Five years after the devastation wrought by Thanos in Avengers: Infinity War, the survivors of the Snap must find their way in this new world. However, the reappearance of Scott Lang from the Quantum Realm (where he got stuck at the end of Ant-Man And The Wasp) provides the Avengers with an opportunity to reverse Thanos' handiwork and bring back those who were lost...
Do you know, I've started this review three times. Hopefully, fourth time will be the charm. I am going to try and do this spoiler-free because of two reasons: a) #DontSpoilTheEndgame (as if we would!) and b) I know that, once all three of us have seen it, we'll be recording a spoileriffic no-holds-barred discussion, so I'll leave the finer points of my thoughts until then.
So, I'm going to try and discuss the film in general terms.
There was a lot I liked. Some lovely character moments, some great one-liners, and several strong performances (in particular from Robert Downey Jr, Chris Evans, and Karen Gillan). There's also several surprise returns from previous MCU films which I liked (and most of them didn't feel like fan-service, although inevitably some did). There are several parts of the film that are visually stunning (as you can imagine) and the score by Alan Silvestri is superb. There are a couple of moments of real emotion- I cried twice in the film, and both moments were courtesy of the same character.
That said, I did have a couple of issues with the film.
The run-time of 3 hours 2 minutes is far too long. There's a good 30-40 minutes that could be lost with very little impact. In fact, if you check out any of the non-spoilery 'when can I go to the toilet during Endgame?' articles, you'll get a good general consensus on which bits aren't strictly necessary. One of my biggest niggles with the film comes with a pivotal moment which- although it makes narrative sense- was, for me, the wrong move.
Something I have praised the MCU for in the past is their general coherence during big fight scenes: no matter how crowded the battlefield, you always know who you're meant to be following at any point and who they're up against. Sadly, this goes right out the window here. The final battle is SO big, SO epic (and rightly so), that it gets a bit muddy- dare I say, even a bit DC?- and the impact is lost. There's also several unnecessary uses of shakycam which annoys me greatly (although that's a personal thing)
Part of me feels a bit bad for bringing up these criticisms. Anthony and Joe Russo have had an absolutely gargantuan task on their hands, marshalling this utter behemoth, and having to contend with the expectations of some of the most committed and passionate fans in the whole of geekdom. With a task that huge, you're never going to please everyone, and people will find different things they like and don't: several of my criticisms won't even occur to others and vice versa.
I've discussed the film with several people since I saw it, and I think my overall opinion is this: for the most part, it's an enjoyable tribute to the MCU and a decent conclusion to the Infinity Saga; however, for me, it lacks the focus and the punch that made Avengers: Infinity War such an amazing film.
Rating: 4 out of 5
Tez
SPOILER WARNING! This review discusses and/or mentions a few important plot points. If you would prefer not to have these spoiled, please stop reading now and come back once you've seen the film.
Following on from his part in the battle between the Avengers on the Leipzig airfield in Captain America: Civil War, Scott Lang has been sentenced to two years' house arrest in lieu of going to prison. With just days to go until freedom, he gets drawn back in to helping Hank Pym and Hope Van Dyne who believe they can rescue Hank's wife Janet from the Quantum Realm where she has been trapped for thirty years. However with a bunch of black marketeers and a quantum-phasing 'Ghost' on their tail, not to mention the US Government, Scott is in for an eventful couple of days...
It's a high-energy, fun romp, playing on the heist elements of the first film but adding a literal whole new world as the Quantum Realm is explored in more detail.
Performances are good. Paul Rudd is as likeable as usual as Scott, balancing trying to stay out of trouble versus helping people out. Matching him in likeability and strength is Evangeline Lilly as Hope Van Dyne/Wasp, an equal within the film in every way. Michael Douglas gets some great irascible one-liners as Hank, whilst Michael Pena, T.I., and David Dastmalchian provide a lot of the laughs as Scott's old crew (especially when they're under the influence of something which is most definitely not a truth serum). There's also a lovely turn by Abby Ryder Fortson as Scott's young daughter Cassie. Juvenile performances can often be a minefield, either going to too winsome or precocious, but Fortson balances it well, giving a laugh or two as well as providing the heart.
Of the new cast, Hannah John-Kamen is strong as the villain Ghost (here, Ava Starr). They've gender-swapped the character from the original comic books, but it fits. There's an interesting theme about the relationships between fathers and daughters: Scott and Cassie, Hank and Hope, and Ava and her real faither (a scientist who worked for Hank) and her relationship with her surrogate father. Another positive is, yet again, we have a villain with a sympathetic motive: the quantum energy which gives Ava her phase powers is slowly killing her, and she's seeking a cure.
Randall Park is great as FBI Agent Jimmy Woo, who is Scott's parole officer and monitoring his house arrest. There are several really quite amusing sequences where the characters attempt to pull the wool over Woo's eyes. Walton Goggins brings an oleaginous charm to Sonny Burch, a restaurateur and black market dealer who Hope has to meet with, but- if I'm honest- there's so much going on in the film that he feels a little superfluous. The MacGuffin which he introduces could have been done by another character, to be fair. Laurence Fishburne adds an air of gravitas to his role as Bill Foster, a former associate of Hank's who has a link with Ava. Finally, it's an absolute joy to see the positively radiant Michelle Pfeiffer as Janet Van Dyne. She's just superb.
As you can imagine, this is a visually stylish film. There are sequences- especially when characters enter the Quantum Realm- that are just sublime. There's also a lot of humour given with perspective changes- with cars, people, and even buildings shrinking and growing throughout. I also love the idea of a full laboratory which can shrink down to the size of a small suitcase.
With a mid-credits scene that links the action of the film directly to Avengers: Infinity War, this is another triumph for the MCU.
Rating: 4.5 out of 5
Tez
The third phase of Marvel's Cinematic Universe opens with a bang, pitting the Avengers against each other. When political forces plan to put a panel in place to oversee the Avengers- following the destruction in New York and Sokovia as well as a mission in Lagos which goes awry- the team splits with Tony Stark/Iron Man on the side of the politicians and Steve Rogers/Captain America against. In amongst all this, old secrets are revealed causing a further schism between the two former friends.
The cast list is huge and it is truly a more of an ensemble piece, in line with the Avengers films, which has led some fans to wonder whether this should have been an Avengers film, rather than a Captain America one. In some ways that would be right because there are so many characters flying around (literally in some cases) and it's a fine balancing act to make sure that they're not just window-dressing and all have something to do. But the main heart of the story is the relationship between Steve and Tony and Steve and Bucky so it warrants being a 'Captain America' film.
Performances are superb across the board; most of the actors have played these characters for years, so they fit right back into them. Evans is great as the all-American hero, determined that his own judgement is more valid than government interference, whilst Downey Jr falls back into the snarky, sarcastic Stark whose own guilt leads him to support the Sokovia Accords. Even though a lot has been made in the trailer of the rift between the two men- 'He's my friend'/'So was I'- it is powerful stuff to see the two allies go at each other.
Of the new cast, both Chadwick Boseman and Tom Holland really impress and really stand out- no mean feat given the calibre of the cast they're working with. Boseman is a dignified yet dangerous T'Challa/Black Panther, whose introduction really works and his own vendetta against Bucky adds yet another layer to the film. Holland is a wonderfully geeky and gauche Peter Parker/Spider-Man and he adds a much needed modicum of levity whenever he's on screen. I have to be honest, I didn't believe they'd actually cast Marisa Tomei as Aunt May- there's a running joke in the film that she doesn't look old enough to be someone's aunt- but they have and she's pretty good.
The action sequences are generally good, although there's a lot of kinetic shakycam during the Lagos scene which made me feel a bit nauseous (it's a purely personal thing but I can't stand it). The big smackdown- Team Cap v Team IronMan at the Leipzig airport- is choreographed really well and, importantly, you can tell who is doing what to whom.
From hereon out, the MCU is branching away from the Avengers- with Doctor Strange, Guardians Of The Galaxy Vol. 2 and Spider-Man: Homecoming up next before the third solo Thor film. This will be a good way to rest the characters. Given how the film ends, it'll be interesting to see how they get the team back together to take on Infinity War.
I may run the risk of being accused of being a Marvel fanboy but Captain America: Civil War is one of the most enjoyable films I've seen so far this year and is another strong entry into the Marvel Cinematic Universe.
Rating: 5 out of 5
Tez
Ant-Man is the twelfth movie in the Marvel Cinematic Universe and brings Phase Two to a close.
If Captain America: The Winter Soldier could be loosely termed a political thriller and Guardians Of The Galaxy a space opera, the best description for Ant-Man would be a heist movie.
Scott Lang (Paul Rudd) is released from prison and wants to set his life on the right path, to provide for his daughter Cassie, but finds his past history makes that difficult. On a tip from his friend Luis (Michael Pena), Scott burgles a house and finds a strange suit. The suit has the amazing ability to shrink the wearer to the size of an insect. Scott is then recruited by the suit's creator, Dr. Hank Pym (Michael Douglas), to help with an audacious heist that might just help save the world.
It's a very good-natured romp, ably led by a winning performance by Paul Rudd. Scott Lang is a different type of hero. He isn't a scientist or a soldier or a tech millionaire or a god. He's a criminal, a cat burglar, albeit a principled one. He doesn't use violence and is quick to correct people on that point. He's fundamentally a good man who did the wrong thing for the right reason and paid the price for it. There are shades of Chris Pratt's Star-Lord here: Lang is goofy at times, serious at others and is a general winning presence.
Other performances are similarly strong, particularly Evangeline Lilly as Pym's estranged daughter Hope Van Dyne. Lilly gives a great performance as the tough, strong Hope and her scenes with Michael Douglas as father and daughter negotiate the heist and their own personal relationships are some of the best in the film. Douglas is on top form as Pym, playing the mentor role well. He foregoes the usual mentor cliches and there's a nice dry wit to some of his lines.
That's not to say all performances are great. I had some issues with a few of them. Michael Pena is a good comic foil as the motormouth Luis but he's overused in places and the comic notes don't always work. Similarly, whilst Corey Stoll makes for an engaging villain as Darren Cross, he comes across as a bit one-dimensional in places and reverts quite quickly to swivel-eyed loon whereas other Marvel villains have been a bit more subtle.
Peyton Reed's direction is pretty slick. There's some great scenes when Lang is shrunk and those worlds look great, particularly parts of the final showdown between Ant-Man and Yellowjacket. The fight scenes where Lang changes size in between blows are well choreographed and read well on film- there was always the danger that it might look a bit silly.
There was always the risk that, after the release of Avengers: Age Of Ultron, Ant-Man would have just been a bit of a damb squib and a bit inconsequential in the grand scheme of things. That is not the case. Ant-Man is very much linked to the wider Marvel Cinematic Universe, not just in some throwaway lines but in one particular sequence where Lang has to retrieve an item from an old SHIELD facility which is now being used as an Avengers base. The mid-credits and end-credits scenes both hint towards bigger things within the shared Marvel Cinematic Universe as well.
Considering its troubled production history, there was a real chance that Ant-Man could have been a disaster of Catwoman-like proportions. Luckily, the film seems relatively unscathed from the behind-the-scenes drama and is engaging and charming. It might not be up there with Marvel's best; however, it is far from the worst they've ever done.
Rating: 4.5 out of 5
Tez
