The Watchers

The Watchers
Showing posts with label sam mendes. Show all posts
Showing posts with label sam mendes. Show all posts

Sunday, 9 February 2020

Awards Season 2020: Tez's Official Oscar Predictions


Tonight, the great and good of Hollywood will convene to celebrate the best of film-making in 2019 at the 92nd Academy Awards.

As with last year, there will be no main host again this year. Personally, I liked this approach. It cut down unnecessary faffing around and brought the runtime of the show down to a manageable three-and-a-bit hours. OK, some of the guest presenter 'banter' was dreadful but that's par for the course with things like this. Last year opened with Queen and Adam Lambert absolutely smashing it, so hopefully there'll be a similar high-energy start to tonight's proceedings.

It has become a tradition for me to predict the nominations and the winners in the main six categories (the four acting categories, Best Director and Best Picture).  I've done this since 2003 with varying degrees of success. Last year, I got 4 out of 6 (as Olivia Colman and Green Book took the respective prizes, instead of Glenn Close and Roma). I have a feeling there'll be less of a surprise tonight...

So, without further ado, here are my predictions for who will win.

Best Supporting Actress: Laura Dern (Marriage Story)

With a SAG Award, Critics' Choice Award, BAFTA and Golden Globe already in the bag for her role as divorce lawyer Nora Fanshaw, it's going to be unlikely to hear anyone else's name. And rightly so. Dern's performance is superb (in a film full of superb performances); her amazing rant about the disparity between mothers and fathers- that women are meant to be perfect and woe betide if they're not, whilst men can get away with being lazy parents- is a particular highlight. Dern doesn't play a stereotypical hard bitch- she's warm, empathetic, but totally committed to getting what's right and fair for Nicole (Scarlett Johansson).

Best Supporting Actor: Brad Pitt (Once Upon A Time... In Hollywood)

I'll be honest with you: I didn't rate Once Upon A Time... In Hollywood at all. I found it overlong, self-indulgent and fairly offensive in places. And, with further honesty, Pitt's performance as stuntman Cliff Booth who may (or may not) have killed his wife is easily my least favourite of the five that have been nominated. But, like Dern, he's swept the boards so it feels like it's his turn.

Best Actress: Renée Zellweger (Judy)

Whilst the film itself is a bit patchy and several scenes just feel too fantastical or made-up, there's no denying that it's a powerhouse performance by Zellweger as the incomparable Judy Garland. Playing Garland's insecurity and passion to the hilt, it's the kind of performance that Oscars are made for. It never feels showy or look-at-me-I'm-acting-ma, Zellweger disappears into the icon and gives her life.

Best Actor: Joaquin Phoenix (Joker)

I would dearly, dearly, DEARLY love Jonathan Pryce's name to be read out in this category but I don't see it happening. As with all of my other acting predictions, Phoenix has swept the awards boards so it feels like a bit of a foregone conclusion. Despite what I think about the film (and my opinions on it are well known if you read the blog or listen to the podcast), I do concede that Phoenix puts in a committed performance as stand-up comedian Arthur Fleck who becomes the Clown Prince of Crime. Is the film deserving of this accolade? I'm not sure. Is Phoenix? Yes. 

Best Director: Sam Mendes (1917)
Best Picture: 1917

Aside from sharing the Critics' Choice award with Bong Joon Ho, Mendes has been the standout winner in the director category for 1917, scooping the Golden Globes, the BAFTA and (importantly) the Directors' Guild Award. Again, it feels like a foregone conclusion for him to snag his second Best Director Oscar (20 years after winning for American Beauty). 

The lack of a Best Film Editing nomination for 1917 feels egregious, because a lot of the work of making it look like a single take is done in the editing suite, but veteran cinematographer Roger Deakins thoroughly deserves his nod (and deserves to win). As a film, 1917 isn't just style over substance; you're on the soldiers' side as they race against time to stop a battalion from walking into an ambush. Buoyed up by a stellar cast (including Colin Firth, Andrew Scott, and Benedict Cumberbatch), these are [or should be] star-making roles for George Mackay and Dean-Charles Chapman. The film is technically assured and has a heart behind it. It would be a truly deserving Best Picture winner.


Hopefully I'll be watching the broadcast live in the early hours of Monday morning, and I'll post as soon as I can with my thoughts about the ceremony and all the winners.

Monday, 3 February 2020

Awards Season 2020: BAFTA Film Awards Winners


So, as it turns out, I didn't get to see the BAFTA Film Awards until this morning. 

Therefore, it was yesterday evening (2nd February 2020), at the Royal Albert Hall, that the 73rd British Academy Film Awards were given out in a star-studded ceremony, hosted by Graham Norton, hosting for the first time. 

Saoirse Ronan, Al Pacino, Hugh Grant, Quentin Tarantino, George Mackay, Robert De Niro, Sam Mendes, Daniel Kaluuya, Florence Pugh, Taron Egerton, Charlize Theron, Naomie Harris, Richard E. Grant, Gillian Anderson, Jonathan Pryce, Zazie Beetz, Ian McKellen, Scarlett Johansson and Margot Robbie were among some of the stars in attendance to celebrate the best in film.



Here's a full list of BAFTA winners:

Best Film: 1917

Outstanding British Film: 1917

Leading Actor: Joaquin Phoenix (Joker)

Leading Actress: Renée Zellweger (Judy)

Supporting Actor: Brad Pitt (Once Upon A Time... In Hollywood)

Supporting Actress: Laura Dern (Marriage Story)

Director: Sam Mendes (1917)

Original Screenplay: Parasite

Adapted Screenplay: Jojo Rabbit

Outstanding Debut By A British Writer, Director Or Producer: Mark Jenkin (writer/director), Kate Byers and Linn Waite (producers) (Bait)

Animated Film: Klaus

Documentary: For Sama

Film Not In The English Language: Parasite

Cinematography: 1917

Costume Design: Little Women

Editing: Le Mans '66 [Ford V Ferrari]

Make Up And Hair: Bombshell

Original Music: Joker

Production Design: 1917

Sound: 1917

Special Visual Effects: 1917

Casting: Joker

Short Animation: Grandad was a romantic.

Short Film: Learning To Skateboard In A Warzone (If You're A Girl)

Rising Star: Micheal Ward

Outstanding British Contribution To Cinema: Andy Serkis

BAFTA Fellowship: Kathleen Kennedy

The usual names in the usual positions. I don't think there'll be many surprises come Oscar night. This isn't to denigrate any of the performances as they are all engaging (even if the film around them is shonky). This is the first year that BAFTA have recognised achievement in film casting. It's an incredibly important part of the movie-making process, yet it feels egregious that there's still no recognition for stunt work or vocal performances. This should be sorted. 

1917 was the big winner of the night, with seven BAFTAs (all very well deserved). Joker got three, and Parasite got two. Despite multiple nominations, The Irishman, The Two Popes, Rocketman and Star Wars: The Rise Of Skywalker all walked away empty-handed. 

Congratulations to all winners!


This coming weekend (8th-9th February) will be busy, as it's Oscars weekend. Before that though, there's the Independent Spirit Awards ceremony and the Razzie nominations. Busy, busy, busy...

Monday, 27 January 2020

Awards Season 2020: Directors' Guild Awards (DGA) Winners


A quick awards update as this past weekend (Saturday 25th January), the Directors' Guild Awards (DGA) were handed out. The film winners are:

Outstanding Directorial Achievement in Feature Films: Sam Mendes (1917)

Outstanding Directorial Achievement of a First-Time Feature Film Director: Alma Har'el (Honey Boy)

Outstanding Directorial Achievement in Movies for Television and Miniseries: Johan Renck (Chernobyl)

Outstanding Directorial Achievement in Documentary: Steven Bognar and Julia Reichert (American Factory)

Congratulations to all winners!

This coming weekend, more awards stuff with the Writers' Guild Awards (WGA) on Saturday 1st February and the BAFTA Film Awards on Sunday 2nd February.

Monday, 6 January 2020

Awards Season 2020: Golden Globes Winners


Last night (Sunday 5th January 2020), the Hollywood Foreign Press Association (HFPA) announced the winners of the 77th Annual Golden Globe Awards, for both television and film, in a ceremony hosted by Ricky Gervais for the fifth (and possibly final) time.

Here is the full list of film winners.

Best Motion Picture (Drama): 1917

Best Motion Picture (Musical or Comedy): Once Upon A Time... In Hollywood

Best Director: Sam Mendes (1917)

Best Actor (Drama): Joaquin Phoenix (Joker)

Best Actor (Comedy or Musical): Taron Egerton (Rocketman)

Best Actress (Drama): Renée Zellweger (Judy)

Best Actress (Comedy or Musical): Awkwafina (The Farewell)

Best Supporting Actor: Brad Pitt (Once Upon A Time... In Hollywood)

Best Supporting Actress: Laura Dern (Marriage Story)

Best Screenplay: Quentin Tarantino (Once Upon A Time... In Hollywood)

Best Original Score: Hildur Guðnadóttir (Joker)

Best Original Song: 'I'm Gonna Love Me Again' (Rocketman)

Best Foreign Language Film: Parasite

Best Animated Feature Film: Missing Link

Cecil B. DeMille Lifetime Achievement Award: Tom Hanks


Once Upon A Time... In Hollywood was the big winner of the night with three Globes, with 1917, Rocketman and Joker with two apiece. Absolutely nothing for The Irishman, which is interesting. 

A couple of nice surprises- Missing Link winning Animated Feature over Frozen II and Toy Story 4, and Taron Egerton getting the Best Actor (Musical/Comedy) for Rocketman, particularly. Acting awards for Zellweger, Pitt, and Dern shore them up nicely for a potential Oscar win, although it's never actually a guarantee. 

It was an evening of firsts: Parasite became the first Korean movie to win the Best Foreign Language Film Golden Globe, whilst Hildur Guðnadóttir becomes the first solo female winner of Best Score, and Awkwafina is the first actress of Asian descent to win the Best Actress (Musical/Comedy).

Congratulations to all winners!

There'll be more awards news a little later today with the announcement of this year's Writers Guild Awards. 

Saturday, 21 November 2015

Review: SPECTRE (UK Cert 12A)


Bond is back. Everything present and correct; the guns, the girls, the gadgets. This time, a cryptic message from Bond's path puts him on the hunt for a shadowy cabal. As Bond travels in search of the elusive SPECTRE, M faces a challenge to close the 00 unit down by political forces who see the secret service as a prehistoric relic.

Performance-wise, everyone is really strong. This is Daniel Craig's fourth outing as Bond and he's as assured and suave as ever. There's less of the cerebral psychodrama that made Skyfall so good, which puts Craig more into the traditional ass-kicking mode- which is no bad thing. Ralph Fiennes' M is a nice blend of stern boss and compassionate friend whilst Ben Whishaw's delightfully geeky Q provides some of the nicest moments in the film, particularly involving unveiling the truly sublime Aston Martin DB10.

Christoph Waltz was the perfect choice for the role of Oberhauser, equal parts charm and menace. His confrontations with Bond really crackle and he's an imposing presence throughout. You may not be entirely surprised by where they go with his character, but it works in the context of the story. Monica Bellucci is barely on screen for five minutes and her role is largely as a stepping stone (by sleeping with her, Bond gets the location of the initial SPECTRE meeting) but Lea Seydoux fares better as Dr Madeleine Swann. Madeleine isn't a damsel in distress, although by dramatic necessity ends up being one, and can certainly handle herself. There's some good interplay between Seydoux and Craig which sells that relationship.

The film's opening sequence- which includes a wonderful unbroken tracking shot through the Day of the Dead celebrations in Mexico City- is impressive and sets the tenor for the rest of the film. The car chase in Rome is another particular highlight, whilst the film has taken a Guinness World Record for the largest on-screen explosion. You'll definitely know it when you see it. There's also a brilliantly choreographed and visceral fight scene between Dave Bautista and Craig aboard a train (channelling From Russia With Love). In fact, there's quite a lot of callbacks and inspirations taken from the Bond 'canon' which will please long-standing fans.

Strangely, it feels very much like a swansong for the Craig era. Several hanging threads have been tied up and brought together. Whether Craig will do another film, I don't know, but if this is his last one, it's a hell of a way to go.

Rating: 5 out of 5

Tez

Thursday, 4 December 2014

Bond 24: Spectre


There was a big announcement at Pinewood Studios today as the title and principal cast of the 24th Bond film was announced.

The title is... Spectre

The synopsis of the film is as follows: 'A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.'

Hearking back to the classic Bond era, the Special Executive for Counterintelligence, Terrorism, Revenge and Extortion was a thorn in Bond's side throughout the films of the 1960s and early 1970s, led by Ernst Stavro Blofeld (played variously by Donald Pleasance, Telly Savalas and Charles Gray).

Directed by Sam Mendes (returning after his brilliant direction of Skyfall), produced by Barbara Broccoli and Michael G. Wilson, and written by John Logan, Neal Purvis and Robert Wade, Daniel Craig returns to the role of Bond for the fourth time.

Also returning are Ralph Fiennes as M, Ben Whishaw as Q, Rory Kinnear as Bill Tanner and Naomie Harris as Moneypenny, all reprising their roles from Skyfall.

But who's new?

Double Oscar-winning actor Christoph Waltz has joined the cast, playing a character called Oberhauser. There have been rumours circulating that he was to be cast as iconic Bond villain Blofeld and- with a title like Spectre- that could still be possible.

Other cast members include Andrew Scott (Pride, Moriarty in Sherlock) as Denbigh, Monica Bellucci (Irreversible, The Matrix Reloaded) as Lucia Sciarra, Dave Bautista (Guardians Of The Galaxy) as Mr Hinx and Lea Seydoux (Blue Is The Warmest Color) as Madeleine Swann. 


Filming will take place in London, Rome, Mexico City, Tangiers and the Austrian Alps. 

Hitting cinemas on November 6th 2015, we only have just under a year to wait. We at The Watchers are, it's fair to say, rather excited by this!

As you may or may not know, we undertook a Bondathon in 2012 to celebrate the release of Skyfall, to celebrate 50 years of a British cinematic icon, and to raise some money for Cancer Research Wales. Head over to the Bondathon blog to find out more!