Awards Season 2022: The 94th Academy Awards

Well... that was certainly something...

Did anyone have "angry actor smacks award host for insulting his wife, then proceeds to win an Oscar" on their Oscar bingo? No? Nor did I. But that's one of the things about live events: anything can happen. 

The telecast began with a spectacular performance of Best Original Song nominee "Be Alive" from King Richard by Beyoncé from the Compton tennis courts where Venus and Serena Williams practiced when they were growing up. Talk about starting with a bang!

This was the first time in three years that the Oscars had a host and, if I'm honest, I really didn't feel that having a host (or hosts) added anything to the evening. And to be honest, that's nothing to do with who they had as hosts: it was always going to be a poisoned chalice for whoever took the job and Amy Schumer, Wanda Sykes, and Regina Hall didn't do too badly. Let's put it this way: they were more Jimmy Kimmel than James Franco & Anne Hathaway. 

The three-act structure seemed to have gone by the wayside, with all three hosts periodically popping up throughout; the providers of the music changed each hour, but that was about it. There were a couple of funny lines (Amy Schumer referring to herself as "Melissa McCarthy said no" raised a chuckle, as did her "Did I miss anything?" when she reappeared after the Smith-Rock debacle; the not-so-subtle two fingers up to Florida's "Don't Say Gay" bill was also a joy), but generally the skits felt clunky and unfunny- Regina Hall playing up to being the thirsty singleton went on too long, and somehow we were meant to be OK with her feeling up Josh Brolin and Jason Momoa when you just know that if a male host tried to do the same with (for example) Helen Mirren and Zendaya, people would be frothing at the mouth.   

I actually didn't necessarily mind how they edited in the eight awards that were given out in the hour before the telecast began (although perhaps the irony of having the Best Achievement in Editing as one of the eight whilst relying on editors to seamlessly put that footage into the live show was lost on them). I did mind the utterly haphazard manner in which they interspersed them throughout, and I further minded that a lot of the material that was added in lieu of those eight awards were irrelevant puff.

The much vaunted performance of Encanto's "We Don't Talk About Bruno" was not, in fact, a full performance of the song. It started out as a performance, but then metamorphosed into this rap-heavy mishmash of "Celebrating The Oscars". That was one of a couple of utterly baffling decisions made throughout the night: why have three extreme sportsmen to host the 60 Years Of Bond montage? And why not immediately follow that montage with the live performance of "No Time To Die"? 

The whole "Oscars Cheer" moment- which, apparently, was The Flash entering speed force in Zack Snyder's Justice League- added nothing, and neither did the Fan Favourite Award (which armies of Snyder fans hijacked with Army Of The Dead after the four-hour Justice League cut was deemed ineligible as it was a re-release). I found the choice of music for the In Memoriam section to be a bit odd, but I did like the individual tributes to Sidney Poitier, Ivan Reitman, and Betty White. 

The guest hosts varied from funny to excruciating- Shang-Chi's Simu Liu and Tiffany Haddish fell into the latter camp (mostly because of Haddish's increasingly erratic behaviour), although I did like having a trio of live-action Disney princesses (Cinderella's Lily James, Aladdin's Naomi Scott, and The Little Mermaid's Halle Bailey) to announce Best Animated Feature.  

But the big talking point of the night is going to be what happened when Chris Rock presented the Best Documentary Feature award. Will Smith stormed the stage and smacked Rock in the face after Rock made a "GI Jane 2" crack about Jada Pinkett Smith (Pinkett Smith has alopecia and has been very honest and open about her struggles with the condition, and looked ever-so-slightly pissed off at Rock's remark). On Sky Cinema, the censors weren't quick enough to catch either of Smith's f-bombs, or Rock's dazed "Will Smith just smacked the shit out of me". Initially, I wasn't sure whether it was a bit, but it soon became clear that it wasn't. Smith's tearful speech as he returned to the stage to claim the Best Actor Oscar featured an apology, but to the Academy and fellow nominees. 

Onto the awards themselves.

Six out of six for the first time in a long time. Ariana DeBose, Troy Kotsur, and Jessica Chastain all gave very emotional acceptance speeches, all touching on themes of acceptance and finding your place in the world. I was also pleased that "No Time To Die" won Best Original Song, and I was chuffed that Kenneth Branagh- who has been nominated in seven different categories- won his first Oscar, for the screenplay of Belfast. I was also over the moon that CODA won Best Picture. It was a real feel-good end to a rocky show.  

This Oscars featured a number of firsts: we saw the first openly queer woman of colour (Ariana DeBose) win an acting award; the first Deaf actor (Troy Kotsur) win an acting award; this is the first time consecutive Best Director Oscars have been won by female directors (Chloé Zhao and Jane Campion), and it's the first time a film distributed on a streaming platform (CODA, via Apple TV+) has won Best Picture.

Unsurprisingly, Dune was the biggest winner of the evening, taking home six awards (four of which were won before the telecast started). CODA won three Oscars, winning each category it was nominated in, as did The Eyes Of Tammy Faye which won in both its categories. 

Despite multiple nominations, Don't Look Up, Nightmare Alley, Being The Ricardos, Flee, Licorice Pizza, The Lost Daughter and The Tragedy Of Macbeth all went away empty-handed. 

Below is the full list of winners at the 94th Academy Awards (the eight categories marked with the asterisks were given out ahead of time):

Best Motion Picture of the Year: CODA

Best Actor: Will Smith (King Richard)

Best Actress: Jessica Chastain (The Eyes Of Tammy Faye)

Best Supporting Actor: Troy Kotsur (CODA)

Best Supporting Actress: Ariana DeBose (West Side Story)

Best Director: Jane Campion (The Power Of The Dog)

Best Original Screenplay: Kenneth Branagh (Belfast)

Best Adapted Screenplay: Siân Heder (CODA)

Best Animated Feature Film of the Year: Encanto

Best International Feature Film of the Year: Drive My Car

Best Cinematography: Dune

* Best Film Editing: Dune

* Best Production Design: Dune

Best Costume Design: Cruella

* Best Makeup and Hairstyling: The Eyes Of Tammy Faye

* Best Original Score: Dune

Best Original Song: "No Time To Die" (No Time To Die)

* Best Sound: Dune

Best Visual Effects: Dune

Best Documentary (Feature): Summer Of Soul (...Or, When The Revolution Could Not Be Televised)

* Best Documentary (Short Subject): The Queen Of Basketball

* Best Animated Short Film: The Windshield Wiper

* Best Live Action Short Film: The Long Goodbye

Congratulations to all winners!

Well, that is awards season done and dusted for another year. Thank you for coming with me on this journey. Tonight certainly hasn't been boring, that's for sure.

Until next time.

Awards Season 2022: Tez's Official Oscar Predictions

Tonight, the great and good of Hollywood will convene to celebrate the best of film-making in 2021 at the 94th Academy Awards.

For the first time in three years, the Oscars will have a host. Well, actually, it'll have three. The ceremony will be structured into three "acts" with a different host overseeing each act. The three hosts will be Amy Schumer (Trainwreck, I Feel Pretty), Regina Hall (Scary Movie, Girls Trip), and Wanda Sykes (Monster-In-Law, Evan Almighty). Great choices to oversee what is likely to be a fairly controversial ceremony.

I will reserve judgement to see how it's handled in the telecast, but I think that the decision that the producers have made to give nearly a third of the awards- the three short subject awards, Make-Up and Hairstyling, Production Design, Editing, Sound, and Original Score- out an hour before the telecast begins and editing in the winners' acceptance speeches throughout the main ceremony is a short-sighted and fairly disrespectful one, especially since it seems to have come at the behest of broadcaster ABC in an attempt to bring the runtime of the telecast down and provide "more time for comedy, film clips and musical numbers" (i.e. try and get the viewership up, hence the cynical inclusion of a live performance of Encanto break-out song and TikTok favourite "We Don't Talk About Bruno"). We'll see how seamless this is tonight. 

Nonetheless, it has become a tradition for me to predict the nominations and the winners in the main six categories (the four acting categories, Best Director and Best Picture). I've done this since 2003 with varying degrees of success. Last year, I got 4 out of 6 (choosing Chadwick Boseman and Carey Mulligan in the lead acting categories, instead of Anthony Hopkins and Frances McDormand).

So, without further ado, here are my predictions for who will win.

Best Supporting Actress: Ariana DeBose (West Side Story)

Wins at the Golden Globes, Critics Choice Awards, SAG Awards, and BAFTA, it's as certain as it can get that Ariana DeBose will be picking up the Oscar. And it will be well deserved. 

DeBose's performance as Anita is fearless, fiery, and flirtatious. She absolutely owns the screen in her two big musical numbers ("America" and "A Boy Like That") and makes the role her own, rather than an imitation of the inimitable Rita Moreno. She has a sisterly care for the young and lovestruck Maria (Rachel Zegler) and has no qualms in standing up to Bernardo (David Alvarez) if she thinks he's wrong. It's a powerful and commanding performance, made the more extraordinary for it being only her third substantial film role. 

I've a feeling that this role will do for DeBose what it did for Moreno, and she is at the start of a stellar career. An Oscar win certainly wouldn't hurt that.  

Best Supporting Actor: Troy Kotsur (CODA)

Initially, I thought that this award would be going to Kodi Smit-McPhee for his sensitive turn in The Power Of The Dog, but- much as with Ariana DeBose above- it feels as certain as these things can get that Troy Kotsur will be making history as the first Deaf actor to win a competitive acting Oscar.

His performance as Massachusetts fisherman Frank Rossi in Sian Heder's understated and quite beautiful family drama CODA is superb. He imbues the character with an Everyman likeability and a lot of the humour of the film comes from his dislike of the port authorities. There's one particular moment where he transitions from signing "testicle" to "hand grenade" which is just brilliant.  

His scenes with Emilia Jones (who plays Ruby, the hearing Child of Deaf Adults) as he realises what singing means to her are very emotional, especially when he asks her to sing for him and he touches her vocal chords to feel the song. Of the other nominated performances, I think only Smit-McPhee has the chance of taking the award from him. 

Best Actress: Jessica Chastain (The Eyes Of Tammy Faye)

Like last year, this year's Best Actress race has been very open with various people winning throughout. The only performance I've not been able to see was Penélope Cruz in Parallel Mothers, but I have caught the other four. 

Taking the lead of the SAG Awards and the Critics Choice, I think Jessica Chastain will be taking home the gold. It would have been very easy to have done a mere impersonation of disgraced televangelist Tammy Faye Bakker- she's been endlessly parodied since the 1970s- but Chastain finds the heart and soul of the woman beneath the layers of make-up and glitz, disappearing under (at first, subtle) prosthetics to give a truly captivating performance. 

Chastain also does her own singing of Tammy Faye's songs as well, and if there are things the Academy likes, it's a) real-life people, b) good make-up/prosthetic work and c) multi-talented performances. Chastain is 3 for 3 on these. Nicole Kidman might nip in and take it for her enchanting performance of Lucille Ball in Being The Ricardos, but I think Chastain will be thanking Tammy Faye tonight. 

Best Actor: Will Smith (King Richard)

Whilst I have several issues with the film- such as the downplaying of the Williams sisters' talent- and despite liking or connecting with other Best Actor performances more, it seems likely that it'll be third time the charm for Will Smith. 

As Richard Williams, father and coach to future tennis superstars Venus and Serena Williams, he gives a very un-Will-Smith-like performance, disappearing into a character that's occasionally pushy, often overbearing and overprotective, but utterly determined to have the girls reach their dreams (and crucially, they are their dreams). 

It is, I think, his best and most rounded character performance on-screen since Ali and- if he is going to win an Oscar- this would be the role for him to do it. Although, if Andrew Garfield's name gets announced, I'd be ecstatic.   

Best Director: Jane Campion (The Power Of The Dog)

With wins at the Golden Globes, Critics Choice Awards, BAFTA, and- crucially- the DGA, I will be absolutely shocked if any other name than Campion's comes up here. 

Her direction is crisp and clear, there are moments of true menace and beauty throughout, and she gets career-best performances from her four main actors. There's one particularly memorable scene where Phil (Benedict Cumberbatch) torments Rose (Kirsten Dunst) by quickly mastering a piece of music on the banjo whilst she struggles to play it on the piano; the entire thing is done without dialogue, but it's absolutely thrilling. 

Her recent ill-judged comments about the Williams sisters may have blotted her copybook somewhat, but her response to Sam Elliott's narrowminded critique of the film will have also won her some fans. It certainly feels like it's hers to lose, if you see what I mean. And if she does win, it'll be the first time that consecutive Best Director winners will be female. Imagine that. Only taken over 90 years...

Best Film: CODA

I've a feeling I'm going to be wrong here. It seems silly to fly in the face of three major awards bodies (BAFTA, Golden Globes, and Critics Choice) but my gut feeling is that CODA is going to pull off a surprise Best Picture win (or is it wishful thinking?) If The Power Of The Dog does win, I'm not exactly going to be mad about it (as a film, it's certainly got its positives) but CODA would be a worthy winner- and its surprise win at the Producers' Guild Awards shouldn't be discounted. 

In a different year, I think Emilia Jones and Marlee Matlin would have been joining Troy Kotsur in the acting categories for their powerful performances; Jones, especially, should be heading for the stratosphere after this. The script is tight and heartfelt, shot through with humour perfectly balancing the drama; the direction is unfussy and clean (it's beautifully shot throughout); the casting of Deaf actors to play Deaf characters and the frequent use of American Sign Language is a huge step forward for representation on-screen. 

It's poignant without ever being mawkish or sentimental or twee; it highlights issues without ever feeling like a polemic (or falling into TV-movie-of-the-week clichés). It is a real feel-good film and for it to take the biggest prize of the night would be a real feel-good ending to this awards season.

These aren't official predictions, but I'd like to see Belfast and CODA win the Original and Adapted Screenplay categories, Ari Wegner win Best Cinematography for The Power Of The Dog (making her the first female cinematographer to win, after becoming only the second woman to be nominated for the award), and "No Time To Die" to win Best Original Song. That said, I won't be mad if "Dos Oruguitas" from Encanto takes it, as that means Lin-Manuel Miranda will complete the EGOT. 

I've a feeling Dune will be taking home the most awards (I think it'll do well in the craft awards) and I'd love to see Flee win something, but I think that Summer Of Soul, Encanto, and Drive My Car will take the relevant categories. 

I'll be watching the Oscars broadcast tonight (well, early hours of Monday morning) and will update with my thoughts on the ceremony and all the winners as soon as I can once it finishes.

Awards Season 2022: Razzies Winners

The 42nd Golden Raspberry Awards have been given out. Here are all the "winners" from 2021's crop of cinematic crap:

Worst Picture: Diana The Musical

Worst Director: Christopher Ashley (Diana The Musical)

Worst Actor: LeBron James (Space Jam: A New Legacy)

Worst Actress: Jeanna de Waal (Diana The Musical)

Worst Supporting Actor: Jared Leto (House Of Gucci)

Worst Supporting Actress: Judy Kaye (Diana The Musical)

Worst Remake, Sequel Or Rip-Off: Space Jam: A New Legacy

Worst Screen Combo: LeBron James & Any Warner Cartoon Character (or Time-Warner product) He Dribbles on (Space Jam: A New Legacy)

Worst Screenplay: Diana The Musical

Worst Performance By Bruce Willis In A 2021 Movie: Cosmic Sin

Razzie Redeemer: Will Smith 

Diana The Musical sweeps the field with five wins, with Space Jam: A New Legacy winning three. 

Despite multiple nominations, tone-deaf race-based "horror" Karen, Rear Window rip-off The Woman In The Window, and cringy musical adaptation Dear Evan Hansen walk away with no awards. 

Also nominated for the Razzie Redeemer Award- given to a former Razzie nominee or winner who has come back from critical and/or commercial failure- which went to Will Smith (going from a four-time Razzie winner to a potential Oscar winner for his nuanced and powerful turn in Oscar drama King Richard) were Jamie Dornan (going from the Fifty Shades... debacle to critically-acclaimed drama Belfast) and Nicolas Cage (from being an eight-time Razzie nominee to his as a truffle hunter who goes in search of his kidnapped pig in Michael Sarnoski's Pig). 

Congratulations to all "winners"!

So, that just leaves the big one: the 94th Academy Awards. I'll be posting my predictions for who will win in six major categories tomorrow afternoon. 

Awards Season 2021: Producers' Guild Awards (PGA) Winners and Writers' Guild Awards (WGA) Winners

It's Oscars week! 

Yep, the annual parade of self-congratulatory flim-flam ends on Sunday (who said "hooray!"?) with the 94th Academy Awards. There are a few more awards bodies to still give out their trophies, and two of the major guilds did just that this past weekend. 

PRODUCERS' GUILD AWARDS

The Producers Guild Awards (PGA) were handed out on Saturday (19th March). The film winners are:

Outstanding Producer of Theatrical Motion Pictures: CODA

Documentary Film: Summer of Soul (...Or, When the Revolution Could Not Be Televised)

Outstanding Producer of Animated Theatrical Motion Pictures: Encanto

This makes things interesting. CODA's win has taken a lot of people by surprise, and it's potentially a sign that Academy voters are perhaps not as enamoured with The Power Of The Dog as they once were. Crucially, final voting for the Oscars is still open (it closes on March 22nd) so this might make a difference. 

As previous years have shown, a PGA win doesn't automatically equate to a Best Picture Oscar win, but there's a great deal of overlap between the two. The Documentary and Animated Feature winners were not surprises.

WRITERS' GUILD AWARDS

The Writers' Guild Awards (WGA) were given out yesterday (Sunday 20th March). The film winners were:

Original Screenplay: Don't Look Up

Adapted Screenplay: CODA

Documentary Screenplay: Exposing Muybridge

Both Don't Look Up and CODA are nominated in their respective categories for the Oscars, so they may well repeat this success this weekend. However, CODA may face competition from The Lost Daughter and The Power Of The Dog (both of which weren't eligible for WGA consideration but were for the Oscars). Likewise, Don't Look Up could potentially lose out to Belfast.  

And, for anyone who's interested, Exposing Muybridge (written and directed by Marc Shaffer) is about trailblazing 19th-century photographer Eadweard Muybridge (crazy spelling, crazy guy), who was the first photographer to capture something moving faster than the human eye can see: Leland Stanford's galloping horses. 

Congratulations to all winners!

So it's the Razzies that are next to be announced; that'll be on Saturday 26th March (back to their traditional "Oscar Eve" date). 

Awards Season 2022: Directors' Guild Awards (DGA) Winners, BAFTA Film Awards Winners, and Critics Choice Awards Winners

 

Amazing, isn't it? You wait a week for some awards news and then- like buses- three lots turn up at once! Our awards cup metaphorically (and potentially physically) runneth over...

Yep, lots of awards goodness for y'all today, so let's jump in!

DIRECTORS GUILD AWARDS

On Saturday (12th March), the Directors' Guild Awards (DGA) were handed out. The film winners are:

Outstanding Directorial Achievement in Feature Films: Jane Campion (The Power Of The Dog)

Outstanding Directorial Achievement of a First-Time Feature Film Director: Maggie Gyllenhaal (The Lost Daughter)

Outstanding Directorial Achievement in Movies for Television and Miniseries: Barry Jenkins (The Underground Railroad)

Outstanding Directorial Achievement in Documentary: Stanley Nelson (Attica)

Campion becomes the third female director to win the DGA, and is surely odds-on favourite to win the Oscar. [Spoiler alert: this isn't Campion's first Best Director win of the weekend.] This year also marks the first time that female directors have won both the Feature Film and First-Time Feature Film awards. 

BAFTA FILM AWARDS

Yesterday evening (13th March 2022), at the Royal Albert Hall, the 75th British Academy Film Awards were given out in a star-studded ceremony, hosted for the first time by Rebel Wilson. 

Lady Gaga, Salma Hayek, Stephen Graham, Troy Kotsur, Ariana DeBose, Joanna Scanlan, Caitriona Balfe, Sebastian Stan, Florence Pugh, Rachel Zegler, Benedict Cumberbatch, Lashana Lynch, Tom Hiddleston, and Kodi Smith-McPhee were among some of the stars in attendance to celebrate the best in film in a very different ceremony to the two-day, socially-distanced, and Zoom-heavy event held in 2021.

Here's a full list of BAFTA winners.

Best Film: The Power of the Dog

Outstanding British Film: Belfast

Leading Actor: Will Smith (King Richard)

Leading Actress: Joanna Scanlan (After Love)

Supporting Actor: Troy Kotsur (CODA)

Supporting Actress: Ariana DeBose (West Side Story)

Director: Jane Campion (The Power of the Dog)

Original Screenplay: Licorice Pizza

Adapted Screenplay: CODA

Outstanding Debut By A British Writer, Director Or Producer: Jeymes Samuel (writer/director) (The Harder They Fall) 

Animated Film: Encanto

Documentary: Summer of Soul (Or, When The Revolution Could Not Be Televised)

Film Not In The English Language: Drive My Car

Cinematography: Dune

Costume Design: Cruella

Editing: No Time To Die

Make Up And Hair: The Eyes Of Tammy Faye

Original Music: Dune

Production Design: Dune

Sound: Dune

Special Visual Effects: Dune

Casting: West Side Story

Short Animation: Do Not Feed The Pigeons

Short Film: The Black Cop

Rising Star: Lashana Lynch

Dune was the big winner of the night, taking home five Baftas. West Side Story, CODA, and The Power Of The Dog all took home two apiece. 

Despite multiple nominations, there was no love for Passing, House Of Gucci, Don't Look Up, Cyrano, or The French Dispatch. 

A couple of surprises in the BAFTA results: one bloody lovely one with Joanna Scanlan taking home Best Actress (and, yes, whilst the BAFTAs do tend to skew towards British talent, it's still a remarkable achievement). By that same token, I was surprised that Will Smith won Best Actor, as I was expecting it to go to Benedict Cumberbatch. Dune's dominance in the craft awards wasn't so much of a surprise, and it's something I would think will carry through to the Oscars. 

CRITICS CHOICE AWARDS

Also yesterday (13th March 2022), the 27th Critics Choice Awards were handed out. Taye Diggs returned for a fourth consecutive time as host, joined by Nicole Byer (Nailed It!, Brooklyn Nine-Nine). 

These were originally due to be given out at the start of January but the ceremony was delayed due to COVID-related concerns. It just so happened that the new date coincided with the BAFTAs. Awkward...

Here are a full list of the Critics' Choice Awards movie winners: 

Best Picture: The Power Of The Dog

Best Actor: Will Smith (King Richard)

Best Actress: Jessica Chastain (The Eyes Of Tammy Faye)

Best Supporting Actor: Troy Kotsur (CODA)

Best Supporting Actress: Ariana DeBose (West Side Story)

Best Acting Ensemble: Belfast

Best Director: Jane Campion (The Power Of The Dog)

Best Original Screenplay: Belfast

Best Adapted Screenplay: The Power Of The Dog

Best Comedy: Licorice Pizza

Best Foreign Language Film: Drive My Car

Best Animated Feature: The Mitchells Vs. The Machines

Best Score: Dune

Best Song: "No Time To Die" (No Time To Die)

Best Production Design: Dune

Best Editing: West Side Story

Best Costume Design: Cruella

Best Hair & Makeup: The Eyes Of Tammy Faye

Best Visual Effects: Dune

Best Cinematography: The Power Of The Dog

Best Young Actor/Actress: Jude Hill (Belfast)

The Power Of The Dog was the big winner, with four awards. Belfast and Dune have three apiece. 

So where does all of this leave the Oscars race? Honestly, anything can happen and it's not a done deal until you hear "And the Oscar goes to..." (although even then it's not always guaranteed; hi, La La Land). That said, I would say Will Smith, Troy Kotsur, Ariana DeBose, and Jane Campion wouldn't be overly presumptuous to clear some space on the mantelpiece for a certain statuette. The big variable is Best Actress; unlike the other acting categories, there hasn't been a runaway winner (although Chastain's win here, coupled with the SAG Award, potentially boosts her chances). As it stands, I've only seen two of the five Best Actress nominees so I can't really judge at the moment. Definitely have a bit of catching up to do...

Congratulations to all winners!

We are getting to the sharp end of the 2022 awards season, with just two weeks until the 94th Academy Awards. But before we get there, next weekend (19th/20th March) will see the other major guilds- the Producers' Guild and the Writers' Guild- announce the winners of their respective awards. 

You can rest assured the update about those will be a damn sight shorter than this one!

Awards Season 2022: Independent Spirit Awards Winners

[As it turns out, I had enough time to put this update out before heading off to Brighton. Least you don't have to wait a week for these results.] 

Last night (Sunday 6th March) the 37th Film Independent Spirit Awards took place. As I'm sure you all know by now, they recognise films made wholly or partly outside the traditional studio system. 

The awards were handed out in an in-person event at the traditional beachside tent in Santa Monica, hosted by husband-and-wife team Nick Offerman (Parks And Recreation) and Megan Mullally (Will & Grace). Things almost feel back to how they were BC (Before COVID) with one exception: instead of one day before the Oscars, the Spirit Awards were being held three weeks before. Not sure whether this will be a permanent change or if it's just for this year. 

Here's a full list of winners. 

Best Feature: The Lost Daughter

Best Female Lead: Taylour Paige (Zola)

Best Male Lead: Simon Rex (Red Rocket)

Best Supporting Female: Ruth Negga (Passing)

Best Supporting Male: Troy Kotsur (CODA)

Best Director: Maggie Gyllenhaal (The Lost Daughter)

Best Screenplay: Maggie Gyllenhaal (The Lost Daughter)

Best First Screenplay: Michael Sarnoski and Vanessa Block (Pig)

Best Cinematography: Passing

Best Editing: Zola

Best First Feature: 7 Days

Best International Film: Drive My Car

Best Documentary: Summer of Soul (...Or, When the Revolution Could Not Be Televised)

John Cassavetes Award: Shiva Baby

Robert Altman Award: Mass

The John Cassavetes Award is given to the creative team of a film budgeted at less than $500,000, whilst the Robert Altman Award is presented to the ensemble cast of the movie, its director, and its casting director(s). 

The Lost Daughter leads the winners with three awards, whilst Zola and Passing each get two. 

Congratulations to all winners!

We've got an awards-heavy weekend coming up, with the Directors Guild Awards (DGA) on Saturday 12th March, followed by the BAFTA Film Awards AND the Critics' Choice Awards on Sunday 13th March.