The Watchers

The Watchers
Showing posts with label mad max fury road. Show all posts
Showing posts with label mad max fury road. Show all posts

Tuesday, 6 October 2020

Mini-Countdown: Longest Waits For A Sequel


2020 has had little cheer so far, but it has brought us some joy in the release of
Bill & Ted Face The Music, which has been released nearly three decades after the last instalment in the Bill & Ted story. It's been 29 years since Bill & Ted's Bogus Journey but this is by no means the longest wait between instalments of a franchise (or between a film and its sequel).  

So, inspired by the release of Bill & Ted Face The Music (we will be recording a special Bill & Ted podcast shortly), here are some more of the longest waits for the next part of a story. 




1. 54 Years: Mary Poppins (1964) and Mary Poppins Returns (2018)

A whopping five-and-a-bit decades separates the wonderfully whimsical Mary Poppins from its sequel, which is the longest gap between sequels in cinema history to date. Yes, Emily Blunt has taken the reins from Julie Andrews, but it's the same Mary Poppins who visited the Banks family all those years ago: "Close your mouth, please, Michael, we are *still* not a codfish...Jane Banks, still rather inclined to giggle, I see". 

P.L. Travers (author of the original Mary Poppins novels) notoriously disliked the original film, but authorised the stage version (which debuted in 2004) on the proviso that nobody involved in the movie- particularly composers Richard M. Sherman and Robert B. Sherman- were involved, even stipulating it in her will. However, the success of the stage version led to Walt Disney Studios being able to negotiate with Travers' estate to bring Mary Poppins Returns to the screen.




2. 35 Years: Top Gun (1986) and Top Gun: Maverick (2021) and Blade Runner (1982) and Blade Runner 2049 (2017)

Many sequels operate under the system of "passing the torch", introducing the next generation (it's what The Force Awakens did, for instance). There are elements to this in both of these sequels, both of which have a gap of 35 years; in Blade Runner 2049, it's down to Ryan Gosling's K to find Deckard and in Maverick, Tom Cruise's Maverick comes against the new generation of recruits: including the son of his former classmate Goose. Obviously, this assumes that Maverick will stick to its 2021 release - however, with everything going on at the moment, that could well change. 



3. 32 Years: Star Wars: Episode VI - Return Of The Jedi (1983) and Star Wars: Episode VII - The Force Awakens (2015)

Before anyone starts, a little primer. This is from Dictionary.com - Sequel (/ˈsi kwəl/) : noun; a literary work, movie, etc., that is complete in itself but continues the narrative of a preceding work.

Yes, I know there were Star Wars films between 1983 and 2015. They were Episodes 1-3. PREQUELS. 
Again from Dictionary.comprequel (/pree-kwuhl/) noun: a literary, dramatic, or filmic work that prefigures a later work, as by portraying the same characters at a younger age

The direct sequel from Return Of The Jedi is The Force Awakens. So there was a 32 year wait to continue the Skywalker saga. Don't @ me. 



4. 29 Years: Mad Max Beyond Thunderdome (1985) and Mad Max: Fury Road (2015)

Along with Bill & Ted, it was 29 years between Max's adventures in the Thunderdome with Auntie Entity (Tina Turner) and his time with Imperator Furiosa (Charlize Theron) on Fury Road. And in that time, Max underwent a bit of a change- going from Mel Gibson to Tom Hardy.



5. 28 Years: TRON (1982) and TRON: Legacy (2010)

A bit more of the "next generation" torch-passing with TRON: Legacy, with Sam (Garrett Hedlund) entering the virtual world that his father (Jeff Bridges) has been living in for the last 20 years. There will be a third instalment to the TRON franchise, starring Jared Leto, but the gap between Parts 2 and 3 won't be quite as long as between Parts 1 and 2. 





Other long waits:
  • 23 years between Psycho (1960) and Psycho II (1983)
  • 23 years between Wall Street (1987) and Wall Street: Money Never Sleeps (2010)
  • 20 years between Rambo III (1988) and Rambo (2008)
  • 20 years between Dumb And Dumber (1994) and Dumb And Dumber To (2014)
  • 19 years between Indiana Jones And The Last Crusade (1989) and Indiana Jones And The Kingdom Of The Crystal Skull (2008)
  • 17 years between Bad Boys II (2003) and Bad Boys For Life (2020)
  • 16 years between Rocky V (1990) and Rocky Balboa (2006)
  • 16 years between The Godfather Part II (1974) and The Godfather Part III (1990)
  • 15 years between Zoolander (2001) and Zoolander 2 (2016)
  • 14 years between My Big Fat Greek Wedding (2002) and My Big Fat Greek Wedding 2 (2016)


Are there any other long waits (at least a decade) that you can think of? Let us know in the comments below. 

Monday, 29 February 2016

Awards Season 2016: The 88th Annual Academy Awards


The 88th Annual Academy Awards were held last night at the Dolby Theatre in Los Angeles. Like last year, it came up with one or two surprises and more than a few talking points.


You'd kind of have to have been living under a stone to have missed the #OscarsSoWhite controversy which engulfed social media in January when, for the second year in a row, all 20 Oscar acting nominees were white (which, given the brilliant performances by Michael B. Jordan in Creed and Idris Elba in Beasts Of No Nation seems like a bit of an oversight). Many column inches were written and several high-profile names- Spike Lee, Will Smith, Jada Pinkett Smith- boycotted the event. Given this powderkeg background, there was bound to be some nervousness over how host Chris Rock would address it. 

He did it as only he could; head on and unapologetic. His opening monologue was funny but sharp, calling Hollywood out on its 'sorority racism'. Generally speaking, Rock was more comfortable as host than he was in 2005 and handled what could have been a massively awkward situation extremely well. Not every joke found its mark, not every joke can, but he did well. Trying to raise money for his daughters' Girl Scout pack by selling cookies to the audience is a bit random, but this is the ceremony that gave us a social-media-crashing selfie and Neil Patrick Harris in his underwear, so I guess it's all relative.

The evening followed the life of a film, from genesis to execution, so the first awards of the evening were for the screenplays (something I appreciated). With wins for Spotlight and The Big Short- two films with strong social messages- the political aspects of the acceptance speeches started early with an astonishingly blunt message from Adam McKay about not voting for presidential candidates who are in the pockets of big business or banks. 

The political speeches continued with Jenny Beavan speaking about the reality that the dystopic future Mad Max: Fury Road presents being scarily close, to Leonardo DiCaprio's plea for something to be done about climate change, director Alejandro Gonzalez Inarritu's call to eliminate prejudice and the powerful message given by Vice President Joe Biden about sexual abuse on campuses before introducing Lady Gaga to sing 'Til It Happens To You' from The Hunting Ground (a sobering documentary about the epidemic of campus abuse). I thought Sam Smith's acceptance speech- dedicating his award to the LGBT community- was sweet in intention but could have done with some fact-checking (no openly gay actor has won the Best Actor Oscar, but openly gay men and women have won Oscars in the past). 

On to the awards themselves:


Not a clean sweep for me this year but I'm incredibly happy with 5 out of 6 (especially given certain uncertainties, if that makes sense)

There were a couple of surprises- mostly, Mark Rylance winning Best Supporting Actor and Alicia Vikander winning Best Supporting Actress- but generally the awards fell where expected. I was gobsmacked yet overjoyed that Spotlight picked up Best Picture- it was the right decision. I was also pleased by the Oscar wins for Amy, the Original Screenplay win for Spotlight, Emmanuel Lubezski's third consecutive Cinematography Oscar (after Gravity and Birdman) and Ennio Morricone for his superb score for The Hateful Eight. I was surprised by 'Writing's On The Wall' winning Best Original Song, but that's down to a matter for personal taste rather than anything else. 


Mad Max: Fury Road was the big winner of the evening, with six Oscars. The Revenant took home three, with Spotlight winning two. Despite multiple nominations, there were no wins for The Martian, Star Wars: The Force Awakens, Brooklyn or Carol.


Below is the full list of winners at the 88th Annual Academy Awards:

Best Motion Picture of the Year: Spotlight

Best Actor: Leonardo DiCaprio (The Revenant)

Best Actress: Brie Larson (Room)

Best Supporting Actor: Mark Rylance (Bridge Of Spies)

Best Supporting Actress: Alicia Vikander (The Danish Girl)

Best Director: Alejandro Gonzalez Inarritu (The Revenant)

Best Original Screenplay: Spotlight

Best Adapted Screenplay: The Big Short

Best Animated Feature Film of the Year: Inside Out

Best Foreign Language Film of the Year: Son Of Saul

Best Cinematography: The Revenant

Best Editing: Mad Max: Fury Road

Best Production Design: Mad Max: Fury Road

Best Costume Design: Mad Max: Fury Road

Best Makeup and Hairstyling: Mad Max: Fury Road

Best Original Score: The Hateful Eight

Best Original Song: 'Writing's On The Wall' (SPECTRE)

Best Sound Mixing: Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Documentary (Feature): Amy

Best Documentary (Short Subject): A Girl In The River: The Price Of Forgiveness

Best Animated Short Film: Bear Story

Best Live Action Short Film: Stutterer


Congratulations to all winners and nominees!

Tez

Sunday, 14 February 2016

Awards Season 2015: WGA and BAFTA Winners



We're on the home straight with Awards Season 2016 - just one more weekend to go. However, this weekend has seen two sets of awards handed out.

WRITERS GUILD AWARDS (WGA)


The Writers' Guild Awards were handed out on Saturday 13th February. The film winners were:

Original Screenplay: Spotlight

Adapted Screenplay: The Big Short

Documentary Screenplay: Going Clear: Scientology And The Prison Of Belief

Both Spotlight and The Big Short are nominated in their respective categories for the Oscars so that bodes well for them (however, I would much prefer Carol to win the Best Adapted Screenplay Oscar as my main issues with The Big Short stem from the script). Alex Gibney's documentary about Scientology didn't make the cut for the Best Documentary Feature Oscar- wonder why?- but it's still interesting to see it being acknowledged.



BAFTA FILM AWARDS


Tonight (Sunday 14th February), at the Royal Opera House Covent Garden, the 69th British Academy Film Awards were given out in a star-studded ceremony hosted for the eleventh time by Stephen Fry. Leonardo DiCaprio, Cate Blanchett, Stephen Spielberg, Julie Walters, Michael Fassbender, Maggie Smith, Benicio del Toro, Eddie Redmayne, Idris Elba and Bryan Cranston were among some of the stars in attendance to celebrate the best in film.

Here's a full list of BAFTA winners:

Best Film: The Revenant

Outstanding British Film: Brooklyn

Leading Actor: Leonardo DiCaprio (The Revenant)

Leading Actress: Brie Larson (Room)

Supporting Actor: Mark Rylance (Bridge Of Spies)

Supporting Actress: Kate Winslet (Steve Jobs)

Director: Alejandro Gonzalez Inarritu (The Revenant)

Original Screenplay: Spotlight

Adapted Screenplay: The Big Short

Outstanding Debut By A British Writer, Director Or Producer: Naji Abu Nowar and Riper Lloyd (writer/director and producer of Theeb)

Animated Film: Inside Out

Documentary: Amy

Film Not In The English Language: Wild Tales

Cinematography: The Revenant

Costume Design: Mad Max: Fury Road

Editing: Mad Max: Fury Road

Make Up And Hair: Mad Max: Fury Road

Original Music: The Hateful Eight

Production Design: Mad Max: Fury Road

Sound: The Revenant

Special Visual Effects: Star Wars: The Force Awakens

Short Animation: Edmond

Short Film: Operator

Rising Star: John Boyega

Outstanding British Contribution To Cinema: Angels Costumes

BAFTA Fellowship: Sidney Poitier


The Revenant was the night's big winner with five BAFTAs, with Mad Max: Fury Road closely behind on four.

So, assuming Ghostbusters is wrong and the world doesn't end tonight, there's one final weekend of Awards Seasons frippery to go this year- that's in two weekends' time when the Film Independent Spirit Awards and the Razzies will be handed out on Saturday 27th February and then- the big kahuna - the 88th Annual Academy Awards on Sunday 28th February.

We're almost there, people. Almost there.

Tez

Monday, 18 January 2016

Awards Season 2016: Critics' Choice Awards Winners


Last night, the Critics' Choice Awards were handed out. Here's a full list of film winners:

Best Picture: Spotlight

Best Actor: Leonardo DiCaprio (The Revenant)

Best Actress: Brie Larson (Room)

Best Supporting Actor: Sylvester Stallone (Creed)

Best Supporting Actress: Alicia Vikander (The Danish Girl)

Best Acting Ensemble: Spotlight

Best Director: George Miller (Mad Max: Fury Road)

Best Animated Feature: Inside Out

Best Original Screenplay: Spotlight

Best Adapted Screenplay: The Big Short

Best Comedy: The Big Short

Best Actor In A Comedy: Christian Bale (The Big Short)

Best Actress In A Comedy: Amy Schumer (Trainwreck)

Best Action Movie: Mad Max: Fury Road

Best Actor In An Action Movie: Tom Hardy (Mad Max: Fury Road)

Best Actress In An Action Movie: Charlize Theron (Mad Max: Fury Road)

Best Sci-Fi/Horror Movie: Ex Machina

Best Documentary Feature: Amy

Best Foreign Language Film: Son Of Saul

Best Score: The Hateful Eight

Best Song: 'See You Again' (Furious 7)

Best Production Design: Mad Max: Fury Road

Best Editing: Mad Max: Fury Road

Best Costume Design: Mad Max: Fury Road

Best Hair & Makeup: Mad Max: Fury Road

Best Visual Effects: Mad Max: Fury Road

Best Cinematography: The Revenant

Best Young Actor/Actress: Jacob Tremblay (Room)


With nine wins, Mad Max: Fury Road was the biggest winner of the night (which will cheer Watcher Rhys up no end), including Best Director. No surprises seeing DiCaprio and Larson take the lead acting honours. Spotlight taking Best Picture is also interesting, as a lot of early prognostication pointed to a sweep for The Revenant

After a very busy week last week (and thanks for your patience if you're not a fan of the awards season stuff), things get a bit quiet now - the next awards season post will be after the Producers' Guild Awards on January 23rd, with the SAG Awards a week later on January 30th.

Thursday, 14 January 2016

Awards Season 2016: Academy Award Nominations


As announced earlier today, here is a selection of the nominations for this year's Academy Awards:

BEST PICTURE
The Big Short
Bridge Of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

BEST DIRECTOR
Lenny Abrahamson (Room)
Alejandro Gonzalez Inarritu (The Revenant)
Tom McCarthy (Spotlight)
Adam McKay (The Big Short)
George Miller (Mad Max: Fury Road)

BEST ACTOR
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

BEST ACTRESS
Cate Blanchett (Carol)
Brie Larson (Room)
Jennifer Lawrence (Joy)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)

BEST SUPPORTING ACTOR
Christian Bale (The Big Short)
Tom Hardy (The Revenant)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge Of Spies)
Sylvester Stallone (Creed)

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)

A full list of nominees can be found here.

I work that out as 28 out of 33 (for 85%) which is higher than last year. Really pleased with that.

The Revenant has 12 nominations, with Mad Max: Fury Road on 10. It's a bit of a surprise not to see Carol named in the Best Picture category, but it's been fairly represented elsewhere (in the acting and screenplay categories). Shaun The Sheep Movie and When Marnie Was There from Studio Ghibli are in contention for the Best Animated Feature, but are up against Inside Out (which also got a screenplay nomination). Star Wars: The Force Awakens gets four nominations, all in the technical departments, whilst SPECTRE gets a nod for Best Original Song for 'Writing's On The Wall'. I was overjoyed to see Amy named in the Best Documentary Feature category. 

The 88th Academy Awards will be handed out on Sunday 28th February, in a ceremony hosted by Chris Rock

Massive congratulations to all nominees!

Tuesday, 12 January 2016

Awards Season 2016: Directors' Guild Awards Nominees


Quick one today, as the Directors' Guild Awards announced its shortlist for their Feature Film category (to be handed out on February 6th)


The nominees are:

Alejandro Gonzalez Inarritu (The Revenant)
Tom McCarthy (Spotlight)
Adam McKay (The Big Short)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

Last year, the DGA nominees named four of the five eventual Oscar Best Director nominees (with Bennett Miller as the curveball). Inarritu, McCarthy, Miller and Scott have been the names most mentioned this year, but interestingly it's Todd Haynes who usually makes up the quintet for Carol

Tomorrow, there's going to be a bit of fun when the Razzie Award nominations are out. What's the bets that Pixels and Fantastic Four will be all over it?

Friday, 8 January 2016

The Watchers Review Of 2015


So, we were busy in 2015.

Between three full time jobs, and producing our own web series, we haven't done a podcast in a while (although Tez and Matt have kept the writing reviews going on here), but here we are back for our now traditional Review Of The Year- which was recorded on New Years Day

This time it is split into two podcasts for you: our Nice List for the year and then our Naughty List for the year and a brief discussion of what we're looking forward to in 2016. So sit back, relax and enjoy! Happy New Year! 

The Watchers

Tuesday, 5 January 2016

Awards Season 2016: Producers' Guild Awards Nominations


So today saw the nominations announced for 'one of the award season's marquee events' (as the website describes it) - the Producers Guild Awards. Usually a very good barometer of what's going to get a nod at the Oscars, there's a high proportion of PGA winners going on to win Best Picture (as happened last year with Birdman).

Below are the film nominations:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures


The Big Short
Bridge Of Spies
Brooklyn
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Sicario
Spotlight
Straight Outta Compton

The big surprise here is that Straight Outta Compton got a nod whilst Carol didn't. Another nod for Mad Max: Fury Road strengthens the case for a Best Picture Oscar nomination. Also surprising to see both Ex Machina and Sicario included.


Outstanding Producer of Animated Theatrical Motion Pictures

Anomalisa
The Good Dinosaur
Inside Out
Minions
The Peanuts Movie

Whilst it's fun to see Minions included, I'll be flabberghasted if it doesn't go to Inside Out. 

Documentary Film

Amy
The Hunting Ground
The Look Of Silence
Meru
Something Better To Come

Amy is one of the best and most heart-rending pieces of documentary filmmaking I've seen in years and deserves its place here. 

Tomorrow (6th January) sees the Writers' Guild Awards whilst Friday (8th January) will be the BAFTA Film nominations.

Monday, 14 December 2015

Awards Season 2016: Critics' Choice Movie Awards Nominations


More awards season shenanigans today with the announcement of the nominations for the 21st Annual Critics' Choice Awards.


Here are a selection of their nominees:

Best Picture
The Big Short
Bridge Of Spies
Brooklyn
Carol
Mad Max: Fury Road
The Martian
The Revenant
Room
Sicario
Spotlight

Best Director
Todd Haynes (Carol)
Alejandro Gonzalez Inarritu (The Revenant)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Steven Spielberg (Bridge Of Spies)

Best Actor
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Johnny Depp (Black Mass)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

Best Actress
Cate Blanchett (Carol)
Brie Larson (Room)
Jennifer Lawrence (Joy)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor
Paul Dano (Love & Mercy)
Tom Hardy (The Revenant)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge Of Spies)
Michael Shannon (99 Homes)
Sylvester Stallone (Creed)

Best Supporting Actress
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Helen Mirren (Trumbo)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)

A full list of nominees can be found here.

A lot of the same names are coming up in a lot of the same categories, which does indeed strengthen their chances of an Oscar nod. 

As with last year, there's a bit of overlap between these categories and some of the genre awards, with Charlize Theron nominated twice for Mad Max: Fury Road (as Best Actress and Best Actress in an Action Movie) and Jennifer Lawrence nominated twice for Joy (Best Actress and Best Actress in a Comedy). Interestingly, Matt Damon doesn't pop up twice for The Martian. In fact, The Martian isn't mentioned at all in the Comedy awards. Strange, that. 

When all categories are taken into account, it's Mad Max: Fury Road that leads the nominations with a whopping 13. Carol, The Martian and The Revenant all have nine, whilst Spotlight has eight.

That's the last little bit of awards season stuff for this year (who said 'thank goodness for that'?) but it all continues in earnest in the first full week of January with the Producers Guild award nominations on 5th January and the BAFTA nominations on 8th January.

Normal blogging service will now resume.

Tez

Thursday, 28 May 2015

Review: Mad Max: Fury Road (UK Cert 15)


Thirty years after Mel Gibson left the Thunderdome, Mad Max is back on screen, once again directed and written by franchise creator George Miller.

The apocalypse has hit. Max (Tom Hardy) is left in the wilderness and is captured by the War Boys, servants of the warlord Immortan Joe (Hugh Keays-Byrne), and is used as a 'blood-bag' for the weaker War Boy Nux (Nicholas Hoult). Joe rules the wastelands, even controlling the water supply for his embattled subjects. Everything is based on trade and Joe sends a convoy of fuel out to another township. However, the convoy leader Imperator Furiosa (Charlize Theron) has other ideas... with the War Boys in hot pursuit of Furiosa and her contraband cargo, Max is dragged into the chase.

What is essentially a two-hour car chase becomes something so much more thanks to some sumptuous visuals, some brilliant performances and a good dose of downright insanity. 

Furiosa is a brilliant character and played brilliantly by the ever-dependable Theron. She's not a damsel in distress (this is the kind of film where even the damsels in distress are not exactly your typical swooning female ciphers), she is the catalyst for the entire story and she certainly doesn't need Max to help her or save her. If anything, at the start, he's more of a hindrance. It's also refreshing that it doesn't lapse into a romantic relationship either. Furiosa is her own woman, from start to finish. The film has been accused of trying to sneak feminism in by the back door but, frankly, after the paper-thin insults that are the usual popcorn fodder idea of female characters (Michael Bay, I'm looking directly at you) I'm all for it. 

Hardy's performance as Max is decent enough, although his accent wanders something dreadful. Max is a solid, laconic figure, acted upon rather than acting. Hoult gives a great turn as War Boy Nux, desperate for Immortan Joe to notice him and praise him. He also forms a bond with one of Furiosa's associates that is oddly sweet. Keays-Byrne makes for a formidable enemy and it's not his first time at the rodeo- he played the villainouse Toecutter in the original Mad Max

The Namibian desert doubles for the apocalyptic wastelands of Australia and the visuals are just stunning. It's definitely worth seeing on the big screen (although not necessarily in 3D) as the desert vistas really have some scale from bleached white sunburnt sands to the cooler bluer shades of night. The convoy heading after Furiosa and her is immense and there's a really inspired (and crazy) decision to have a rig covered in drums with a guitarist- known as the Doof Warrior- to act as a kind of pace-keeper. Not only does it give rise to some of the best visuals in the entire film, it also adds a nice amount of diegetic music as the rig gets closer.

Whilst I enjoyed it a damn sight more than I expected to, I just wonder whether it needed to be a 'Mad Max' film. Max is such a peripheral character, almost a supporting character in his own film. It could have been any dystopic post-apocalyptic setting, put in a generic action hero in place of Max, retained the War Boys and the kick-ass Furiosa and had the same effect. Hell, it could have just been called 'George Miller's Fury Road'.

Despite this, it's a decent slice of entertainment with enough to satisfy the petrolheads as well as those in search of something a bit more substantial.

Rating: 4 out of 5

Tez