 'nervous' about the film, which was instantly pooh-poohed. As it turns out, they had a right to be nervous. 

With a film that's offering the potential of two of the greatest superheroes in the whole of comic book history coming together for an epic smackdown, you might expect to feel exhilarated, thrilled, engaged, your heart in your mouth and your bum on the edge of your seat. You don't expect to feel bored. And I did. For quite a lot of the film. 

The script- by Chris Terrio and David S. Goyer- is so portentous (occasionally dropping into pretentious), so doom-laden and so without nuance or subtlety that it's a tough watch in places. You're never left to intuit how people feel; the characters tell you blatantly and outright. There's an over-reliance on dream sequences- albeit Batman's fevered hallucination of what would happen if Superman isn't checked is visually interesting- and do we really need to see Bruce's parents being killed again? Apparently, we do, because it's important that we know that Bruce Wayne's mum was called Martha. This becomes vitally important later on as it's the only reason Batman doesn't stomp Superman's face into the dirt. Because their mums have the first same name. Frankly, that's shoddy and lazy writing that a creative writing student would be embarrassed to hand in. 

I guess one of my other major issues with the film is that I don't really get on with Zack Snyder's style of direction. One of my major criticisms of Man Of Steel was that the final fight sequence was too big, too frenetic, too hyperactive. Well, it's the same here, especially the final smackdown between Superman, Batman and Wonder Woman against Doomsday. I gave up trying to figure out who was doing what to whom in most of the fight sequences (not helped by the fact that there's some really dreadful lighting choices made throughout). I get that the worlds of Metropolis and Gotham are supposed to be gritty and dark, but Christopher Nolan's Batman trilogy conveyed that same atmosphere without decimating the lighting budget. There's so much shaky handheld camerawork- which always makes me feel nauseous- and there's some really odd editing choices too. 

It also doesn't help that the already laden dialogue is further weighted down by a ridiculously bombastic score by Hans Zimmer and Junkie XL. This did have one saving grace however: the majorly kick-ass theme for Wonder Woman, whose electric violin riff brought some much needed life to proceedings. 

That said, it's not all bad. Generally speaking (with one major exception), I enjoyed the acting. For all those naysayers who criticised Affleck's casting and derided him before he'd even said a line of dialogue, you're wrong. He works really well as Batman, as a grizzled, older, more world-weary fighter who's had 20 years of fighting and for what? He also makes a particularly good Bruce Wayne and the script manages to drop a couple of interesting hints which will hopefully be explored in the standalone Batfleck film. Henry Cavill remains as stoic and dignified as he was in Man Of Steel, whilst Amy Adams, Laurence Fishburne and Diane Lane were all solid support. 

My two favourite performances came from Gal Gadot, whose sensual yet determined Diana Prince added a much-needed spark throughout and who commanded the screen as Wonder Woman in the last battle, and Jeremy Irons who was frankly born to play Alfred. Here, he's a slightly more sarcastic and abrasive but is still the faithful old retainer, delivering slightly heavy-handed speeches to Master Bruce. 

The bum note is Jesse Eisenberg who was so annoying as Lex Luthor that I wished my superpower was to be able to reach into the screen so i could slap the irritating little runt. He wasn't menacing, he wasn't imposing, he wasn't any kind of credible threat. He was mooning around on screen with a performance full of quirky tics rather than any real characterisation and basically acting like a spoiled little brat. As much as I actively dislike Kevin Spacey's performance in Superman Returns, at least his Luthor felt like a threat.

I also liked the cameos from the other nascent members of the Justice League which provided enough of a hint of what's to come without feeling too much like a cynical ploy (although there are a few bits, especially at the end, where the fact that this is now going to be its own franchise is celebrated a bit too blatantly). There are a couple of very striking visuals as well, such as Superman saving the little girl from the fire during the Mexican Day of the Dead. 

Ultimately, this film was underwhelming for me, which was a disappointment. I do feel like some of the criticism that the film has come in for has been a little harsh, but there's only so much you can do to detract from a film's inherent flaws. That said, I am still intrigued to see where the DC Expanded Universe goes from here. I'm really looking forward to both Suicide Squad and Wonder Woman

Rating: 3 out of 5

Tez