The Watchers

The Watchers

Saturday 18 December 2021

Review: Spider-Man: No Way Home (UK Cert 12A)

 

After the events of Spider-Man: Far From Home, which ended with Mysterio outing Peter Parker as the web-slinging superhero, Peter's life has changed drastically. Desperate, he turns to Doctor Strange for help and a spell which will make people forget that Peter is Spider-Man. But when the enchantment goes awry, dangerous foes from other worlds appear, all looking for Spider-Man... but not this one... 


Before I begin this review proper, please be assured:
there are no spoilers here. Yes, it's gonna make discussing the film as a whole a bit more difficult, but- frankly- anyone reading this who hasn't seen the film deserves to have the same experience in the cinema that I did. There are moments in the film which will have so much more impact if you don't know they are coming. I daresay, once all three of us have seen it, we might release a more spoiler-filled podcast but, for the moment, if it wasn't something revealed in the trailers or official pre-release publicity, you ain't gonna find me talking about it here. Also please respect the "no spoilers" policy that people may have - don't be that person. Thank you!

Director Jon Watts and screenwriters Chris McKenna and Erik Sommers deserve a great big pat on the back. This had the potential to be a bloated, self-referential mess. It's far from it. Yes, there's the occasional bit of fan-service, but nothing that would alienate a more casual viewer. Yes, it's a long film (nearly 2hrs 30m) but it never feels long. The script is well-paced and nothing feels superfluous. It manages to balance heart-racing action with heartwrenching emotion, with a healthy does of humour to counterbalance it all. 


Performance-wise, this is the strongest that Tom Holland, Zendaya, and Jacob Batalon have been. Holland still has that puppyish enthusiasm that has been the hallmark of his portrayal as Spidey, but here it's also tempered with a much more mature streak of dealing with rage and pain, and what it truly means to be a hero. There are moments where he'll break your heart, and moments where he'll make you feel exhilarated. Zendaya imbues MJ with more than just a level of snark, making the stakes for her relationship with Peter feel real. Finally, Batalon's Ned also becomes more than just a comic relief character, again showing a level of maturity and growth in the character. 


In support, Cumberbatch is great as the mentor-figure to Peter. Still haughty, still self-important, and still arrogant enough to think he can change the world, Strange decides to go against advice from Wong (a lovely cameo by Benedict Wong) and casts the spell anyway. Quick to abdicate himself of responsibility, he sends Peter on a mission to catch any interlopers from other dimensions. Cumberbatch has to deliver a great deal of expository dialogue (especially to do with the idea of "the multiverse") but it never feels like an infodump. 

In other supporting roles, Marisa Tomei and Jon Favreau continue to shine as Aunt May and Happy Hogan (who turns out to actually be called Harold), with Tomei's May providing a moral imperative for Peter in light of the multiversal villain situation. It's great to see J.K. Simmons reprise his role as blowhard newsie J. Jonah Jameson, who pops up almost like a warped Greek chorus, to give the right-wing opinion on Spider-Man's actions. 


Time to discuss the villains of the piece. In all honesty, and I've said this before, Alfred Molina's performance as Dr. Otto Octavius/Dr. Octopus in Spider-Man 2 is not only one of the main reasons why that film is so good, I'm gonna go further and say it's one of the strongest comic-book villain turns one film (don't @ me). So to anchor the multiversal villains with his turn is a canny move. And, considering he's reprising a role seventeen years later, Molina slips effortlessly back into the part. 

Jamie Foxx's performance as Max Dillon/Electro is miles better than the one he gave in The Amazing Spider-Man 2, and Willem Dafoe adds a steely menace as Norman Osborn/Green Goblin. Of the villains, Dafoe probably gets the meatiest role (in terms of character arc and development) and his unpredictable nature put me on the edge of my seat more than once. The action set-pieces are strong and unmuddied, even towards the end in the final big battle. There's an admirable lack of kinetic shakycam- which I greatly appreciate.

There's a lot, lot, lot more I want to say about the film. But I won't. Not yet. In conclusion, for me, this is the strongest of the three Sony/MCU Spider-Man films and a major contender for my film of the year. 

Rating: 5 out of 5

Tez

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