Review: Avengers: Endgame (UK Cert 12A)

Five years after the devastation wrought by Thanos in Avengers: Infinity War, the survivors of the Snap must find their way in this new world. However, the reappearance of Scott Lang from the Quantum Realm (where he got stuck at the end of Ant-Man And The Wasp) provides the Avengers with an opportunity to reverse Thanos' handiwork and bring back those who were lost...

Do you know, I've started this review three times. Hopefully, fourth time will be the charm. I am going to try and do this spoiler-free because of two reasons: a) #DontSpoilTheEndgame (as if we would!) and b) I know that, once all three of us have seen it, we'll be recording a spoileriffic no-holds-barred discussion, so I'll leave the finer points of my thoughts until then. 

So, I'm going to try and discuss the film in general terms.

There was a lot I liked. Some lovely character moments, some great one-liners, and several strong performances (in particular from Robert Downey Jr, Chris Evans, and Karen Gillan). There's also several surprise returns from previous MCU films which I liked (and most of them didn't feel like fan-service, although inevitably some did). There are several parts of the film that are visually stunning (as you can imagine) and the score by Alan Silvestri is superb. There are a couple of moments of real emotion- I cried twice in the film, and both moments were courtesy of the same character. 

That said, I did have a couple of issues with the film. 

The run-time of 3 hours 2 minutes is far too long. There's a good 30-40 minutes that could be lost with very little impact. In fact, if you check out any of the non-spoilery 'when can I go to the toilet during Endgame?' articles, you'll get a good general consensus on which bits aren't strictly necessary. One of my biggest niggles with the film comes with a pivotal moment which- although it makes narrative sense- was, for me, the wrong move. 

Something I have praised the MCU for in the past is their general coherence during big fight scenes: no matter how crowded the battlefield, you always know who you're meant to be following at any point and who they're up against. Sadly, this goes right out the window here. The final battle is SO big, SO epic (and rightly so), that it gets a bit muddy- dare I say, even a bit DC?- and the impact is lost. There's also several unnecessary uses of shakycam which annoys me greatly (although that's a personal thing) 

Part of me feels a bit bad for bringing up these criticisms. Anthony and Joe Russo have had an absolutely gargantuan task on their hands, marshalling this utter behemoth, and having to contend with the expectations of some of the most committed and passionate fans in the whole of geekdom. With a task that huge, you're never going to please everyone, and people will find different things they like and don't: several of my criticisms won't even occur to others and vice versa. 

I've discussed the film with several people since I saw it, and I think my overall opinion is this: for the most part, it's an enjoyable tribute to the MCU and a decent conclusion to the Infinity Saga; however, for me, it lacks the focus and the punch that made Avengers: Infinity War such an amazing film. 

Rating: 4 out of 5

Tez

Review: Avengers: Infinity War (UK Cert 12A)

SPOILER WARNING! This review discusses and/or mentions a few important plot points. If you would prefer not to have these spoiled, please stop reading now and come back once you've seen the film.

An epic cinematic event that's ten years in the making, Avengers: Infinity War pits the Earth's (and the galaxy's) greatest heroes against the Mad Titan Thanos who is in search of the six Infinity Gems which will give him power over all creation.  

Whilst #ThanosDemandsYourSilence (and for several very good reasons), there are some points about the film that can't really be discussed without spoilers. So, if you didn't notice the bold, italiced and underlined warning at the start of the article, here's your last chance to turn back. 

...

Still with us? OK. 

So directors Anthony and Joe Russo (Captain America: The Winter Soldier, Captain America: Civil War) ramp things up to eleven with the action sequences: the battles are epic, befitting a film of this magnitude. Screenwriters Christopher Markus and Stephen McFeely (Thor: The Dark World) deserve massive praise for delivering such a tightly-plotted, well-balanced script. Make no mistake, this film is packed. With over 30 main characters spanning the universe (literally and metaphorically), so much plate-spinning going on, it's a testament that no character feels short-changed or shoe-horned in. Every character on screen has a purpose: they're not just there for the 'hey guys, remember this one?' (which could easily have happened). There are a couple of notable omissions, but these are explained well. Each character also has their moment, which is also good. The humour of characters like Rocket, Thor, and Drax is there and is allowed to flow naturally, which is great. These moments of levity are needed as the drama- and there's a lot of it- unfolds. And not just drama- tragedy, too. 

In the first ten minutes of the film, two main characters are killed off, brutally, with no mercy. Thanos and the Black Order aren't messing around. There is a real sense of jeopardy in the film: no character is truly safe, and as things progress, the death toll starts to rise. And you care. You care about who lives and who dies. Marvel have taken the time to build these characters up, over multiple films spanning the last decade, so you have that emotional bond. There were more than a few gasps and sniffles as one particular character died. I even had a lump in my throat. 

If I were to discuss the performances, frankly, we'd be here until Avengers 4 came out. All performances across the board are great- some of the actors have been playing these roles for 10 years, so they know the characters inside out; others, such as Chadwick Boseman and Tom Holland, have only played them for a short time, but they have struck upon the essence of their characters straight away-  but there is one performance that I do want to highlight in particular: Josh Brolin. 

Thanos is dangerously close to being the best villain MCU have put out. That's been a major criticism of the Marvel movies: the villains have sometimes just been caricatures or archetypes. The last few films have shown villains with nuance and with an understandable motive (Killmonger in Black Panther, for instance). Thanos continues that trend: his desire for balance- given what he saw on Titan- is understandable, although taken to extremis by the idea of being able to get rid of 50% of the population of the galaxy with a snap of his gauntleted fingers. He's not just mad; there's a recognisable (albeit twisted) logic to his plan. And whilst you don't sympathise or agree with him, you can at least see where he's coming from. This is paired by some absolutely sterling CG work (not just on Thanos but on all of the Black Order) and a dignified, stoic performance by Josh Brolin.  

Honestly, I could discuss and dissect the film for hours. This is a truly brilliant film. See it. See it again. See it on a big screen. It's just superb. 

Rating: 5 out of 5

Tez

Review: Thor: Ragnarok (UK Cert 12A)

The God of Thunder is back in his third solo film, this one directed by Taika Waititi (What We Do In The Shadows, Hunt For The Wilderpeople)

When Hela, the Goddess of Death, rises and takes over Asgard, Thor finds himself on the distant planet of Sakaar. Imprisoned and forced to fight in a gladiatorial arena, Thor must find his way back to Asgard to face Hela and prevent the end of days- Ragnarok- from happening...

Tonally, it's very different from the other Thor films- indeed, tonally different to most other MCU films if I'm honest. Whilst the original had an almost Shakespearean feel to it (thanks to director Kenneth Branagh), and the second had a Game Of Thrones aesthetic (thanks to director Alan Taylor), Thor: Ragnarok is a synth-soaked, buddy-comedy, end-of-the-world extravaganza. 

Moreover, it's funny. Like, properly laugh-out-loud funny. The other Thor films have suffered a little from being a bit too strait-laced, a bit po-faced- which seems ridiculous when you're dealing with an outlandish story of gods and monsters. Here, the humour comes thick and fast- but not at the expense of anything else. There's a fine balance between this humour and the more dramatic elements and the incredibly well choreographed fight scenes. 

Chris Hemsworth is as good as ever as Thor; he's got that cocky but charming act down to a tee. Tom Hiddleston is similarly at home in Loki- again, a charming but utterly dangerous being. As always, their fractious relationship- part sibling rivalry, part best buds- forms a cornerstone of the film. Anthony Hopkins really earns his 'and' credit, with a total of about five minutes on screen- but he's superb when he is. Idris Elba gets more to do as Heimdall this time round- removed from his role as gatekeeper for the Bifrost, he acts as a resistance leader trying to save the Asgardians from Hela's undead army. 

Mark Ruffalo is great as Banner/Hulk and brings an extra dimension to the role. He's been Hulk for two years (since he skipped off at the end of Avengers: Age Of Ultron) and has found himself on Sakaar as the Grandmaster's champion. There's a great deal of confusion when he turns back into Banner and is afraid of the change, that he'll lose himself if he Hulks out again. He has great rapport with Chris Hemsworth, which forms part of the buddy-comedy strand. Benedict Cumberbatch's brief appearance as Doctor Strange may not be strictly needed, but it's fun to see them interact (especially after the hidden scene at the end of Doctor Strange) 

Of the new members of the cast, no complaints at all. Cate Blanchett is utterly superb as Hela; I honestly can't imagine any other actress doing the role as well as she does. From her very first entrance into the film- and what an entrance it is- she commands the screen every time she's on it. While the MCU tends to have a bit of an issue with its villains (in that they're either not very good or not drawn out well), Hela is a rounded and very credible threat. Once again, Blanchett shows that's she's one of the best actresses working in Hollywood today. 

Tessa Thompson (Creed) is great as Valkyrie, a drunken scavenger when we first meet her (as she captures and brings Thor to the Grandmaster) but is revealed to be the last of the great warrior women race- previously decimated by Hela. Her relationship with Thor is great; luckily, they eschew any obviously romantic overtures for something more like friendship. 

Jeff Goldblum is just magnificent as the Grandmaster, the ruler of Sakaar. A mercurial, kooky, but ruthless leader, he pits creatures against one another in his Contest of Champions. Again, I can't really imagine anyone else in the role. Karl Urban is great as Skurge, a rough Asgardian warrior with a Cockney accent who takes Heimdall's role as gatekeeper of the Bifrost and becomes a conflicted ally of Hela's. Finally, director Waititi also voices Korg, a blue alien rock being that Thor meets on Sakaar and becomes friends with and who is seriously one of the best characters in the film.    

Thor: Ragnarok was excellent. Whilst the film is 130 miuntes long, it never once felt like it. Fun, bright, brilliant. Simply put, another triumph for Marvel. 

Rating: 5 out of 5

Tez

Review: Spotlight (UK Cert 15)

In early 2002, the Spotlight investigative team of The Boston Globe published a story which had far-reaching implications for the Catholic Church: not only was there widespread and systematic sexual abuse of minors by Catholic priests in the Boston area(which stretched back decades in some cases), but that senior members of the church- including the Archbishop of Boston, Cardinal Law- knew about it and did nothing to stop it. The team's investigations into this groundbreaking story is the now the focus of Spotlight, a biographical drama directed and co-written by Tom McCarthy (The Station Agent, The Visitor). 

It's not an easy watch; some of the stories of abuse that are recounted are shocking and unpleasant, and you may well feel incredibly angry and disgusted with the degree of complicity and the cover-up at large. It's a film that will raise a lot of questions and a fair bit of debate. 

Performances are strong across the board (indeed, the film won the Best Ensemble prize at the Screen Actors' Guild Awards). Mark Ruffalo is superb as Mike Rezendes, one of the reporters and a tenacious little terrier who digs into the story. Rachel McAdams is similarly good as Sacha Pfeiffer, the lone female reporter (although, refreshingly, her gender is not her sole defining feature). Her empathy and determination shine through, as she has to reconcile the investigation with the effect it would have on her God-fearing family. 

Michael Keaton should count himself unlucky to miss out on the awards hype as his performance as Spotlight editor Walter 'Robby' Robinson is another career best. Whether facing down oleaginous lawyers or confronting an old friend who was also complicit in helping cover up the extent of the abuse, Keaton is just excellent. There's great support from the ever-dependable Stanley Tucci as lawyer Mitchell Garabedian (who is fighting for the victims of abuse and who has some great scenes together with Ruffalo) and Liev Schrieber as Marty Baron, the new editor-in-chief of the Globe who sanctions the Spotlight team to investigate the scandal. 

Comparisons to All The President's Men are inevitable; while both films cover major investigations into huge scandals, they're also paeans to old-school investigative journalism (some of the most satisfying scenes feature characters rifling around in archives or looking through microfiche). In one of those interesting true-life-is-stranger-than-fiction coincidences, the managing editor of The Boston Globe at the time of the Spotlight exposes was Ben Bradlee Jr (played by John Slattery), who was the son of the Washington Post editor who published Woodward and Bernstein's reports into the Watergate scandal. Spotlight even has its own 'Deep Throat' in psychologist Richard Sipe (an uncredited voice performance by Richard Jenkins) whose telephone calls prompt the team to uncover the full extent of the abuse.

In a sobering epilogue, the film tells us of the extent to which the abuse took place, with page after page of names of cities throughout the US and the world where investigations into historic and current sexual abuse cases were set up. It shows how endemic the situation is without attaching any judgement to it. That's for the viewer to do. 

A harrowing yet compelling film, utterly gripping and brimming with righteous anger, Spotlight is without a doubt the best film I've seen so far this year. 

Rating: 5 out of 5

Tez

Review: Avengers: Age Of Ultron (UK Cert 12A)

2012's Avengers Assemble was- it's fair to say- a bit of a hit. Under the virtuoso direction of Joss Whedon (an absolute maestro with ensemble casts), it pulled together the disparate characters that had appeared in the previous Marvel movies and brought them together as a team. Whedon is back behind the lens for Avengers: Age Of Ultron. 

The Avengers have to face a new threat- one inadvertently created by Tony Stark himself. When Stark jumpstarts a dormant peacekeeping programme- the Ultron initiative, designed to bring 'peace in our time'- things get out of hand pretty quickly and the team have to hunt down the rogue Ultron before his plans come to fruition. 

All of the regular actors just fit right back into the characters they've helped create, whilst the new cast and returning faces from previous Marvel films all add to the excitement.

James Spader was a perfect casting choice to voice the villainous Ultron. He has one of those ridiculously silky, sensual voices- anyone familiar with The Blacklist will know what I mean- which is used to good effect here. Ultron's seductive purr as he plots his schemes is a pure joy.

New cast members Aaron Taylor-Johnson and Elizabeth Olsen fit into the already huge cast really well- whilst I preferred Evan Peters' more comedic take on Quicksilver from X-Men: Days Of Future Past, Taylor-Johnson acquits himself well as the super-speedy Pietro. Olsen is just brilliant as Wanda (a.k.a. Scarlet Witch) and her mind-control powers provide the film with some of the best, most freaky and most moving moments. There's a great turn by Andy Serkis as arms dealer Ulysses Klaue and an unsettlingly sinister cameo by Julie Delpy. 

The script, also by Whedon, is jam-packed with smart one-liners and some real laugh-out-loud moments- which is great because there's a lot of drama and one scene in particular which I found unexpectedly very moving. 

The direction is really strong (as you would expect) even if there's a lot more movement of the camera than I remember from Avengers Assemble. Some of the action set-pieces look fantastic and may even warrant seeing the film in 3D- I saw the 2D version.

Go into this film as spoiler-free as you can. Seriously. So much happens that is unexpected and moving and funny and just downright entertaining that to know about it in advance would be to take the enjoyment right out of the film. I could write about this for hours, detailing every nuance that made me laugh or touched me. But I won't. All I will say is this: another absolute triumph for Marvel.

Rating: 5 out of 5

Tez

Review: Foxcatcher (UK Cert 15)

Wrestler Mark Schultz (Channing Tatum) and his older brother David (Mark Ruffalo) both won gold medals at the 1984 Olympics. In 1987, Mark is invited to the home of millionaire philanthropist John E. du Pont (Steve Carell), who wants Mark and David to join his private wrestling team with a view to training for the world championships and even the 1988 Olympics. Mark agrees, but David refuses as he doesn't wish to uproot his wife and young family. Mark's decision to go underneath du Pont's wing have far-reaching and ultimately tragic repercussions for the Schultz family.

Director Bennett Miller (Capote, Moneyball) has created a thoughful, absorbing, quiet character drama with a trio of strong central performances. 

Steve Carell's performance as du Pont is little short of breathtaking. It's a very unshowy, understated performance, unlike anything I've seen him give before. du Pont is a loner, an eccentric, a man in desperate desire for validation, he wants respect and wants to be liked. He has the money to do what he pleases and thinks people can just be bought. You can't help but sympathise with him initially, before the obsessional nature comes out. I don't necessarily buy into the homoerotic angle some reviewers have seen in the relationship between du Pont and Mark- I see it more as that between master and servant (or, more accurately, owner and property). Whilst Carell is undoubtedly a brilliant comic actor, Foxcatcher proves he's got some real dramatic acting chops too. 

Channing Tatum gives a decent performance as Mark. Physically imposing but also emotionally damaged, he finds a father figure in du Pont which causes some tension and estrangement with his brother (who was de facto father). You don't often get to see what's going on behind Mark's eyes, there's little development or exposition which is something of an issue. Mark Ruffalo is great as David, a caring and kind family man, always on the look-out for his little brother and there throughout it all, despite some less-than-brotherly behaviour from Mark. This is a performance without a shred of ego to it and he's rightfully garnered a lot of awards praise for it. 

Outside of the central trio, there are two other performances of note. Sienna Miller was unrecognisable in her role as David's wife Nancy, to the point where I only recognised her from her name in the end credits. She didn't have much to do but was a great foil to Ruffalo. Similarly, Vanessa Redgrave- a woman who could beguile by reading the phone book- has a great cameo as du Pont's domineering and disapproving mother Jean. She only has a handful of scenes, but the pivotal one where she calls wrestling 'low' is an absolute highlight. 

The real Mark Schultz went on a Twitter rant slamming certain aspects of the film recently. This is based on a true story. The operative word there being 'based'. It's not a documentary. Certain things have been changed to fulfil a dramatic need. What you do have is a strong, well-made film telling a gripping story and one I thoroughly enjoyed.

Rating: 4 out of 5

Tez

Programme 12: Comic Book Movies Special (including Avengers Assemble review)

Programme 12 is our super-extended bumper Comic Book Movie special, in honour of the UK release of Avengers Assemble and is now available on VideoMajic!

It's fair to say that we were both downright excited about this, so much so that we went on opening night and even saw it in 3D. But did it live up to the anticipation? Find out our thoughts in the main review.

However, we also discuss our favourite and least favourite comic book movies and formulate the Watchers definitive best and worst comic book movie lists. Included in the discussions are such movies as The Dark Knight, Captain America: The First Avenger, The League Of Extraordinary Gentlemen and Catwoman but where were they placed?

There is also a brief discussion of upcoming comic book movies and some comic book movie news!

Please click here and here for podcast versions - podcast subscribers also get an exclusive bonus podcast where we discuss Avengers Assemble in full, geeky and (be warned) spoiler-y detail.