Awards Season 2024: The 97th Academy Awards

So there we have it, folks. The 97th Academy Awards have been handed out and there were a nice couple of surprises along the way. 

After a fantastic opening number by Ariana Grande and Cynthia Erivo- incorporating music from the various cinematic iterations of The Wizard Of Oz- Conan O'Brien's opening monologue was a little bit hit-and-miss (he was definitely very nervous) but there were a couple of nice little zingers- I did like the comment about the amount of swearing in Anora linking to the Emilia Pérez controversy. The Adam Sandler skit and "I Won't Waste Your Time" bits weren't great, but weren't massively egregious (Seth MacFarlane's ill-conceived "We Saw Your Boobs" song was much worse). He got a couple of nice one-liners in as the night went on, getting one of the biggest reactions to his crack about Anora featuring an American standing up to a powerful Russian. I liked him bringing on members of the LA fire department for a well-deserved standing ovation, but didn't feel it was necessary for him to get them to read out some "jokes". All said, though, once he settled in to the gig, he was a perfectly serviceable host. I certainly wouldn't object if he was hired to host again. 

Aside from the host, how was the rest of the show? Like most Oscar telecasts, there were some good bits and some not-so-good bits. Morgan Freeman's heartfelt tribute to co-star and friend Gene Hackman before the moving "In Memoriam" (done to the mournful strains of "Lacrimosa" from Mozart's Requiem) was rather beautiful; the very uplifting tribute to Quincy Jones (featuring Queen Latifah singing "Ease On Down The Road" from The Wiz) was also very well done. A surprise tribute to the Bond franchise felt a little superfluous, although there was a slightly tenuous link in that former Bond producers Barbara Broccoli and Michael G. Wilson had been honoured at the Governors' Awards in November. It still wasn't great though with a medley of Bond themes being slightly mangled by well-meaning but not-particularly-strong singers. There was also no performances of the Best Original Song nominees which felt odd; however, the show was running to around three-and-three-quarter-hours as it was, so having all five nominees performed would have pushed the show to four. 

How some of the awards were announced was interesting; they had previously announced the return of the "Fab 5" presenters- where former winners pay tribute to the current nominees; this had previously been done for the acting categories- but extended this to the Best Cinematography and Best Costume Design categories instead for this year (presumably to save someone the embarrassment of praising Karla Sofía Gascón after the fiasco over her tweets). It was also tweaked by having members of the respective casts to pay tribute to the nominees, which I thought worked. They also had Robert Downey Jr. and Da'Vine Joy Randolph give short testimonials to the Best Supporting Actor and Actress nominees rather than show a clip of their performances (although didn't do the same for Cillian Murphy and Emma Stone, presumably for the reason given above).  

On to my predictions. Well, 4 out of 6 ain't bad. I slightly underestimated how much love there was going to be in the Academy for Anora. 

So where were the surprises? Firstly, Flow winning Best Animated Feature over The Wild Robot (although I'd have dearly loved to have seen Wallace And Gromit: Vengeance Most Fowl win). Then I'm Still Here winning Best International Feature (I did think that would have gone to Emilia Pérez). And I will say it was a surprise- but not an unwelcome one- for Mikey Madison to win Best Actress. I was pleased that Conclave took home the Best Adapted Screenplay award; I'd have liked to have seen it take home more, personally, as it has been my favourite film that I've seen in this awards season. 

There were several nice acceptance speeches. As a creative and a cinephile, I particularly enjoyed Sean Baker's plea for filmmakers to focus on cinema releases for films (to keep the moviegoing experience alive) as well as his co-producer Samantha Quan's advice to make the stories you want to make and follow your heart. It was also refreshing to hear both Sean Baker and Mikey Madison pay tribute to the sex worker community (as Anora is about a sex worker). Perhaps the most overtly political moment came with the acceptance speech by the makers of the Best Documentary Feature winner No Other Land which explicitly deals with the issues of Palestinians being forcibly removed from their homes by Israel, although there was a lot of mentions in other speeches about how music and art can help bridge divisions and bring people together in these interesting times of ours without anyone really mentioning anyone by name. Although Daryl Hannah did start her introduction to the award she was presenting with "Slava Ukraini"!

This ceremony saw quite a few "firsts" - Flow is the first film from Latvia to be nominated for (and win) an Oscar; Zoe Saldaña is the first actress of Dominican descent to win an Oscar; Paul Tazewell becomes the first Black male winner of the Best Costume Design award, and I'm Still Here is the first Brazilian film to win the Best International Feature award (although it was the fifth film to be nominated). Sean Baker also becomes the first person to win four Oscars in one night for his work on Anora. 

 

Anora was the big winner of the evening, taking home five Oscars (and it was nominated for six, only losing Best Supporting Actor). In second place was The Brutalist, with three. It's then a three-way tie for third, with Emilia Pérez, Wicked and Dune: Part Two winning two apiece. 

Despite multiple nominations, A Complete Unknown, Nosferatu, Sing Sing, The Wild Robot, Nickel Boys, and The Apprentice all walked away empty-handed. 

Below is the full list of winners at the 97th Academy Awards:

Best Motion Picture of the Year: Anora

Best Actor: Adrien Brody (The Brutalist)

Best Actress: Mikey Madison (Anora)

Best Supporting Actor: Kieran Culkin (A Real Pain)

Best Supporting Actress: Zoe Saldaña (Emilia Pérez)

Best Director: Sean Baker (Anora)

Best Original Screenplay: Sean Baker (Anora)

Best Adapted Screenplay: Peter Straughan (Conclave)

Best Animated Feature Film of the Year: Flow

Best International Feature Film of the Year: I'm Still Here

Best Cinematography: The Brutalist

Best Film Editing: Anora

Best Production Design: Wicked

Best Costume Design: Wicked

Best Makeup and Hairstyling: The Substance

Best Original Score: The Brutalist

Best Original Song: "El Mal" (Emilia Pérez)

Best Sound: Dune: Part Two

Best Visual Effects: Dune: Part Two

Best Documentary (Feature): No Other Land

Best Documentary (Short Subject): The Only Girl In The Orchestra

Best Animated Short Film: In The Shadow Of The Cypress

Best Live Action Short Film: I'm Not A Robot

Congratulations to all winners! And with that, the curtain has now come down on this year's awards season. Thank you for your indulgence; I hope it's been a nice little distraction for you all. Same time next year?

Awards Season 2025: Tez's Official Oscar Predictions

So, it's Hollywood's Biggest Night - the 97th Academy Awards. Conan O'Brien will be taking up hositing duties for the first time; I was surprised that it was his first Oscars gig as he's the kind of person you would have thought would have done it before. Hopefully he'll be more Jimmy Kimmel and less David Letterman. It's only a few hours until we find out!

As regular readers will know, it has become a tradition for me to predict the nominations and the winners in the main six categories (the four acting categories, Best Director and Best Picture). I've done this since 2003 with varying degrees of success. Last year, I got 5 out of 6, picking Lily Gladstone for Best Actress instead of Emma Stone. Will I do as well this year?

So, without further ado, here are my predictions for who will win.

Best Supporting Actress: Zoe Saldaña (Emilia Pérez)

The supporting categories re where I am the most confident, mostly because both have been consistent. Across all major Supporting Actress categories, the runaway winner has been Zoe Saldaña for her role in Jacques Audiard's musical comedy crime drama Emilia Pérez. For her performance as Rita, the lawyer who helps drug lord Manitas with his plan to disappear and transition into the titular Emilia, she's won the Golden Globe, BAFTA, Critics' Choice, and SAG Award and will almost certainly be adding the Oscar to her impressive haul tonight. Despite the controversy surrounding the film (caused by leading lady Karla Sofía Gascón's previous tweets), Saldaña has remain unscathed and has remained dignified in her discussion of the controversy. Despite Emilia Pérez leading the field with a whopping 13 nominations, I think Saldaña is probably going to be the film's highest-profile win (although a Best International Picture win could also be potentially on the cards). 

Best Supporting Actor:  Kieran Culkin (A Real Pain)

Like Saldaña, Culkin has been the runaway winner in the Best Supporting Actor categories (including the Independent Spirits' gender-neutral Best Supporting Performance category) for his impressive turn in Jesse Eisenberg's beautifully observed comedy-drama A Real Pain. Culkin steals every scene he's in as the troubled but charismatic Benji, on a tour of Poland with his tightly-wound cousin David. The power of his performance is undeniable. It'll be a major upset if Culkin isn't the winner this evening. 

Best Actress: Demi Moore (The Substance)

With no disrespect to any of the other nominees, the Best Actress race has been between Demi Moore and Mikey Madison, and frankly either name could be read out tonight. But I think Demi Moore will be taking home the Oscar. She's majorly impressive as fading star Elisabeth Sparkle in Coralie Fargeat's gloriously grotesque Grand Guignol body horror, conveying so much of the character's inner angst and turmoil with very little dialogue. Plus, I also think that Moore has a lot of good will in Hollywood, and a lot of people who would want to reward her for this third-act renaissance in her career (much like they did with Brendan Fraser for The Whale). The only thing that may go against her is the Academy's notorious snobbishness about genre films (and horror in particular). But I think they'll be making an exception here tonight. That said, Mikey Madison wouldn't be an undeserving winner for her bravura turn in Anora. 

Best Actor: Adrien Brody (The Brutalist)

Personally, I would love to see Ralph Fiennes win for his superb turn in Conclave but I don't think that's going to happen. With the exception of the SAG Awards (who threw a lovely little curveball by naming Timothée Chalamet as Best Actor), Brody has been the major winner of Best Actor categories. I personally found The Brutalist a slog to watch, a bit too sterile and hard-going (and, full disclosure, I didn't actually finish the three-and-a-half-hour magnum opus) but Brody's performance as architect László Tóth was strong. So I think he stands the best chance of getting a second Oscar to help balance out the mantelpiece. 

Best Director: Brady Corbet (The Brutalist)

This is another one where it could come down to two different names, which are Brady Corbet and Sean Baker. Looking on a purely technical level, on what each filmmaker has done to achieve their vision for their respective films, I think it's more likely that the Academy will go for Corbet (despite the DGA plumping for Baker). By filming in VistaVision and also having to create a radically different era (similar to what Christopher Nolan did in Oppenheimer), I think Corbet will take home the gold tonight. But don't be surprised if Sean Baker gets called up to the stage instead. 

Best Picture: Anora

So if I'm picking Corbet for Best Director, why do I think Anora will Best Picture? Well, I'm not sure and- to be honest- The Brutalist would be a more "traditional" Best Picture choice. It's a Big Weighty Film(TM) but I'm wondering if it's just a touch too glacial and austere (not to mention long; it's got an intermission FFS) to have captured the hearts of the Academy at large. However, if I'm honest, I'm simply playing the numbers game. Anora won at the Independent Spirit Awards, the Critics Choice, and- crucially- the PGA. Now I know the PGA is never a 100% accurate barometer but the tide has shifted to Anora as awards season has continued. It's a contemporary, funny, ferociously foul-mouthed comedy-drama about the whirlwind (but ultimately doomed) romance between a brassy exotic dancer and the feckless son of a Russian oligarch. It's got heart, a lot of laughs, and some great performances. It'd be a worthy winner, albeit a slightly different one. 

So there are my predictions. What do you think?

For the second year, ITV and ITVX will be broadcasting the telecast in the UK, starting at 10:30PM GMT with the ceremony due to start at midnight. I'll be watching. Will you? 

I'll let you know my thoughts on the ceremony as soon as I can once it finishes.

Awards Season 2025: Razzies Winners

As is tradition on Oscars Eve, the (un)lucky recipients of this year's Razzies (the id to the Oscar's superego, if you like) have been announced. And there's perhaps no surprise which fairly universally derided superhero movie limps off with the top prize.

Here are this year's "winners"

Worst Picture: Madame Web

Worst Director: Francis Ford Coppola (Megalopolis)

Worst Actor: Jerry Seinfeld (Unfrosted)

Worst Actress: Dakota Johnson (Madame Web)

Worst Supporting Actor: Jon Voight (Megalopolis, Reagan, Shadow Land, and Strangers)

Worst Supporting Actress: Amy Schumer (Unfrosted) 

Worst Prequel, Remake, Rip-Off or Sequel: Joker: Folie à Deux

Worst Screen Combo: Joaquin Phoenix and Lady Gaga (Joker: Folie à Deux)

Worst Screenplay: Madame Web

Razzie Redeemer: Pamela Anderson (for her performance in The Last Showgirl)

Madame Web is the big winner of the night, with three awards; it's then a three-way tie for second with Unfrosted, Joker: Folie à Deux, and Megalopolis walking away with two apiece.

Despite multiple nominations, Borderlands, Reagan, The Crow, Argylle, and Kraven The Hunter walk away unscathed. 

No sooner did Madame Web make it onto the screens then it was being derided as one of the worst superhero films that's been made, but was even being touted as a potential Razzie winner even before it left the cinemas. Ouch. 

A little trivia for you now: Francis Ford Coppola becomes the fourth director to win both the Best Director Oscar and a Worst Director Razzie, following on from Michael Cimino (The Deer Hunter/Heaven's Gate), Kevin Costner (Dances With Wolves/The Postman), and Tom Hooper (The King's Speech/Cats) [Coppola won the Best Director Oscar for The Godfather Part II]. There have been plenty of directors that have either been nominated for one and won the other (or nominated for both but won neither), but these four stand above. 

Coppola has rather gamely accepted the win, posting the following message on Instagram: "I am thrilled to accept the Razzie award... and for the distinctive honor of being nominated as the worst director, worst screenplay, and worst picture at a time when so few have the courage to go against the prevailing trends of contemporary moviemaking! In this wreck of a world today, where ART is given scores as if it were professional wrestling, I chose to NOT follow the gutless rules laid down by an industry so terrified of risk that despite the enormous pool of young talent at its disposal, may not create pictures that will be relevant and alive 50 years from now. [...]  Let us remind ourselves us that box-office is only about money, and like war, stupidity and politics has no true place in our future."

Megalopolis has long been a passion project for Coppola; he'd been trying to get it made since the 1970s and even sold one of his wineries to fund the project. I have to admire his chutzpah; he didn't compromise, he made the film he wanted to make. No doubt he was hoping it might win awards... Maybe just not these ones. 

Congratulations (commiserations?) to the "winners". 

So, that just leaves the big one: the 97th Academy Awards. I'll be posting my predictions for who will win in six major categories tomorrow afternoon.

 

Awards Season 2025: Independent Spirit Awards and Screen Actors Guild (SAG) Awards Winners

More awards season nonsense took place over this past weekend, so here are the results from those two star-studded events.

INDEPENDENT SPIRIT AWARDS

On Saturday 22nd February 2025 , the 40th Film Independent Spirit Awards- recognising films made wholly or partly outside the traditional studio system- took place.

Here's a full list of film winners. 

Best Feature: Anora

Best Lead Performance: Mikey Madison (Anora)

Best Supporting Performance: Kieran Culkin (A Real Pain)

Best Breakthrough Performance: Maisy Stella (My Old Ass)

Best Director: Sean Baker (Anora)

Best Screenplay: Jesse Eisenberg (A Real Pain) 

Best First Screenplay: Sean Wang (Didi)

Best Cinematography: Nickel Boyss

Best Editing: September 5

Best First Feature: Didi

Best International Film: Flow

Best Documentary: No Other Land

John Cassavetes Award: Girls Will Be Girls

Robert Altman Award: His Three Daughters

The John Cassavetes Award is given to the creative team of a film budgeted at less than $1 million, whilst the Robert Altman Award is presented to the ensemble cast of the movie, its director, and its casting director(s). 

Anora was the big winner of the evening, with three awards. A Real Pain and Didi both won two. 

Anora is really starting to make strides; with its wins at both PGA and DGA, and Mikey Madison's surprise BAFTA win, it isn't beyond the realms of possibility that there might be an "upset" come next Sunday. 

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SCREEN ACTORS GUILD (SAG) AWARDS

The 31st Screen Actors Guild Awards were held on Sunday 23rd February in a ceremony which streamed live on Netflix, hosted by Kristen Bell. 

Here are the film winners:

Outstanding Performance by a Cast in a Motion Picture

Conclave

Outstanding Performance by a Male Actor in a Leading Role

Timothée Chalamet (A Complete Unknown)

Outstanding Performance by a Female Actor in a Leading Role

Demi Moore (The Substance)

Outstanding Performance by a Male Actor in a Supporting Role

Kieran Culkin (A Real Pain)

Outstanding Performance by a Female Actor in a Supporting Role

Zoe Saldaña (Emilia Pérez)

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

The Fall Guy

Unlike last year's Oppenheimer sweep, this had a bit more of an "all shall have prizes" feel about it (which is pretty much the theme of this year's awards season; whilst the same performances might be getting recognised a lot, they're all coming from different places so it's good to have that variety). 

I'm really pleased to see Conclave win the Best Cast award, as it is a superb ensemble. Timothée Chalamet's win chucks a nice little curveball, although it feels unlikely that the Academy is going to follow suit (Adrien Brody's probably going to have another Little Naked Gold Man). Best Actress now feels like it's a two-horse race between Mikey Madison and Demi Moore, whilst I think we can safely say the supporting categories are as locked in as they can be. 

The stone-cold icon that is Jane Fonda was awarded the Screen Actors Guild Life Achievement Award, and gave a barnstorming acceptance speech in which she said “Empathy is not weak or ‘woke.’ And, by the way, ‘woke’ just means you give a damn about other people”. Yassss, queen! 

Congratulations to all winners!

So, we are getting down to the sharp end of awards season 2025, with just the Razzies and the Oscars to go next weekend. 

Awards Season 2025: Writers' Guild Awards (WGA) and BAFTA Film Awards Winners

This past weekend has seen more awards nonsense, so let's get down to business and discuss the latest developments. 

WRITERS' GUILD AWARDS

The Writers' Guild Awards (WGA) were given out on Saturday 15th February. The film winners were:

Original Screenplay: Anora

Adapted Screenplay: Nickel Boys

Documentary Screenplay: Jim Henson: Idea Man

Both Anora and Nickel Boys are nominated in their respective categories at the Academy Awards, so these wins could bode well for their chances at the Oscars. 

That said, due to the WGA's eligibility criteria, several other Oscar-nominated screenplays weren't eligible for WGA consideration: this includes The Brutalist, September 5, and The Substance in the Original Screenplay category, and Conclave, Emilia Pérez, and Sing Sing in Adapted Screenplay.

Personally, Conclave might win Best Adapted Screenplay. But, as we've seen over the past few weeks, Anora seems to be gaining momentum in this awards season - so a Best Original Screenplay win wouldn't be too big a surprise. 

BAFTA FILM AWARDS

On Sunday 16th February 2025, the 78th British Academy Film Awards were given out in a star-studded ceremony, hosted by David Tennant for the second time. 

Here's a full list of BAFTA winners.

Best Film: Conclave

Outstanding British Film: Conclave

Leading Actor: Adrien Brody (The Brutalist)

Leading Actress: Mikey Madison (Anora)

Supporting Actor: Kieran Culkin (A Real Pain)

Supporting Actress: Zoe Saldaña (Emilia Pérez)

Director: Brady Corbet (The Brutalist)

Original Screenplay: A Real Pain

Adapted Screenplay: Conclave

Outstanding Debut By A British Writer, Director Or Producer: Rich Peppiatt (director/writer) (Kneecap)

Animated Film: Wallace And Gromit: Vengeance Most Fowl

Documentary: Super/Man: The Christopher Reeve Story

Film Not In The English Language: Emilia Pérez

Cinematography: The Brutalist

Costume Design: Wicked

Editing: Conclave

Make Up And Hair: The Substance

Original Score: The Brutalist

Production Design: Wicked

Sound: Dune: Part Two

Special Visual Effects: Dune: Part Two

Casting: Anora

Short Animation: Wander To Wonder

Short Film: Rock, Paper, Scissors

Children's & Family Film: Wallace And Gromit: Vengeance Most Fowl

Rising Star: David Jonsson

Outstanding British Contribution To Cinema: MediCinema

BAFTA Fellowship: Warwick Davis

Conclave and The Brutalist were the big winners of the evening, with four BAFTAs each; Anora, Dune: Part Two, Emilia Pérez, A Real Pain, Wallace And Gromit: Vengeance Most Fowl, and Wicked all went home with two. 

Despite multiple nominations, A Complete Unknown, Nosferatu, The Apprentice, Blitz, Gladiator II, Sing Sing, The Wild Robot, and Hard Truths all went away with nothing. 

A couple of surprises here; the big one being Conclave winning Best Picture (which I'm personally overjoyed about, as it is one of my favourite films in contention in this awards season). Sadly, I don't think this is going to be repeated at the Oscars, so I'm going to enjoy this while I can. Mikey Madison's Best Actress win has also come as a bit of a curveball (I think a lot of people were expecting Demi Moore to take it for The Substance, Madison included as her off-the-cuff acceptance speech showed!). No surprises in the supporting categories, nor in the screenplays. I'm very chuffed to see two wins for Wallace And Gromit: Vengeance Most Fowl, although- again- I don't see this being replicated in two weeks' time.

Congratulations to all winners!

We've got another busy weekend of awards stuff next weekend, as the Independent Spirit Awards get handed out on Saturday 22nd February, and the SAG Awards are on Sunday 23rd February. 

I'll update with the winners as soon as I can after they're announced.

Awards Season 2025: Producers Guild Awards (PGA), and Directors Guild Awards (DGA) Winners

It's a two-for-one on guild awards nonsense today, folks, and it means we are a bit closer to working out what might get Best Picture and Best Director at the Oscars in just over three weeks' time. So let's get on with it!

DIRECTORS GUILD AWARDS

On Saturday 8th February 2025, the Directors' Guild Awards (DGA) were handed out. The film winners are:

Outstanding Directorial Achievement in Feature Films: Sean Baker (Anora)

Michael Apted Award for Outstanding Directorial Achievement in First-Time Theatrical Feature Film: RaMell Ross (Nickel Boys)

Outstanding Directorial Achievement in Documentary: Brendan Bellomo and Slava Leontyev (Porcelain War)

Cat, meet pigeons... this is a bit of a surprise for me, as- if you read the last post- you'll know I was fully expecting Brady Corbet to win for The Brutalist (following on from his Golden Globes win and cementing his place as frontrunner for the Little Naked Gold Man). Now this has made things a bit more interesting. Always fun when awards season feels more like a contest and less like a coronation. But surely that's where the surprises end, right?

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PRODUCERS GUILD AWARDS (PGA)

The 36th Producers Guild Awards (PGA) were also handed out on Saturday 8th February. The film winners are:

Outstanding Producer of Theatrical Motion Pictures: Anora

Outstanding Producer of Documentary Theatrical Motion Pictures: Super/Man: The Christopher Reeve Story

Outstanding Producer of Animated Theatrical Motion Pictures: The Wild Robot

Wrong! For both major guilds, whose membership body aligns very closely with the voting members of the Academy, to pick Anora as their winner has shaken things up a bit. Whilst neither guild has a 100% record of going with the Academy's eventual winner, it's telling and gives a bit of pause to those prognosticators and psephologists who may have assumed this was all a done deal. It isn't over until the presenter says "And the Oscar goes to..."

Congratulations to all winners!

Up next this awards season, we have the Writers Guild Awards (WGA) next Saturday (15th February 2025) and the BAFTA Film Awards next Sunday (16th February 2025).  

Awards Season 2025: Critics Choice Awards Winners

Surprise awards season news! 

This passed me by, until I saw some of the winners announced on social media, but yesterday (Friday 7th February 2025) saw the 30th Critics Choice Awards handed out. 

Hosted by Chelsea Handler for the third year in a row, they honoured the best of film and TV in 2024 across 37 categories. Originally due to be handed out on 14th January, the awards were postponed twice (first to 26th January and then to a TBC date in February) due to the L.A. wildfires. Unsurprisingly, and rightly so, many of the acceptance speeches thanked first responders and emergency service personnel for their hard work. 

Here are a full list of the Critics' Choice Awards movie winners: 

Best Picture: Anora

Best Actor: Adrien Brody (The Brutalist)

Best Actress: Demi Moore (The Substance)

Best Supporting Actor: Kieran Culkin (A Real Pain)

Best Supporting Actress: Zoe Saldaña (Emilia Pérez)

Best Acting Ensemble: Conclave

Best Director: Jon M. Chu (Wicked)

Best Original Screenplay: The Substance

Best Adapted Screenplay: Conclave

Best Comedy: A Real Pain and Deadpool & Wolverine (tie)

Best Foreign Language Film: Emilia Pérez

Best Animated Feature: The Wild Robot

Best Score: Challengers

Best Song: "El Mal" (Emilia Pérez)

Best Production Design: Wicked

Best Editing: Challengers

Best Costume Design: Wicked

Best Hair & Makeup: The Substance

Best Visual Effects: Dune: Part Two

Best Cinematography: Nosferatu

Best Young Actor/Actress: Maisy Stella (My Old Ass)

Emilia Pérez, The Substance, and Wicked were the big winners of the night, each taking three awards apiece; behind them are A Real Pain, Conclave, and Challengers with two each. 

There's a definite feel of "all shall have prizes" this time round; there's no one film dominating the awards chatter. Well, that's not strictly true, given the damage limitation the Emilia Pérez PR team are having to do at the moment... It's worth pointing out, however, the winners of these awards have been in place since 10th/11th January, before Karla Sofía Gascón's previous social media posts came to light. I personally don't think Zoe Saldaña has much to worry about; she's the definite frontrunner for the Best Supporting Actress Oscar. But it will be interesting to see if Gascón's previous inflammatory rhetoric dents the film's chances for other categories, most notably Best International/Foreign Language Film and Best Picture. 

I'm pleased to see Conclave getting the Adapted Screenplay and Acting Ensemble awards (it's a stellar cast in a superbly written script). I'm also happy to see Deadpool & Wolverine get a bit of awards love; it was a supremely silly, profane but enjoyable piece of cinema. Jon M. Chu's Best Director win elicited a lot of cheers and applause; I think a lot of people feel he's been unfairly sidelined in the Best Director conversation (in fact, the Critics Choice Awards are his only Best Director nomination in the major movie awards this season). It may be that that gets rectified next year with the release of this year's Wicked: Part 2 (now retitled Wicked: For Good). 

Congratulations to all winners!

Two of the major guilds give out their awards today (Saturday 8th February 2025), so there'll be a post tomorrow with the results of the Directors Guild Awards (DGA) and Producers Guild Awards (PGA). I'm expecting good news for The Brutalist in both sets of awards. Call it a hunch.