The Watchers

The Watchers
Showing posts with label the hobbit. Show all posts
Showing posts with label the hobbit. Show all posts

Friday, 19 June 2020

Ian Holm (1931-2020)


We at The Watchers are saddened to hear of the passing of Sir Ian Holm. The veteran actor of stage and screen passed away today (June 19th 2020) at the age of 88. 

Holm was born in 1931 at the mental institution that his father ran. Inspired to become an actor by seeing a production of Les Misérables at the age of seven, he studied at RADA, graduating in 1953 after two pauses to his studies (one for National Service, the other for an acting tour of America). He found work in Stratford, and became a significant member of the Royal Shakespeare Company when it was founded in 1960. He played Richard III in a BBC adaptation of the RSC's Wars Of The Roses tetralogy to great acclaim. 

On stage, he originated the role of Lenny in Harold Pinter's The Homecoming in 1965, reprising his role in the Broadway production (and winning a Tony Award for Best Featured Actor in A Play). He would reprise his role as Lenny for the 1973 film version, directed by Peter Hall. 


He made his first credited film appearance in 1968, playing Gunner Flynn in The Bofors Gun, a drama about the interaction between a squad of soldiers during a single night of guard duty of the titular weapon. Holm would win his first BAFTA for Best Supporting Actor for his role in this film. He went on to play Puck in Peter Hall's 1968 star-studded adaptation of A Midsummer Night's Dream (opposite David Warner, Helen Mirren, Diana Rigg, Judi Dench, and Ian Richardson) and played President Raymond Poincaré in Oh! What A Lovely War (1969)

Throughout the 1970s, Holm worked steadily in film and television with roles in Nicholas And Alexandra (1971), Mary Queen Of Scots (1971), Young Winston (1972) and Robin And Marian (1976). In 1976, he was playing Hickey in Eugene O'Neill's The Iceman Cometh when he developed crippling stage fright which meant he quickly withdrew from the production; describing the experience as "a breakdown", Holm stated the experience was "a scar on my memory that will never go away". As such, he only appeared intermittently on stage after that point. 


However, in 1979, Holm would take a film role that would become one of his best-known: Ash in Alien. Alien has a fantastic ensemble cast, but Holm is wonderfully cold as the treacherous crew-member, who is revealed to not only be an android but also to have been aware of the Corporation's plan from the very beginning. His assault on Ripley is difficult to watch, and his final line- "I can't lie to you about your chances, but... you have my sympathies"- is just chilling. Alien could have just been a schlocky B-movie, but its acting elevates it to something greater, and that's thanks in no small part to Holm's nuanced and creepy performance. 


Holm's next film role would see him receive his only Oscar nomination- for Best Supporting Actor- in Chariots Of Fire (1981). The story of the rivalry between Harold Abrahams (Ben Cross) and Eric Liddell (Ian Charleson) as they compete at the 1924 Paris Olympics is a well-beloved classic of British cinema. But it's Holm's performance as professional athletics coach Sam Mussabini (who helped to train Abrahams to win an Olympic gold medal for the 100m sprint) that gained the majority of the acting plaudits for the film; although it would win four Oscars- including Best Picture- Holm he didn't win the Oscar; that went to fellow Brit John Gielgud for Arthur. He did, however, win his second BAFTA for the role.

Other roles for Holm in the 1980s include Napoleon Bonaparte in Time Bandits (1981), Capitaine Phillippe D'Arnot in Greystoke: The Legend of Tarzan, Lord Of The Apes (1984) [which gained him a third BAFTA Film Award nomination], Mr. Kurtzmann in Brazil (1985), Desmond Cussen in Dance With A Stranger (1985), and Captain Fluellen in Henry V (1989). In 1984, he was considered for the role of the villainous Morgus in the Doctor Who serial The Caves Of Androzani- Peter Davison's last story as The Doctor- which was eventually played by John Normington (with whom Holm co-starred in A Midsummer Night's Dream). He also played Frodo Baggins in the 1981 BBC radio adaptation of The Lord Of The Rings


Holm started the 1990s in another Shakespeare adaptation, playing the ill-fated Polonius in Franco Zeffirelli's Hamlet (1990) alongside Mel Gibson, Glenn Close, and Alan Bates. He also appeared in Naked Lunch (1991), The Hour Of The Pig (1993), Frankenstein (1994) as Victor's father, Dr. Willis in The Madness Of King George (1994), Father Vito Cornelius in The Fifth Element (1997), A Life Less Ordinary (1997) as Naville, and as Kiri Vinokur in eXistenZ (1999). 

He took a rare lead role in Atom Egoyan's 1997 drama The Sweet Hereafter, playing lawyer Mitchell Stephens who persuades the grieving parents of a small town to bring a class action lawsuit against the town and bus company which caused the death of 14 children. He was a last minute replacement for Donald Sutherland, who was originally cast but withdrew. 

In 1997, Holm made a rare return to the stage, playing the lead role in King Lear at the National Theatre in London. Winning the Olivier Award for Best Actor for his intense turn as Lear, a version of the play was recorded in 1998 and broadcast on the BBC and on PBS in America. He would also receive his first Primetime Emmy nomination for his performance. 


Moving in to the 21st century, he would get a second Emmy nomination for his role as Patrick, the drummer in an all-girl swing band (he dressed as a woman to avoid having to go to war), in TV movie The Last Of The Blonde Bombshells. He also played Sir William Gull in From Hell (2001), the adaptation of Alan Moore and Eddie Campbell's graphic novel about the search for Jack The Ripper. He also had roles in The Day After Tomorrow (2004), The Aviator (2004) and Lord Of War (2005). In 2007, he provided the voice for Chef Skinner in the Pixar movie Ratatouille, and would win an Annie Award for Best Voice Acting. 


The role for which Holm will probably be most remembered for, though, comes in 2001 and continues to 2014 as he plays the role of Bilbo Baggins for Peter Jackson's The Lord Of The Rings and The Hobbit trilogies. He appears in four of the six films: The Fellowship Of The Ring- where his sudden possession by the One Ring provides an unexpected scare; The Return Of The King, where he takes his leave and heads into the west during one of the film's many endings; An Unexpected Journey, where he introduces the story to Frodo; and The Battle Of The Five Armies, which bookends his tale. His appearance in the latter film is Holm's final film credit. 

Holm was an incredibly capable and reliable character actor whose presence would give a scene some dignity and gravitas. He will be missed. Our thoughts are with his friends, family, and children at this difficult time. 

Tuesday, 25 November 2014

For Your Consideration: Possible Contenders For Awards Season 2015

After an unintended year off last year (honestly, awards season was on me before I knew what hit me), I've dusted off the old crystal ball and am about to indulge in some wild speculation and a little prognosticating on what films I'm expecting to see feature in the upcoming awards season.


Hoping to capitalise on the (pardon the pun) stellar success of Gravity at this year's ceremony, I'm sure Christopher Nolan and the rest of the Interstellar team are hoping for several nominations. A veritable slew of technical awards will no doubt be forthcoming, whilst the twin peaks of Best Picture and Best Director for Nolan are a distinct possibility.


Is Gone Girl too dark and depressing a prospect for award season glory? I'm not sure. This twisted little tale certainly shows off some acting chops in a taut and unforgettable thriller. Of the two leads, I think Rosamund Pike is more likely to feature for her frankly stunning role as Amy but there's every chance that Ben Affleck might get noticed too. There's also the chance of Supporting nominations for Tyler Perry and Carrie Coon.


The Imitation Game is a pretty surefire bet (especially for the BAFTAs). Benedict Cumberbatch's performance as bona fide genius Alan Turing has been mentioned as a potential award winner since it was first seen. Keira Knightley might also get another shot at the Oscar, playing Joan Clarke. It may get a Best Picture nod too.


If you thought this year's results were a shock (elevating Matthew McConaughey from romcom lunk to Oscar-winning actor), then next year might see something equally strange: Channing Tatum as an Oscar nominee. Foxcatcher ticks a lot of award category boxes: based on a true story, with Tatum, Steve Carell and Mark Ruffalo all playing real-life people. Directed by Bennett Miller, who has had awards success with Capote and Moneyball, it's likely to sweep the top categories with Carell's turn as troubled millionaire John du Pont a virtual lock.


If you go down to the woods today, you're in for a big surprise... Musicals have had something of a renaissance at the Oscars in the last few years, so expect to see Rob Marshall's take on Sondheim's Into The Woods feature. Will it net Meryl Streep an unparalleled 19th Oscar nomination for her role as the Witch? I'm not sure. But Marshall was nominated for his direction of Chicago and that film also swooped in to win, so anything is possible.

Other films that might get a look in:


Mr. Turner saw Timothy Spall win Best Actor at this year's Cannes Film Festival, which boosts his chances of an Oscar nod somewhat. It's perhaps an outside chance for Best Picture or Best Director, but Mike Leigh has been nominated for Best Screenplay a few times, so that's a possibility.

Joining Spall and Cumberbatch in the Best Actor nominations (almost definitely at the BAFTAs and even possibly for the Oscars) could be Eddie Redmayne who has been winning critical acclaim for his role as Stephen Hawking in The Theory Of Everything. 

Robert Downey Jr and Robert Duvall might get acting nods (Duvall as Supporting Actor, Downey Jr as lead) for their roles in The Judge. Critical opinion seems to be that they are great in an uneven script so one or both may be nominated.



Julianne Moore, who is criminally underrated in some quarters, is gaining Oscar buzz for her lead role in Still Alice, as a linguistics professor who receives a devastating diagnosis.


Reese Witherspoon could be aiming for her second Best Actress Oscar nomination and win for her performance in Wild, playing Cheryl Strayed, a woman who underwent an 1100-mile solo hike as a way to recover from a recent catastrophe. This could also see Laura Dern get a Best Supporting Actress nod as Cheryl's mum.

Big Eyes might seem like an odd Tim Burton project but this drama about one of the art world's biggest frauds (for years, Walter Keane passed off the work of his wife Margaret as his own) boasts some serious acting power with Amy Adams and Christoph Waltz signed on. Perhaps another one where the acting talent reaps the benefits?


The big blockbusters will be consigned to the technical awards as usual- sterling films like Guardians Of The Galaxy and not-so-sterling ones like Transformers: Age Of Extinction will crowd out Sound Editing and Visual Effects. But with the release of the final Hobbit film, could The Battle Of The Five Armies see a Lord Of The Rings-like sweep at next year's Oscars? Be interesting to see.

The timetable for the major awards in 2015 is as follows:

Film Independent Spirit Awards
Nominations announced: 25th November 2015
Awards Ceremony: 21st February 2015

Screen Actors Guild (SAG) Award
Nominations Announced: 10th December 2014
Awards Ceremony: 25th January 2015

Golden Globes
Nominations announced: 11th December 2014
Awards Ceremony: 11th January 2014 (hosted by Tina Fey and Amy Poehler)

Producers' Guild Of America (PGA) Award
Nominations Announced: 5th January 2015
Awards Ceremony: 24th January 2015

Writers' Guild Of America (WGA) Award
Nominations Announced: 7th January 2015
Awards Ceremony: 14th February 2015

Directors' Guild Of America (DGA) Award
Nominations Announced: 13th January 2015
Awards Ceremony: 7th February 2015

BAFTA Film Awards
Nominations announced: 9th January 2015
Awards Ceremony: 8th February 2015

Golden Raspberry Awards (Razzies)
Nominations Announced: 14th January 2015
Awards Ceremony: 21st February 2015

Academy Awards (Oscars)
Nominations announced: 15th January 2015
Awards Ceremony: 22nd February 2015 (hosted by Neil Patrick Harris)


As you can see, the Independent Spirit Award nominations are out today. This blog was written before I saw the nominations. A post will follow shortly.

Tez

Wednesday, 1 January 2014

Happy New Year from The Watchers!

 

Happy New Year!

We've got a whole new year of cinematic delights to sample and we can't wait!

Some of the big releases for 2014 are Transformers: Age Of Extinction, Guardians Of The Galaxy, The Amazing Spider-Man 2, X-Men: Days Of Future Past, The Expendables 3, The Hobbit: There And Back Again and Captain America: The Winter Soldier. 

The Watchers will be there for these and many more throughout the next 12 months and will share our opinions on the blog, the podcast and the show itself, so keep watching!

We hope 2014 is a sterling year for everyone!


Rhys, Matt & Tez
The Watchers

Monday, 23 December 2013

Review: The Hobbit: The Desolation Of Smaug (UK Cert 12A)


When the announcement came that J.R.R. Tolkien’s The Hobbit was getting dusted down and given a new lick of paint for the big screen, I was like a kid who had eaten all the blue Smarties. With The Lord of the Rings, Peter Jackson had done what many thought could never be done; to condense Tolkien’s books, which took the author twelve years to write and were not published until his retirement, into a trilogy of films that were incredible to watch, relevant, and could be enjoyed by anyone willing to give them a go. This time, however, it would be Guillermo del Toro who would be bringing us his vision of Middle Earth. There have been plenty of decisions that are announced during a film’s pre-production, only to be ripped apart on the internet by legions of devoted fans (Ben Affleck as Batman, Matt Smith as the Doctor), but having del Toro on board felt like the right choice. The writer/director has given us one of the best films of this century, Pan’s Labyrinth, but also knows how to set up attention-grabbing, fast-paced set pieces with the Hellboy films. Then came the legal nightmare concerning the rights to The Hobbit, leaving the film in limbo and forcing del Toro to move on to other projects. Eventually MGM and New Line Cinema managed to sort out their differences, only it would be Peter Jackson once again bringing Tolkien’s pages to the screen in what was, at first, going to be two films. This was followed by the shock news that The Hobbit would be split into three films. Depending on what versions you read, altogether The Lord of the Rings is over a thousand pages; The Hobbit takes up around three-hundred. When I sat down to watch part one, The Hobbit: An Unexpected Journey, I was more than a little bit concerned. What can Jackson do that has not already been done with The Lord of the Rings? How is he going to stretch this out over three films? Luckily, my worrying had been a waste of time as Jackson once again gave us a near enough perfect version of Tolkien’s work. A year later and part two has arrived: The Desolation of Smaug. While The Two Towers is, for me, the best visit so far to Middle Earth, The Desolation of Smaug gives it a good run for its money.

The star of the show is the dragon himself, Smaug the Magnificent. If you thought Gollum or King Kong were impressive, wait until you see this film’s fire breathing villain. Sean Connery’s dragon in Dragonheart, while impressive, was a fairy tale character brought to life. With Smaug, Jackson has created a living, breathing creature covered in scales that mirror the light around them, with a face that, despite being a mass of teeth, quickly swaps from gleeful menace to incensed rage, and a stomach that glows whenever the giant lizard is preparing to spurt flames. Just as Andy Serkis did an incredible job in making Gollum a real flesh-and-blood character, Benedict Cumberbatch does the same with Smaug. In Tolkien’s book, Smaug is a conceited creature with a wicked sense of humour (“You think flattery will keep you alive?”) and Cumberbatch gives us exactly that. Smaug is full of his own self-importance, master of his own little world. When Bilbo runs off with the Arkenstone, the dragon is driven by a violent, childlike fury. It feels like every blockbuster at the moment gives us robots, aliens or smurfs; it’s good to see a CGI character that actually has charisma.

Man of Steel’s Zack Snyder could do with sitting down and watching The Desolation of Smaug. You don’t need almost an hour of non-stop, chaotic action, just a handful of set pieces to keep your audience wide awake. In a year where plenty of films have given us big budget action, Jackson manages to come up with scenes that, for the majority of 2013’s blockbusters, beat them all. The barrel scene is, arguably, this year’s finest set piece (it’s easily one of 3D’s stand out moments) as the dwarves fight off an onslaught of orcs whilst tumbling down rivers and waterfalls. The entire scene is a ridiculous amount of fun and is littered with an impossible to count number of visual gags. Another crowd pleaser is the dwarves wandering through Mirkwood, the dark power of the forest playing with their minds. You get the feeling that, during his time co-writing the scripts for The Hobbit, Guillermo del Toro was responsible for this spooky, visually inventive scene. This is followed by the group stumbling into a giant spider’s nest, featuring plenty of close-ups of the spiders’ fangs and beady eyes.

While An Unexpected Journey focused on Bilbo transforming from a normal, unremarkable person, to finding his courage and becoming a smart, resourceful hero, The Desolation of Smaug is concerned with power in its various forms and how it corrupts. In what is a brief – but no less powerful – scene, Bilbo clutches the One Ring and hisses, “It’s mine. My precious!” Instantly realising who he sounds like, Bilbo is horrified, forcing back tears.

In the first part of The Hobbit trilogy, Thorin (Richard Armitage) was a noble, if somewhat arrogant, warrior. With part two, we begin to realise that all of this is façade, that Thorin is just like his grandfather, obsessed with gold and power, everything and everyone else coming second. Rather than help Bilbo escape from Smaug, he blocks his way, demanding to know if Bilbo found the Arkenstone, before standing aside.


Once again the performances from everyone involved are faultless (even if not all the actors get their fair share of screen time). When Martin Freeman was cast as Bilbo Baggins, I doubt anyone argued with Peter Jackson’s choice for the lead role. The phrase, “He/she was born to play the role” is used all too often by critics, however, when describing Freeman as Bilbo, this is how I would sum him up. Freeman understands what Tolkien’s book is about; that ordinary people can do great things. He has always done a great job in giving understated performances: Tim in The Office, Watson in Sherlock, and now Mr Baggins. Bilbo may be much braver in this latest adventure, but when he is frightened, you one-hundred-per-cent empathise with him. He might be a dab hand with a sword now, but Bilbo is still that same man who wants what we all want: to be at home, enjoying our simple, pleasurable routines.

Ian McKellen can play Gandalf in his sleep now, but it’s easy to forget just how brilliant he is. When Gandalf first appeared in The Fellowship of the Ring, McKellen literally took Tolkien’s beloved character and placed him on the big screen. Gandalf is wise, stubborn, hiding ferocious power behind his vagabond appearance. With The Desolation of Smaug, Gandalf does not get as much screen time as in other films, though when he is around, he firmly holds your attention.

Richard Armitage gets much more to do this time around as Thorin; we begin to question just how honourable his motives really are. When Bard (Luke Evans) warns Thorin that entering the Lonely Mountain will anger Smaug, making the dragon attack Esgaroth, Thorin refuses to listen. His mind on revenge and gold, Thorin continues with his quest, convinced that he will kill Smaug, find the Arkenstone, and that nothing can possibly go wrong.

Once again, The Desolation of Smaug is amazing to look at. Andrew Lesnie, who was cinematographer on The Lord of the Rings films, gives us tremendous landscapes that will once again have the New Zealand Tourist Board rubbing their mitts, while also creating moments that will easily scare the under twelve’s, such as Gandalf exploring the menacing Dol Goldur. All of this is accompanied by another score from Howard Shore, once again giving the visuals a sense of wonder or a slow, steady sense of unease when required.

A large number of critics have blasted The Hobbit films for being lightweight, that they do not examine the blurred line between good and evil that The Lord of the Rings trilogy did so well. Without sounding like I am apologising for Peter Jackson, the reason for this is down to Tolkien’s books. Normally I stay well clear of “The film’s not as good as the book” discussions, frankly (and bluntly) because I feel it’s pointless. Books are a medium that entertain their readers in a particular way, while film is a separate medium that uses entirely different methods to entertain an audience. Saying this, when The Hobbit was published way back in 1937, Tolkien aimed his book squarely at children. When Tolkien wrote the sequel, he wrote for those same children knowing that they had grown up and could handle subtext on how people are not necessarily good or evil, but are capable of both. If Peter Jackson had brought out The Hobbit films first AND THEN The Lord of the Rings, critics would never have mentioned how “kid-friendly” The Hobbit films are.

The one thing I will agree with critics on is that, while both Hobbit films are thrilling to watch from beginning to end, you do feel they very occasionally struggle to stretch out their nearly three-hour running time, and that perhaps two films would have been the better choice. With The Lord of the Rings films you could argue that some scenes and characters from Tolkien’s books were cut because Jackson was struggling to keep each film at three-hours (poor Tom Bombadil has yet to make it to one of Jackson’s films). For both Hobbit films, you feel that Jackson sometimes struggles with the material he has to work with and that action scenes, which are not in the books, are thrown in to compensate for this.

This is the only reason I would stop at giving The Desolation of Smaug five stars. I appreciate that I am, once again, being ludicrously picky here and this does not take away from the fact that the second Hobbit film is another near-faultless blockbuster in a year that has given us Iron Man 3, Man of Steel and Star Trek: Into Darkness. Peter Jackson will, I feel confident in saying, do the same with next year’s third and final part, There And Back Again, making his film versions of Tolkien one of the finest franchises you could ever sit down and watch.

Rating: 4 out of 5

Matt

Sunday, 16 December 2012

Special Watchers Podcast: The Hobbit


We review the Hobbit and then continue into our usual spoiler geek chat mode - but never fear if you have not seen it, we tell you when to stop listening and we turn into spoiler mode!! enjoy!