We are The Watchers. We are three movie buffs on a mission to bring you real views on movies - no bull, no lies, just real gut instincts. We watch then we record as soon as we get out of the theatre!
The Watchers
Showing posts with label tim miller. Show all posts
Showing posts with label tim miller. Show all posts
Friday, 8 November 2019
Review: Terminator: Dark Fate (UK Cert 15)
When Sarah Connor prevented Judgment Day, she changed the future and re-wrote the fate of humanity. Two decades on from that fateful day, a young Mexican woman called Daniella Ramos has her life upended when a ruthless new Terminator travels back in time to hunt and kill her. Luckily, she's got some help in the form of an augmented human (who has also travelled back in time) and Sarah herself...
Directed by Tiim Miller (Deadpool) and with a story co-written by James Cameron, there was anticipation that Cameron's return to the Terminatorverse would provide the much-needed spark to lift the franchise from the doldrums it's found itself in. Honestly, I saw the film more than a week ago and it's taken me this long to formulate what I think about it (and muster up the required enthusiasm to write about it). That should tell you something.
The first third of the film is strong, well-paced, and intermittently thrilling (a few very obvious CGI moments aside). Mackenzie Davis gives a decent turn as Grace, the augmented human from the future sent back to protect Dani. There's a couple of interesting choices made with Grace's character- such as her needing a cocktail of medicine to survive- even if it's a bit predictable as to how she is the one to be sent back. Natalia Reyes is also pretty strong as Dani, starting off as a normal girl whose life gets thrown into chaos (and I'm glad the script didn't go down the expected route that Dani is the mother of the next hero, reducing her agency and character to that of an incubator). Also, there's a great thrill in seeing Linda Hamilton back as Sarah Connor - battle-hardened, haunted, but still a bad-ass. So far, so good.
But, ironically, the wheels fall off it once Arnold Schwarzenegger makes his appearance as the retired T-800 who now goes by the name of Carl. When the uneasy alliance between him and the trio forms, that's when the film loses its shine and becomes another painfully generic middle-of-the-road actioner.
Schwarzenegger is serviceable, even if the backstory that 'Carl' has been given is all sorts of ridiculous. I was bothered less about that than others (hi, Rhys!) as there's a bizarre kind of narrative sense to it (at least, the beginning of it). But once he comes into the film, it devolves into set-piece after set-piece, and also the CGI starts to get really dodgy and really noticeable. Characterisation seems to go for a burtons as well, and the tension between Sarah and T-800 isn't played to its full strength.
When we talked about it, Matt joked that the film could have been called Terminator: The Force Awakens in that there's the passing of the torch to a new generation (with the old guard in the background). With the film bombing at the box office, it's unlikely that this will now happen. This is the fourth attempt to reboot/restart/reimagine the Terminator franchise and none of them have been successful (which is a shame as Salvation is a pretty strong start). Maybe they should leave it alone?
In conclusion, I realise it's damning the film with faint praise, but I went into the cinema with incredibly low expectations (after the dumpster fire that was Terminator: Genisys) and came out pleasantly surprised in some respects. There were bits I liked, but overall it's just very bland.
Rating: 2.5 out of 5
Tez
Thursday, 24 March 2016
Review: Deadpool (UK Cert 15)
It's taken years for Deadpool to have his own film but, boy, has it been worth the wait.
It's essentially an origin story, but not told in the traditional way. Instead, we see in flashbacks how cancer-ridden mercenary Wade Wilson (Ryan Reynolds) became the spandex-clad Deadpool via a clandestine operation overseen by the smarmy Ajax (Ed Skrein). Wade goes after Ajax for revenge. Carnage and fourth-wall-breaking ensues.
Watching Deadpool reinforces just how badly X-Men Origins: Wolverine misjudged the character. Deadpool is a gobby little sod- his nickname is the Merc with the Mouth, for God's sake- and Ryan Reynolds' glib rat-a-tat delivery gives the film most of its humour. You don't neuter a character like this by sewing his mouth shut (although that gets a nice sly dig when Wade and Ajax talk before the operation). For me, this is Ryan Reynolds' best performance- he's likeable, snarky and cool but also shows a tender side with Wade's relationship with Vanessa (an equally brilliant and totally kick-ass Morena Baccarin).
All supporting characters do well - Ed Skrein exudes just enough villainy as Ajax (or should that be Francis?) and Gina Carano is pretty menacing as his mostly-mute sidekick Angel Dust. Two X-Men turn up- a fact that is not lost on Deadpool and which gives rise to one of the funniest lines in the entire movie. These are Colossus (voiced by Stefan Kapicic) and the brilliantly-named Negasonic Teenage Warhead (an assured film debut by Brianna Hildebrand). T.J. Miller and Leslie Uggams provide some great comedy relief as Wade's friend Weasel and his room-mate Blind Al and Stan Lee's cameo is just superb.
The script is achingly self-aware, crammed to the ginnels with pop culture references and the aforementioned fourth-wall-breaking. But it never feels quirky or try-hard, nor pandering to diehard fans at the exclusion of others. It's full of neat little Easter eggs which fans will get a kick out of but, if you don't know the reference, it won't impair your viewing.
Brash, loud, vulgar, cheerfully offensive, unremittingly violent and just downright bloody funny, it's a winner from start to finish.
Rating: 5 out of 5
Tez
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