Awards Season 2021: The 93rd Academy Awards

In a list of "things you'd expect to see at an Oscars ceremony", I very much doubt that "Frances McDormand howling like a wolf" and "Glenn Close twerking" would make it on the list. But these are strange times and both of those things came to pass at a slightly (read, very) surreal night.

Starting off with a very Ocean's Eleven style tracking shot following first presenter Regina King as she walked through Los Angeles' Union Station to the hall where the Oscars were being presented, it was immediately clear that this wasn't going to be the usual awards ceremony. 

For those who were unable to travel to Los Angeles to attend the ceremony in person, the Academy set up hubs around the world- including Paris, Oslo, Prague, Sydney, Berlin, Stockholm, Seoul, Rome, Kilkenny, and a major one at the BFI in London- where nominees could go and still be able to be featured in the broadcast. Broadcast and lag issues seemed to be at a minimum, which was a positive. 

For the most part, I liked how the evening was divided up, with categories paired up where possible. I also liked that unnecessary frippery was avoided, and- even when the world does go back to whatever will pass for normalcy post COVID- the Academy would do well to consider keeping the ceremony stripped back. 

Some personal highlights for me: Emerald Fennell's gloriously British acceptance speech, Thomas Vinterberg's emotional dedication to his late daughter when accepting the Best International Film award, the passionate acceptance speech given by the hair and make-up team from Ma Rainey's Black Bottom, Youn Yuh-jung's acceptance speech, and Harrison Ford introducing the Best Film Editing award by reading out some of the edit notes given for Blade Runner. Whether they were real or not, who knows, but the joke landed really well.

On to the awards themselves.

Four out of six in my predictions. Interestingly, they shook things up a little by announcing Best Director relatively early in the telecast (it was the seventh award handed out) and Chloé Zhao's acceptance speech was particularly dignified. It is crazy to think that she's only the second female to win Best Director, and it took 93 years for the Academy to get round to nominating two women directors in the same year. They also announced Best Picture before Best Actress and Best Actor which felt a little strange (and also meant the ceremony finished on a bit of an anti-climax when Anthony Hopkins won Best Actor and the Oscar was accepted by the Academy on his behalf).

I'll be honest, of the four Best Actress performances I saw (I ran out of time to see The United States Vs Billie Holiday), Frances McDormand's was the one that I was least taken with. It's by no means a bad performance, or unworthy, but I didn't have the same emotional connection to it that I did with Viola Davis and Carey Mulligan. Purely a matter of taste, I think. 

However, whilst Anthony Hopkins' Best Actor win was a bit of a surprise- like many, I fully expected Chadwick Boseman's powerhouse performance in Ma Rainey's Black Bottom to seal the deal- his performance in The Father is, for me, a career high point. He gives an absolutely devastating performance as a man in the worsening grip of dementia, which left me feeling like I'd been put through the wringer. I would put The Father on a list of films that's excellent but I would never watch again.  

I was really pleased with The Father and Promising Young Woman's Screenplay nods, as well as Sound Of Metal's Sound award. 

Nomadland was the big winner of the night with three Oscars. However, in a strange kind of mirroring of the nominations, six films have the second-most awards, with Judas And The Black Messiah, Ma Rainey's Black Bottom, Sound Of Metal, Soul, Mank, and The Father all taking home two apiece. 

Despite multiple nominations, The Trial Of The Chicago 7, News Of The World, and One Night In Miami all went home empty-handed.

Below is the full list of winners at the 93rd Academy Awards:

Best Motion Picture of the Year: Nomadland

Best Actor: Anthony Hopkins (The Father)

Best Actress: Frances McDormand (Nomadland)

Best Supporting Actor: Daniel Kaluuya (Judas And The Black Messiah)

Best Supporting Actress: Yuh-jung Youn (Minari)

Best Director: Chloé Zhao (Nomadland)

Best Original Screenplay: Emerald Fennell (Promising Young Woman)

Best Adapted Screenplay: Christopher Hampton and Florian Zeller (The Father)

Best Animated Feature Film of the Year: Soul

Best International Feature Film of the Year: Another Round

Best Cinematography: Mank

Best Film Editing: Sound Of Metal

Best Production Design: Mank

Best Costume Design: Ma Rainey's Black Bottom

Best Makeup and Hairstyling: Ma Rainey's Black Bottom

Best Original Score: Soul

Best Original Song: 'Fight For You' (Judas And The Black Messiah)

Best Sound: Sound Of Metal

Best Visual Effects: Tenet

Best Documentary (Feature): My Octopus Teacher

Best Documentary (Short Subject): Colette

Best Animated Short Film: If Anything Happens I Love You

Best Live Action Short Film: Two Distant Strangers

Congratulations to all winners!

Right, it's nearly 5:30am here in the UK and I should really get some sleep. Time to put awards season away for another year. Thank you for your indulgence with this indulgence. Normal service will resume shortly.

Awards Season 2021: BAFTA Film Awards Nominations

Afternoon all!

Bit of a surprise to find that the announcement of this year's BAFTA Film Awards nominations was not done at 7:30am, but at the more sedate time of 2:00pm. This year, it was Aisling Bea (This Way Up, Live At The Apollo) and Susan Wokoma (Enola Holmes, Chewing Gum) who did the honours, at the Royal Albert Hall.  

Here's a selection of the nominees:

BEST FILM

The Father

The Mauritanian

Nomadland

Promising Young Woman

The Trial Of The Chicago 7

OUTSTANDING BRITISH FILM

Calm With Horses

The Dig

The Father

His House

Limbo

The Mauritanian

Mogul Mowgli

Promising Young Woman

Rocks

Saint Maud

LEADING ACTOR

Riz Ahmed (Sound Of Metal)

Chadwick Boseman (Ma Rainey's Black Bottom)

Adarsh Gourav (The White Tiger)

Anthony Hopkins (The Father)

Mads Mikkelsen (Another Round)

Tahar Rahim (The Mauritanian)

LEADING ACTRESS

Bukky Bakray (Rocks)

Radha Blank (The Forty-Year-Old Version)

Vanessa Kirby (Pieces Of A Woman)

Frances McDormand (Nomadland)

Wunmi Mosaku (His House)

Alfre Woodard (Clemency)

SUPPORTING ACTOR

Daniel Kaluuya (Judas And The Black Messiah)

Barry Keoghan (Calm With Horses)

Alan Kim (Minari)

Leslie Odom Jr. (One Night In Miami...)

Clarke Peters (Da 5 Bloods)

Paul Raci (Sound Of Metal)

SUPPORTING ACTRESS

Niamh Alger (Calm With Horses)

Kosar Ali (Rocks)

Maria Balakova (Borat Subsequent Moviefilm)

Dominique Fishback (Judas And The Black Messiah)

Ashley Madekwe (County Lines)

Youn Yuh-jung (Minari)

DIRECTOR

Lee Isaac Chung (Minari)

Sarah Gavron (Rocks)

Shannon Murphy (Babyteeth)

Thomas Vinterberg (Another Round)

Jasmila Žbanić (Quo Vadis, Aida?)

Chloé Zhao (Nomadland)

A full list of nominees can be found here.

This year, BAFTA announced longlists for all categories, so you can see what was in contention for nominations here. 

Nomadland and Rocks- a drama about a teenage girl forced to take care of herself and her younger brother when they are abandoned by their mother- lead the nominations with seven apiece, with The Father, Mank, Minari, and Promising Young Woman gaining six nods each (although that one of Promising Young Woman's nominations did not come for Carey Mulligan's central performance will no doubt raise a few eyebrows). 

A lot of the more common names thrown around this awards season- such as David Fincher, Regina King, Viola Davis, and Glenn Close- haven't shown up at the BAFTAs, although this is not necessarily a surprise; BAFTA has always skewed towards British talent and British films, so the absence of shouldn't necessarily concern anyone for next week's Oscar nods. 

Along with Carey Mulligan's non-inclusion, it is also surprising not to see nominations for Olivia Colman (The Father), Sacha Baron Cohen (The Trial Of The Chicago 7) or Gary Oldman (Mank). They're all likely to get Oscar nominations next week, and each of their respective films are eligible and in contention. That said, there's been a wide selection of very diverse films that have been honoured this year (50 films in total across all categories). 

The nominees for the 2021 Rising Star award - the only BAFTA awarded by public vote- have also been announced: Bukky Bakray, Kingsley Ben-Adir, Morfydd Clark, Ṣọpẹ́ Dìrísù, and Conrad Khan. Find out more about them, and cast your vote here. 

This year's BAFTAs will be given out in two separate, virtual ceremonies: the craft awards (cinematography, production design, sound etc.) will be given out on Saturday 10th April 2021, whilst the more mainstream categories (acting categories, director, Best Film etc.) get awarded on Sunday 11th April 2021. Further news on how the ceremonies will work will be forthcoming. 

Congratulations to all nominees!

There'll be another (short) post later with the nominees for this year's Directors' Guild Awards. 

Awards Season 2021: Film Independent Spirit Awards Nominations

OK, folks. Awards season is now upon us, with today's announcement of the nominees for the 36th Film Independent Spirit Awards. These awards recognise films made wholly or partly outside the traditional studio system (although there is becoming an increasingly wide overlap between these and the more 'mainstream' awards).

Below is a selection of nominations:

Best Feature

First Cow

Ma Rainey's Black Bottom

Minari

Never Rarely Sometimes Always

Nomadland

Best Director

Lee Isaac Chung (Minari)

Emerald Fennell (Promising Young Woman)

Eliza Hittman (Never Rarely Sometimes Always)

Kelly Reichardt (First Cow)

Chloé Zhao (Nomadland)

Best Male Lead

Riz Ahmed (Sound Of Metal)

Chadwick Boseman (Ma Rainey's Black Bottom)

Adarsh Gourav (The White Tiger)

Rob Morgan (Bull)

Steven Yeun (Minari)

Best Female Lead

Nicole Beharie (Miss Juneteenth)

Viola Davis (Ma Rainey's Black Bottom)

Sidney Flanigan (Never Rarely Sometimes Always)

Julia Garner (The Assistant)

Frances McDormand (Nomadland)

Carey Mulligan (Promising Young Woman)

Best Supporting Male

Colman Domingo (Ma Rainey's Black Bottom)

Orion Lee (First Cow)

Paul Raci (Sound Of Metal)

Glynn Turman (Ma Rainey's Black Bottom)

Benedict Wong (Nine Days)

Best Supporting Female

Alexis Chikaeze (Miss Juneteenth)

Yeri Han (Minari)

Valerie Mahaffey (French Exit)

Talia Ryder (Never Rarely Sometimes Always)

Yuh-Jung Youn (Minari)

A full list of nominees can be found here.

With seven nominations, Never Rarely Sometimes Always leads the pack, with Minari at six, and Ma Rainey's Black Bottom and Nomadland have five apiece.

For the first time this year, the Independent Spirit Awards will honour television series as well as films, with five new categories. In this inaugural batch of nominations, I May Destroy You, Little America, Small Axe, and Unorthodox were all honoured. 

The Film Independent Spirit Awards will be given out on Thursday 22nd April 2021, breaking with the usual tradition of them being handed out the day before the Oscars. This is due to the ongoing COVID-19 pandemic which means the traditional location for the awards (a big white marquee on the Santa Monica Beach) will most likely be unviable.

Congratulations to all nominees!

Next stop on the awards season hypetrain is the Golden Globe nominations, which will be out on Wednesday 3rd February.

Awards Season 2018: The 90th Academy Awards

All in all, it was a night of no real surprises, but pleasant enough. 

Unlike last year, this year's Oscars ceremony didn't do anything controversial. Hell, even the winners were pretty safe (for the most part- a film about Russian doping at the Olympics winning Best Documentary Feature might be classed as a bit dicey).

Jimmy Kimmel returned as host; although general critical reception was a bit mixed, I enjoyed his performance for the most part, so was glad to see him back. It was kind of the same this year: mostly, he did well, and he acknowledged when things didn't hit. His opening speech made reference to last year's Best Picture farrago, the disgrace of Harvey Weinstein, and the #TimesUp and #MeToo movements (which were mentioned quite a bit, as you'd expect). This year's gimmick was to take a bunch of A-listers over to a nearby cinema to thank the cinema-going public for their continued support (an interesting idea, but one which one of the included montages did with a bit more style and grace). Another interesting idea was- to streamline the show as much as possible- Kimmel was giving away a jetski as a prize for the shortest acceptance speech (won by costume designer Mark Bridges whose acceptance speech was a positively svelte 36 seconds). 

Some of the guest presenters were better than others- there were a couple of lovely introductions by previous Oscar winners Eva Marie Saint and Rita Moreno who presented Best Costume Design and Best Foreign Language Film respectively, and I quite enjoyed the banter between Jennifer Lawrence and Jodie Foster (who was on crutches) suggesting that she'd been crocked by Meryl Streep! 

The musical numbers- for each of the Best Original Song nominees- were very diverse in their performances, with 'Remember Me' from Coco going for a full production number, whilst Sufjan Stevens gave a very different (and much more stripped back) performance for Call Me By Your Name's 'The Mystery Of Love'. My favourite performance, however, came from Keala Settle who gave an absolutely storming rendition of 'This Is Me' from The Greatest Showman. There was also a poignant performance by Eddie Vedder of the late Tom Petty's 'Room At The Top' for the In Memoriam section. 

On to the awards themselves...

So, five out of six is alright. I'm not at all surprised that The Shape Of Water won Best Picture, and it is a worthy winner of the top prize (I did like that Guillermo del Toro checked the envelope before starting his acceptance speech!). All the acting categories fell as expected, with Gary Oldman giving a lovely speech which ended with him asking his 99-year-old mum to put the kettle on, and then Frances McDormand giving a typically no-f's-given speech which brought the crowd in the Dolby Theatre to its feet. Sam Rockwell was the first winner of the evening (as Best Supporting Actor was the first award of the night), and Allison Janney gave a touching, self-deprecating speech which was lovely. 

I was very pleased with The Silent Child's win for Best Live Action Short Film; it's the story of a profoundly deaf child who struggles to communicate. It's a British film, and writer Rachel Shenton used sign language in her acceptance speech. I was also very pleased with James Ivory winning Best Adapted Screenplay; at 89, he is the oldest man to have won a competitive Academy Award. After thirteen non-starts, cinematographer Roger Deakins found fourteen was the charm as he finally clinched an Oscar for his work on Blade Runner 2049. He gave a humble and rather charming acceptance speech. Also, basketball superstar Kobe Bryant can now add an Oscar to his list of accolades, as he won for writing the Best Animated Short Film Dear Basketball. 

The Shape Of Water was the big winner of the night, taking home four Oscars, with Dunkirk taking home three, and Three Billboards Outside Ebbing, Missouri, Darkest Hour, Coco, and Blade Runner 2049 winning two Oscars apiece. Despite multiple nominations, there was nothing for Lady Bird, Mudbound, Star Wars: The Last Jedi, or Baby Driver. 


Below is the full list of winners at the 90th Academy Awards:

Best Motion Picture of the Year: The Shape Of Water

Best Actor: Gary Oldman (Darkest Hour)

Best Actress: Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Best Supporting Actor: Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Best Supporting Actress: Allison Janney (I, Tonya)

Best Director: Guillermo del Toro (The Shape Of Water)

Best Original Screenplay: Jordan Peele (Get Out)

Best Adapted Screenplay: James Ivory (Call Me By Your Name)

Best Animated Feature Film of the Year: Coco

Best Foreign Language Film of the Year: A Fantastic Woman

Best Cinematography: Blade Runner 2049

Best Editing: Dunkirk

Best Production Design: The Shape Of Water

Best Costume Design: Phantom Thread

Best Makeup and Hairstyling: Darkest Hour

Best Original Score: The Shape Of Water

Best Original Song: 'Remember Me' (Coco)

Best Sound Mixing: Dunkirk

Best Sound Editing: Dunkirk

Best Visual Effects: Blade Runner 2049

Best Documentary (Feature): Icarus

Best Documentary (Short Subject): Heaven Is A Traffic Jam On The 405

Best Animated Short Film: Dear Basketball

Best Live Action Short Film: The Silent Child


Congratulations to all winners!

So that's awards season done for another year. Thank you all for your patience and your indulgence. It's time to put awards shenanigans to bed until November. Speaking of putting things to bed, I'm going to put myself to bed. It's 6:15am here in the UK, and I could really do with some sleep. 

Tez

Awards Season 2018: Tez's Official Oscar Predictions

Tonight, the great and good of Hollywood will convene to celebrate the best of film-making in 2016 at the 90th Academy Awards, which will be hosted by Jimmy Kimmel for the second time. Hopefully there won't be anything as controversial as the La La Land/Moonlight mix-up (although Faye Dunaway and Warren Beatty are returning to hand out Best Picture again!), but given everything that's happened in the intervening year (Weinstein, Spacey, #MeToo and #Time'sUp, not to mention a year of President Trump), I wouldn't bet on it!

It has become a tradition for me to predict the nominations and the winners in the main six categories (the four acting categories, Best Director and Best Picture).  I've done this since 2003 with varying degrees of success. 

So, without further ado, here are my predictions for who will win.

Best Supporting Actress: Allison Janney (I, Tonya)

Allison Janney has been the standout winner of the Best Supporting Actress awards throughout this awards season, with the Golden Globes, Screen Actors' Guild, Critics' Choice, BAFTA, and Independent Spirit Awards all giving her this honour for her brilliant, foul-mouthed performance as Tonya Harding's abusive and pretty loathsome mother LaVona. Never withou a cigarette or an insult on her lips, there's no attempt to soften or ameliorate the character. LaVona's a monster and Janney plays that to the hilt. 

Best Supporting Actor: Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Another standout winner of this awards season, Rockwell's turn as the dimwatt racist hick police officer Jason Dixon who butts heads with the force of nature that is Mildred Hayes has garnered accolades from most major awards bodies, so I really don't see the Academy giving it to anyone else. It would be very easy for Dixon to be played as a stereotype or as broad, but Rockwell's superb performance lifts him from just being the comic relief. 

Best Actress: Frances McDormand (Three Billboards Outside Ebbing, Missouri)

21 years after winning the Best Actress Oscar for her role in Fargo, Frances McDormand could well be adding a second one to her collection for her powerhouse performance as grieving mother Mildred Hayes. Mildred is a gift of a character: forthright, angry, upset, guilty, frustrated, determined. McDormand takes the role with both hands and runs with it. An absolutely fantastic performance that should rightfully take home the gold tonight. 

Best Actor: Gary Oldman (Darkest Hour)

I think a lot of people think this is a foregone conclusion. Oldman's performance as Winston Churchill is just superlative. Buried beneath some astonishing prosthetics, Oldman goes beyond mimicry to find an authentic and very believable take on Churchill. Whilst the film itself is a little patchy, you cannot deny that Oldman's performance is powerful. 

Best Director: Guillermo del Toro (The Shape Of Water)

Apart from Jordan Peele at the Independent Spirit Awards, all other bodies have given Best Director to Guillermo del Toro and that pattern is more than likely to repeat tonight- and it'll be incredibly well deserved. The world del Toro has created in The Shape Of Water is sublime, he gets strong performances from his entire cast, and the visual aspects of the film are stunning. 

Best Picture: Three Billboards Outside Ebbing, Missouri

Now, this is the one I'm torn on. Basically, I'm of the opinion that it is between Three Billboards Outside Ebbing, Missouri and The Shape Of Water for the big award. Both films have their merits and both films have taken the Best Picture prizes at various other awards ceremonies. So, I won't be at all surprised if I'm wrong and The Shape Of Water wins (although I'm not sure whether the older generation of Academy voters may find the implication of a woman falling in love with an aquatic creature distasteful). But for me, given the climate that we're currently in- where race and gender equality are firmly in the spotlight- I think the Academy will back Three Billboards Outside Ebbing, Missouri. 

As for some of the other categories, I think it'll be Phantom Thread for Best Costume Design, Call Me By Your Name for Best Adapted Screenplay, Coco for Best Animated Feature and 'Remember Me' for Best Original Song (although I preferred 'This Is Me' from The Greatest Showman personally). 

I'll be watching live tonight to watch all the action unfold from the Dolby Theatre. I'll do a post tomorrow with my thoughts on the ceremony and a list of all the winners. 

Now for some industrial strength caffeine to help me power through!

Tez

Awards Season 2018: Independent Spirit Awards Winners

This is the first of two (possibly three?) posts today about awards season, as it all comes to the grand finale tonight with the 90th Academy Awards. They can be viewed on a dedicated Sky Movies channel in the UK and on ABC in the US.

But before I get on to post my Oscar predictions, there's one more awards body to get out of the way first. 

Yesterday- Saturday 3rd March- saw the handing out of the 33rd Film Independent Spirit Awards, in a ceremony hosted by Nick Kroll (Loving, Sing, Vacation) and John Mulaney (Mayne Street, Saturday Night Live) for the second year running.

As you no doubt know by now, the Independent Spirit Awards honour films made (partly or wholly) outside the major film studio system. Some of the winners are below.

Best Feature: Get Out

Best Female Lead: Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Best Male Lead: Timothee Chalamet (Call Me By Your Name)

Best Supporting Female: Allison Janney (I, Tonya)

Best Supporting Male: Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Best Director: Jordan Peele (Get Out)

Best Screenplay: Greta Gerwig (Lady Bird)

Best First Screenplay: Emily V. Gordon and Kumail Nanjiani (The Big Sick)

Best Cinematography: Call Me By Your Name

Best First Feature: Ingrid Goes West

Best International Film: A Fantastic Woman

Best Documentary: Faces Places

John Cassavetes Award: Life And Nothing More

The John Cassavetes Award is given to the creative team of a film budgeted at less than $500,000. The full list of winners can be found here.

A fairly even spread of awards, with no one film totally dominating. Get Out, Call Me By Your Name, Three Billboards Outside Ebbing, Missouri, and I, Tonya all came away with two awards each. 

With wins here, McDormand, Janney, and Rockwell surely cement their positions for winning the Oscars (but more on that later). I'm really pleased with both of Call Me By Your Name's wins- Timothee Chalamet's central performance is just superb and Sayombhu Mukdeeprom's cinematography is utterly gorgeous. 

Get Out is a very worthy winner of Best Picture and of Best Director, but it may struggle to replicate that success at the Oscars, due to it being up against more mainstream fare. However, in a hotly contested Original Screenplay category, it could be taking at least one statuette home. 

So, with that done, this just leaves the main event: the Oscars tonight. As promised, my predictions for the big winners will be coming later today.

Awards Season 2018: BAFTA Film Awards Winners

Tonight (Sunday 18th February), at the Royal Albert Hall, the 71st British Academy Film Awards were given out in a star-studded ceremony, hosted by the frankly wonderful Joanna Lumley for the first time. 

Julie Walters, Kristin Scott Thomas, Daniel Day-Lewis, Salma Hayek, Lesley Manville, Daniel Kaluuya, Margot Robbie, Gary Oldman, Sam Rockwell, Sally Hawkins, Annette Bening, Willem Dafoe, Timothee Chalamet, Chiwetel Ejiofor, Frances McDormand, and Hugh Grant were among some of the stars in attendance to celebrate the best in film.

Here's a full list of BAFTA winners:

Best Film: Three Billboards Outside Ebbing, Missouri

Outstanding British Film: Three Billboards Outside Ebbing, Missouri

Leading Actor: Gary Oldman (Darkest Hour)

Leading Actress: Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Supporting Actor: Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Supporting Actress: Allison Janney (I, Tonya)

Director: Guillermo del Toro (The Shape Of Water)

Original Screenplay: Three Billboards Outside Ebbing, Missouri

Adapted Screenplay: Call Me By Your Name

Outstanding Debut By A British Writer, Director Or Producer: Rungano Nyoni (writer/director), Emily Morgan (producer) (I Am Not A Witch)

Animated Film: Coco

Documentary: I Am Not Your Negro

Film Not In The English Language: The Handmaiden

Cinematography: Blade Runner 2049

Costume Design: Phantom Thread

Editing: Baby Driver

Make Up And Hair: Darkest Hour

Original Music: The Shape Of Water

Production Design: The Shape Of Water

Sound: Dunkirk

Special Visual Effects: Blade Runner 2049

Short Animation: Poles Apart

Short Film: Cowboy Dave

Rising Star: Daniel Kaluuya

Outstanding British Contribution To Cinema: National Film And Television School

BAFTA Fellowship: Ridley Scott


The evening started with a dazzling display by Circe du Soleil, based on The Shape Of Water. Joanna Lumley was great as host, having an easy charm and handling some of the less well constructed links with aplomb. Many speeches referred the Time's Up movement, and many actresses were dressed in black (as at the Golden Globes). Guillermo del Toro's speech was touching, citing his admiration for Mary Shelley, whilst Ridley Scott's fellowship acceptance was also good- talking about the importance of teachers- although Frances McDormand's acceptance speech was probably the highlight of the evening. 

Three Billboards Outside Ebbing, Missouri was the big winner of the night, taking home five awards, with The Shape Of Water winning three, and Darkest Hour and Blade Runner 2049 with two each. 

Congratulations to all winners!

There's another break now in the awards season calendar- you get about 2 weeks off from all this nonsense- but it leads up to a busy weekend as the Film Independent Spirit Awards and the Golden Raspberry Awards will be handed out on Saturday 3rd March, with the main event- the 90th Academy Awards- a day later on Sunday 4th March. 

Almost there, people. Almost there!

Awards Season 2018: Producers' Guild Awards (PGA) Winners and Screen Actors' Guild (SAG) Awards Winners

This is the first of three awards season posts that'll be coming up today, so without further ado, let's get get on with it. We start with a couple of Guild Awards winners. 

PRODUCERS' GUILD AWARDS (PGA) WINNERS

On Saturday 20th January, the Producers' Guild of America announced its winners for the 2018 Producers' Guild Awards. 

The film winners are:

Outstanding Producer of Theatrical Motion Pictures: The Shape Of Water

Documentary Film: Jane

Outstanding Producer of Animated Theatrical Motion Pictures: Coco


This is a major step forward for The Shape Of Water's chances of netting Best Picture at the Oscars, although it's far from a done deal. I'm also not surprised to see Coco win for the Animated Feature. 

SCREEN ACTORS' GUILD (SAG) AWARDS WINNERS

Yesterday (21st January), the Screen Actors' Guild Awards were announced. Here are the film winners:

Outstanding Performance by a Cast in a Motion Picture: 

Three Billboards Outside Ebbing, Missouri

Outstanding Performance by a Male Actor in a Leading Role: 

Gary Oldman (Darkest Hour)

Outstanding Performance by a Female Actor in a Leading Role: 

Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Outstanding Performance by a Male Actor in a Supporting Role: 

Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Outstanding Performance by a Female Actor in a Supporting Role: 

Allison Janney (I, Tonya)

Outstanding Action Performance by a Stunt Ensemble in a Film:

Wonder Woman

The usual suspects, all present and correct. 


Later today, the nominations for this year's Razzie Awards will be announced, so look out for them later.

Review: Three Billboards Outside Ebbing, Missouri (UK Cert 15)

What would you do if a loved one died and the authorities were lax in their handling of the case? Would you complain to your local politican? Write letters? Or would you hire billboards in your town calling the police out on their inaction? For one grieving mother, that's exactly what she does in Three Billboards Outside Ebbing, Missouri, a darkly comic drama written and directed by Martin McDonagh (In Bruges, Seven Psychopaths)

Eight months ago, Mildred Hayes' daughter Angela was killed in a truly horrific manner. However, the investigation has yet to turn up any credible leads. Tired of no progress in the case, Mildred decides to take matters into her own hands. Hiring three disused billboards on a mostly unused road just outside the town, Mildred puts up a stark message to the Ebbing police to induce them to solve Angela's murder. This sets her on a collision course with the police and other townsfolk who- whilst sympathetic to her plight- see the billboards as unneeded aggression. But Mildred's not backing down without a fight...

Frances McDormand plays Mildred with a mix of steely reserve and brittleness. Still grieving for the loss of her daughter, frustrated with any lack of progress, she sweeps through Ebbing like an avenging (or exterminating) angel, pushing buttons and putting people's backs up. And she could care less. She gives the local reverend short shrift when he comes to appeal to her to take the billboards down (in one of the strongest scenes of the film) and even defends herself against an angry dentist with a well-placed drill to the fingernail. Yet there are moments when the grief overtakes her and you genuinely feel for the character.  It's an absolutely superb performance from McDormand who- with the Golden Globe and Critics' Choice Awards already under her belt- is frontrunner to add a second little gold man to her mantelpiece come March. 

Woody Harrelson gives strong support as police chief Bill Willoughby, fighting Mildred's ire whilst dealing with his own personal tragedy. Whilst he's only in the film for the first half, his presence is felt throughout and he puts in a stoic, funny turn. Sam Rockwell is great as the dimwitted racist Officer Jason Dixon who butts heads with Mildred more than once. An arrogant drunkard momma's boy, Dixon swaggers through the town thinking he's untouchable- until even he crosses a line. It could easily be a one-note performance but there are layers to Rockwell's performance that elevate the character from just an archetypal racist hick. 

Lucas Hedges (so good in Manchester By The Sea) is similarly great as Mildred's son Robbie. Whilst dealing with his own grief, he must also look out for his mother as she wages her war of attrition against the cops, and- for me- gets one of the best one-liners in the film. Peter Dinklage puts in a decent turn as the lovelorn car salesman James, whilst John Hawkes appears fleetingly but powerfully as Mildred's violent ex-husband Charlie. There's also nice performances by Abbie Cornish as Bill's wife Anne, Caleb Landry Jones as billboard letter Red Welby, and Samara Weaving as Charlie's new, younger, dumber girlfriend. 

The script is ferocious, funny, and foul-mouthed, with some stingingly baroque insults thrown around. It touches on issues of race- Dixon is accused of having tortured a black suspect- but doesn't fully explore them (although that would make this a much different film). Whilst there isn't a feeling of definitive closure at the end of the film, there is a sense of an ending as Mildred and Dixon ponder their next moves. Ben Davis' cinematography is superb, especially with the evocative shots of the Missouri countryside- the opening shots of the derelict billboards wreathed in early morning mist is particularly striking- whilst Carter Burwell's spaghetti Western inspired score and a truly eclectic soundtrack (ranging from 'Chiquitita' to 'The Night They Drove Ol' Dixie Down') adds to the mood of the film. 

Well-acted, well-written, well-directed, it's not difficult to see why Three Billboards Outside Ebbing, Missouri is hoovering up awards acclaim left, right, and centre. A powerful film. 

Rating: 4.5 out of 5

Tez

Awards Season 2018: Critics' Choice Movie Award Winners and Directors' Guild Awards (DGA) Nominations

There's a double dose of awards season goodness for you today, so let's get on with it!

* * *

CRITICS' CHOICE MOVIE AWARD WINNERS

Last night (11th January), the Critics' Choice Awards were handed out. Here's a full list of film winners:

Best Picture: The Shape Of Water

Best Actor: Gary Oldman (Darkest Hour)

Best Actress: Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Best Supporting Actor: Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Best Supporting Actress: Allison Janney (I, Tonya)

Best Acting Ensemble: Three Billboards Outside Ebbing, Missouri

Best Director: Guillermo del Toro (The Shape Of Water)

Best Animated Feature: Coco

Best Original Screenplay: Get Out

Best Adapted Screenplay: Call Me By Your Name

Best Comedy: The Big Sick

Best Actor In A Comedy: James Franco (The Disaster Artist)

Best Actress In A Comedy: Margot Robbie (I, Tonya)

Best Action Movie: Wonder Woman

Best Sci-Fi/Horror Movie: Get Out

Best Foreign Language Film: In The Fade

Best Score: The Shape Of Water

Best Song: 'Remember Me' (Coco)

Best Production Design: The Shape Of Water

Best Editing: Baby Driver and Dunkirk (tie)

Best Costume Design: Phantom Thread

Best Hair & Makeup: Darkest Hour

Best Visual Effects: War For The Planet Of The Apes

Best Cinematography: Blade Runner 2049

Best Young Actor/Actress: Brooklynn Prince (The Florida Project)


The Shape Of Water was the biggest winner of the evening with four awards, whilst Three Billboards Outside Ebbing, Missouri got three. There's a definite pattern emerging with the major category winners...

* * *

DIRECTORS' GUILD OF AMERICA (DGA) AWARDS NOMINATIONS

Yesterday also saw the shortlist for this year's Directors' Guild Awards announced. Here are the nominees in the Feature Film category:

Guillermo del Toro (The Shape Of Water)

Greta Gerwig (Lady Bird)

Martin McDonagh (Three Billboards Outside Ebbing, Missouri)

Christopher Nolan (Dunkirk)

Jordan Peele (Get Out)

An interesting and diverse selection; this is Guillermo del Toro's first DGA nomination (and he's pretty much favourite to win). There's been a bit of surprise to Greta Gerwig and Jordan Peele's nominations- ahead of Steven Spielberg (The Post), Ridley Scott (All The Money In The World) or Luca Guadagnino (Call Me By Your Name)- but they've both had previous nominations in other awards bodies, so it's not as if they've come from nowhere. Interestingly, Greta Gerwig is the eighth woman to be nominated for the Feature Film award, whilst Jordan Peele is the fourth man of colour. However, this is the first year that a white American male director has not been nominated. 

The winners will be announced on 3rd February. 

There's now a week's respite from awards seasons stuff; we'll pick back up on 21st January with the Producers' Guild Awards (PGA) winners before a very busy few days leading up to the Oscar nominations on 23rd January.